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I Didn't Know What Time It Was arranged by Marion Linton. For jazz choir (SAATB choir, a cappella). Jazz, Swing, Medium. Level 3. Set of 16 octavos. Published by UNC Jazz Press (NC.VJ714). This gem of a tune is seldom performed, but it is given a new life in this charming arrangement. This is a great opportunity for a strong, swinging soprano to take the reins while the ensemble has comping figures. A catchy unison vocalese soli for the women, and then for the men, make this arrangement fun for both the performer and the audience. SAATB a cappella.
$50.00

Genres: Swing, Jazz & Blues
What Is This Thing Called Love? by Marion Linton. For jazz choir (SSATB choir, a cappella). Swing, Medium, Jazz. Level 4. Set of 16 octavos. Published by UNC Jazz Press (NC.VJ723). A vamp is used throughout this up-beat Cole Porter tune as an introduction, interlude, ending and even as accompaniment for a be-bop chorus where high women's voices bemoan the pain of love gone wrong. Soprano, as solo or section, is featured on melody throughout this chart. SSATB a cappella.
$50.00

Genres: Swing, Jazz & Blues
Shuffle Off To Buffalo by Warren & Dubin. Arranged by Marion Linton. For jazz choir (SSAAA choir, a cappella). Swing. Level 4. Set of 16 octavos. Published by UNC Jazz Press (NC.VJ724). This arrangement takes the listener on a captivating journey by train from a Buffalo of the 40's to one of the 90's. Equipped with train sounds and humorous quotes, this Warren/Dubin tune is lively and fun to sing. Each chorus is introduced with a rubato verse which creates a pleasing contrast. SSAAA a cappella.
$45.00

Genres: Swing, Jazz & Blues
Beep-bop by Bill 'Orange' Lyons. For jazz choir (SATBB choir). Swing. Level 3. Set of 16 octavos. Published by UNC Jazz Press (NC.VJ736). (Level III) This original composition was designed to feature the bass man. He gets to scat the final two choruses, joined the last time by a soprano performing a jazz descant. The top of the chart features a tenor on the melody. Add all that to the up-tempo, swing-feel and it makes for a very fun, boppin', jazz-time tune. SATBB.
$40.00

Genres: Swing, Jazz & Blues
True Lover by Bill 'Orange' Lyons. For jazz choir (mixed choir, a cappella). Ballad, Funk, Jazz. Level 3. Set of 16 octavos. Published by UNC Jazz Press (NC.VJ741). A Cappella, Level III, Level 3, ballad, funk, SATB, SAB, voice, vocal, group, choir, ensemble, jazz.
$40.00

Genres: Jazz & Blues
Candy arranged by Kirk Marcy. For jazz choir (SATB choir with string bass). Swing. Level 3. Set of 16 octavos with rhythm parts. Published by UNC Jazz Press (NC.VJ752). This sophisticated, yet easy-to-prepare arrangement is written as a quieter, middle of the concert, change of pace. Smooth vocal harmonies, accompanied by string bass only make this unique arrangement something special for your group. If you have a SATB with string bass.
$45.00

Genres: Swing, Jazz & Blues
On Green Dolphin Street by Kirk Marcy. For jazz choir (SATB choir with rhythm section). This edition: Rhythm Parts Written Out. Swing, Medium. Level 3. Set of 16 octavos with rhythm parts. Published by UNC Jazz Press (NC.VJ759). The standard jazz tune arranged with easy-to-sing voice leading. Good introduction into a classic jazz tune. SATB with rhythm section.
$40.00

Genres: Swing, Jazz & Blues
Three Little Words arranged by Kirk Marcy. For jazz choir (SSATBB choir with rhythm section). Swing. Level 3. Set of 16 octavos with rhythm parts. Published by UNC Jazz Press (NC.VJ764). This fun arrangement will feature the members of your trio with several two-bar 'step-out' solos. The vocals alternate between unison and 4-part, with several 5 and 6-part chords. Open solo section will provide opportunities for your students. SSATBB with rhythm section.
$50.00

Genres: Swing, Jazz & Blues
Strange New World by Kerry Marsh. For jazz choir (SATB choir with rhythm section). This edition: Rhythm Parts Written Out. Jazz, ECM, Straight 8th. Kerry Marsh Series. Level 4. Set of 16 octavos with rhythm parts. Published by UNC Jazz Press (NC.VJ776). (Level IV) This chart tells the story of a person whose life has been touched by difficulty, facing alienation and isolation, but over time is able to overcome these barriers. The music carries this story and helps paint a vivid and touching picture. Musically, it is a mixture between ECM and pop sounds and is a strong and memorable piece in a concert for its unique approach. Features a tenor sax solo. SATB w/ rhythm section.
$55.00

Genres: Jazz & Blues
Lillette by Bob Martin. For jazz choir (TTBB choir, a cappella). Swing. Level 3. Set of 5 octavos. Published by UNC Jazz Press (NC.VJ788). (Level III) This is a somewhat rare tune performed by the Nat Cole trio in his early days. It starts out with a rubato verse going into a snappy chorus with tons of fun syncopated rhythms that keep things moving. Stop time kicks in the tag send this one off with a bang. TTBB A Cappella.
$25.00

Genres: Swing, Jazz & Blues
Sunday arranged by Bob Martin. For jazz choir (TTBB choir, a cappella). Swing. Level 3. Set of 5 octavos. Published by UNC Jazz Press (NC.VJ789). (Level III) A very happy version inspired by Sinatra's famous recording. The bass leads in with everyone on words right off the bat. There are fun syncopations and falls in the chorus with a half-step modulation and no pivot chord (a sort of key 'slam'). Saturday Night is the Loneliest Night of the Week quoted in the tag. This is a very fun arrangement. TTBB A Cappella.
$25.00

Genres: Swing, Jazz & Blues
And The Angels Sing by Bob Alcivar. For jazz choir (SATBB choir with rhythm section). Swing. Level 3. Set of 16 octavos. Published by UNC Jazz Press (NC.VJ8). (Level III) A seldom-heard standard with The Signatures' swing treatment. There is an open section for an instrumental solo, lots of spread voicings, and a strong finish. SATBB w/ Rhythm.
$40.00

Genres: Swing, Jazz & Blues
Harlig ar jorden (SSC-2), rhythm parts by Traditional. Arranged by Ward Swingle. For jazz choir (SSAATTBB choir, bass and drums). Jazz. Swingle Singers Series. Set of rhythm parts. Published by UNC Jazz Press (NC.VJ1433-R). (Traditional) SSAATTBB, bass and drums. Throughout his arrangement there is a delicate fusion to be maintained between the traditional choral style of the main theme and the gently swinging accompaniment. Reminiscent of the Bach's "Sleepers Awake" Chorale Prelude.
$4.00

Genres: Jazz & Blues
Maple Leaf Rag fur Streichquartett by Scott Joplin (1868-1917). For string quartet, bass ad lib.. Der Musikalische Salon Vol. 72. Classic. Vocal score. 9 pages (score), 10 pages (parts). Published by Verlag Dohr (VD.E.D.12562). ISBN M-2020-2562-8. Classic. 29.7 x 21 cm inches.
$23.95

Pages: 9
Genres: Ragtime, Jazz & Blues
The Best of Cole Porter. For Piano. Artist/Personality; Book; Piano Collection; Piano Supplemental; Solo. Faber Edition. Jazz. Intermediate; Late Intermediate. Published by Faber Music (AP.12-0571531091). ISBN 0571531091. Jazz. Contains over 30 classic Cole Porter songs in one album featuring such classics as "Another Op'nin", "Another Show", "It's De-Lovely", "Who Wants to Be a Millionaire" and "Begin the Beguine".
$20.25

Genres: Jazz & Blues
Premier Piano Course Jazz, Rags & Blues, Book 1B by Martha Mier. For Piano. Book; Method/Instruction; Piano - Alfred's Premier Piano Course. Premier Piano Course. Blues; Jazz; Ragtime. 32 pages. Published by Alfred Music Publishing (AP.41039). ISBN 0739096311. Blues; Jazz; Ragtime. Alfred's Premier Piano Course Jazz Rags & Blues Book 1B includes original pieces that reinforce concepts introduced in the Lesson Book 1B. Popular composer Martha Mier has composed all new music in a variety of styles, including ragtime, boogie, and jazz. Each piece has a duet accompaniment that adds harmonic interest and rhythmic stability. The pieces in the book correlate page by page with the materials in Lesson Book 1B.
$7.99

Pages: 32
Genres: Blues, Ragtime, Jazz & Blues
Gypsy Jazz Guitar, Volume 1. (A Tribute to Gypsy Jazz * Introduction into the style of Jazz-Manouche). By Bertino Rodmann. For Guitar. Book; CD; Guitar Method or Supplement; Method/Instruction. Jazz. Published by Alfred Music Publishing (AP.20157US). ISBN 3943638340. Jazz. Gypsy Jazz (sometimes known as Jazz-Manouche) is the first unique style of jazz music originating from Europe. Django Reinhardt, the most renowned player of Gypsy Jazz, made it popular throughout the world with his ground-breaking techniques. To this day, countless guitarists are influenced by the music and personality of Django Reinhardt. Using the best examples of performances, past and present, as well as showcasing the typical aspects of rhythm and lead guitar in Gypsy Jazz, this book is the most authentic method for Gypsy Jazz Guitar. A CD is included containing performances of music in the book.
$25.95

Genres: Jazz & Blues
Tenor Madness - Guitar by Sonny Rollins. Arranged by Mark Taylor. Jazz. Jazz Band. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.273724). About Digital Print Sheet Music Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play! View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application. Learn more
$3.99

Pages: 2
Genres: Jazz & Blues
Crescendo Date by The Dave Pell Octet. Arranged by Marty Paich. For octet (Tenor Saxophone; Baritone Saxophone; Trumpet; Trombone; Guitar; Piano; Bass; Drums). Swing. Medium. Published by Jazz Lines Publications (JL.JLP-8547). Here is the Marty Paich arrangement recorded in 1957 on the Dave Pell Octet album Pell of a Time. This has been edited and engraved from the original parts in Dave Pell's library.
$40.00

Genres: Swing, Jazz & Blues
I Cover The Waterfront by Charlie Parker With Strings. Edited by Jeffrey Sultanof and Rob Duboff. Arranged by Ed Herzog. For studio ensemble featuring alto saxophone (Alto Saxophone Soloist, Oboe, 3 Violins, Viola, Cello, Harp, Guitar, Piano, Bass, Drums). Swing. Medium. Published by Jazz Lines Publications (JL.JLP-8024). This studio ensemble arrangement was written for Charlie Parker in the early 1950s. Due to the success of Parker's 1949 studio session for Verve (featuring Just Friends) there was a need to fill out a book of arrangements for touring and for another possible studio date. Several New York arrangers were contracted to provide arrangements including John Lewis, Joe Lipman, Horace Henderson, George Russell, Glenn Osser, Jimmy Mundy, and Ed Herzog, who crafted this chart on the Green/Heyman standard I Cover the Waterfront. From all appearances this arrangement was never played. In fact, many of the arrangements that made up the Charlie Parker with Strings library were never recorded nor performed. This is a very interesting arrangement and fits well within the context of the rest of the Parker with Strings book. Here's a chance to play a never-before-heard Bird with Strings arrangement!
$50.00

Genres: Swing, Jazz & Blues
Just Friends [Big Band] by Supersax With Big Band. Arranged by Med Flory. For big band (2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 3 Trombones (3rd is Bass Trombone), Piano, Bass, Drums). Swing. Advanced. Published by Jazz Lines Publications (JL.JLP-8272). Here is Med Flory's arrangement of 'Just Friends' as recorded by Supersax on 'Supersax Plays Bird,' (from 1971) and later recorded live in Japan in 1975 on 'Japanese Tour Vol. 1.' This is an expanded version of the original arrangement [JLP-8070] that Med put together to include 4 trumpets and 3 trombones along with the Supersax line-up of 2 altos, 2 tenors, baritone plus rhythm section. This has been performed live on many occasions but never officially recorded. This is not a transcription. The original, hand-written manuscript has been used to produce this arrangement. This has been published with the authorization of Med Flory.
$75.00

Genres: Swing, Jazz & Blues
Limerick Waltz by The Terry Gibbs Dream Band. Edited by Jeffrey Sultanof and Rob Duboff. Arranged by Bill Holman. For big band (2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 3 Trombones, Vibraphone, Piano, Bass, Drums, Optional Eb Soloist, Optional Bb Soloist). Swing. Difficult. Published by Jazz Lines Publications (JL.JLP-8275). This Bill Holman waltz arrangement was written for the Terry Gibbs Dream Band in 1961. In addition to vibes, this chart features solos for trombone and alto saxophone. Included are solo parts in Eb and Bb so that this arrangement may be played with any featured soloist. Ranges: Trumpet 1: to D6; Trombone 1: to C5.
$75.00

Genres: Swing, Jazz & Blues
Moon Dreams [Octet] by Miles Davis. Edited by Jeffrey Sultanof. Arranged by Gil Evans. For octet [6 horns with rhythm section] (Horn 1: Alto Saxophone, Horn 2: Baritone Saxophone, Horn 3: Trumpet, Horn 4: Horn in F (or Trumpet), Horn 5: Trombone, Horn 6: Tuba (or Bass Trombone), Bass, Drums). Ballad. Difficult. Published by Jazz Lines Publications (JL.JLP-8010). Gil Evans set up shop in his small New York apartment above a Chinese laundry acting as an adviser to a group of jazz musicians. Evans was already well-known as an adventurous arranger who took inspiration from classical composers of the day. Miles Davis was trying to separate himself from the bebop club scene, of which he was a part in Charlie Parker's groups. In 1947 Davis and Evans organized a group of musicians into a working nonet and began to rehearse some new material. The musicians that were in the group included: Miles Davis (trumpet), Mike Zwerin (trombone), Bill Barber (tuba), Junior Collins (French horn), Gerry Mulligan (baritone saxophone), Lee Konitz (alto saxophone), John Lewis (piano), Al McKibbon (bass), and Max Roach (drums). The emphasis of this group was the arrangements and the re-definition of the current jazz scene. They invented what came to be known as the 'cool school.' In 1949 Davis enlisted Gerry Mulligan, John Lewis, Gil Evans and Johnny Carisi to write 12 arrangements that were recorded by Capitol Records. Three recording sessions over the next year yielded the famous 'Birth of the Cool' record. Here is Gil Evans' arrangement of the Johnny Mercer/Chummy MacGregor standard 'Moon Dreams' engraved from the manuscript - this is not a transcription. This is a brilliant arrangement full of color and orchestral nuance. In fact, it's quite astounding at the layers and depth of sound Gil was able to achieve with just 8 instruments (there's no piano in this arrangement). The harmonies and the rhythms are very sophisticated and impressionistic. This piece has been arranged for alto saxophone, baritone saxophone, trumpet, horn in F, trombone, tuba, bass, drums. Recognizing that not every band has access to a horn, we've included a second trumpet part as an alternate for the horn part. And, a bass trombone would easily be able to play the tuba part in the event that you don't have that instrument at your disposal. This piece features a brief baritone sax solo (as played by Gerry Mulligan) that has been written out in full, though chords have been indicated for an ad-lib solo. The last part of the arrangement features arco bass. This classic, Gil Evans' masterpiece arrangement re-defined jazz and popular music arranging and should be a part of every band's library. This Jeffrey Sultanof Master Edition comes with complete performance and historical notes.
$50.00

Genres: Jazz & Blues
New Girl by The Duke Pearson Big Band. Edited by Jeffrey Sultanof. Arranged by Duke Pearson. For big band. Swing. Advanced. Published by Jazz Lines Publications (JL.JLP-8007). Here is one of Duke Pearson's best compositions, exactly as he arranged it for his big band in 1967. This publication has been engraved directly from the original manuscript, this is not a transcription. This is from the original Blue Note liner notes: "Listen carefully to what New Girl has to say. This composition builds around a number of beautiful choruses on trumpet by Burt Collins. Catch Mickey Roker's accents alongside the wonderful ensemble work of the exciting brass and sax figures. They lead into the tenor work of Lew Tabackin, Duke's fine piano flow, the out choruses of Burt Collins, and finally the backbone of the entire band, Mickey Roker's support. This composition does musically what a new girl would do - bring out the excitement in your musical genes." The chart opens with alto 1 and tenor 1 on flute and baritone on clarinet. There is some alternating between 3/4 and 4/4 for the first 8 bars and towards the end of the arrangement as well. The melody is then picked up by the lead tenor and trumpet 5 - who is the star of the show. In fact, this chart would work great for a guest trumpet player. The whole band then comes in and leads up to the lengthy trumpet solo. After the trumpet solo comes a tenor solo then a one-chorus piano solo. The band then plays the melody out through a great shout chorus. In the original arrangement there was no guitar part; however, we have included one as an option. Ranges:Trumpet 1 to F#6 Trombone 1 to B4.
$65.00

Genres: Swing, Jazz & Blues