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Cry Me A River by Dakota Staton. Arranged by Jerry Sheppard. For big band with vocal. Swing. Medium. Published by Jazz Lines Publications (JL.PH-3067). From the Dakota Staton album 'Congratulations to Somebody.' Right from bar one this powerful version really grabs your attention with it's pedal trombone line and driving 6/8 backing rhythm. Plenty of interesting, but not too difficult, backing/fills involving the whole band-they will not get bored playing this one!. Key Gm. 5/4/4/4 includes full score.
$75.00

Genres: Swing, Jazz & Blues
How Did He Look by Dakota Staton. Arranged by Jerry Sheppard. For big band with vocal. Swing. Medium Easy. Published by Jazz Lines Publications (JL.PH-3068). From the album 'Congratulations to Someone.' This superb ballad is quite a discovery and a great addition to any concert. It starts very dreamily with just a rythm section backing and very gradually builds to a climax with the full band. Key Bb. 5/4/4/4 includes full score.
$75.00

Genres: Swing, Jazz & Blues
Hello by Paul Anka. Arranged by Jerry Sheppard. For big band with vocal. Swing. Medium. Published by Jazz Lines Publications (JL.PH-3075). Here is the Lionel Ritchie tune as recorded by Paul Anka on 'Rock Swings.' This big band arrangement with vocal is a really cool laid back arrangement. Ranges: Key: F minor Vocal range: C - F Trumpet range: to high D.
$75.00

Genres: Swing, Jazz & Blues
Beyond The Sea by Robbie Williams. Arranged by Jerry Shepherd. For big band with vocal and optional strings. Swing. Medium. Published by Jazz Lines Publications (JL.PH-3081). As featured by Robbie on the 'Swing When You're Winning' album and Albert Hall Concert DVD. Includes optional very playable Violins I and II, Viola, Cello, 2 Bb Clarinets and 2 flutes. Key F as recorded.
$95.00

Genres: Swing, Jazz & Blues
Hello & Goodbye by Bob Brookmeyer Series. Arranged by Bob Brookmeyer. For jazz ensemble. Bright Swing. Advanced. Published by Jazz Lines Publications (JL.PH-4100).
$50.00

Genres: Swing, Jazz & Blues
Have You Met Miss Jones by Robbie Williams. Arranged by Shaun Byrne. For small jazz group with vocal [4 horns with rhythm section]. Swing. Medium. Published by Jazz Lines Publications (JL.PH-4186). This small band arrangement comes from the Robbie Williams 'Swing When You're Winning' album. Moderate Swing. Includes parts for vocal, 4 front line, and 4 piece rhythm section. Key of F.
$50.00

Genres: Swing, Jazz & Blues
Button Up Your Overcoat arranged by Cy Payne. For big band with vocal. Swing. Medium Easy. Published by Jazz Lines Publications (JL.PH-4197). This bright swing number kicks off with a full band intro giving a clear lead into the first vocal chorus. A 16 bar instrumental section has answering brass and sax phrases. Vocal range Bb to Eb. 1st Trumpet to G. 1st Trombone to F. Vocal Key: Eb.
$75.00

Genres: Swing, Jazz & Blues
All I Do Is Dream Of You by Michael Buble. Arranged by Cy Payne. For big band with vocal. Swing. Medium Difficult. Published by Jazz Lines Publications (JL.PH-4228). Choose a relaxed tempo - add a walking base line, plus a gentle rhythmic figure from the saxes and you have the perfect intro for Michael Buble to give this great standard the real style for which he has become famous. Transcribed by Cy Payne from the album "Crazy Love" for full big band, with the opening key and modulations as recorded. Synth strings. Key: Bb-B-CVocal range: Bb-ETrumpet range: Eb 6.
$75.00

Genres: Standards, Swing, Jazz & Blues
Crazy Love by Michael Buble. Arranged by Cy Payne. For studio orchestra with vocal. Ballad. Difficult. Published by Jazz Lines Publications (JL.PH-4241). The Van Morrison composition featured by Michael Buble in his album of the same name, carefully transcribed by Cy Payne, in the same key as recorded. The featured Guitar solo is fully written out, plus alternative solo for 1st Alto sax.This arrangement is also available for: Small Band Vocal [#4239], or as Big Band Vocal [#4240] with Synth Strings.Ranges:Trumpet 1: . G#5Trombone 1: G#4Key: . G to AVocal Range: . D to F#.
$95.00

Genres: Classical, Standards, Jazz & Blues
I've Got The World On A String by Michael Buble. Arranged by Cy Payne. For big band with vocal. Swing. Medium Difficult. Published by Jazz Lines Publications (JL.PH-4258). The mid-tempo very popul a r ch a rt from Mich a el Buble's a lbum "C a ll Me Irresp on sible" with b a nd response voc a ls included. Keys D-E a s recorded, m a king it tricky for the brass and saxes.
$75.00

Genres: Standards, Swing, Jazz & Blues
Don't Get Around Much Anymore by Tony Bennett And Michael Buble. Arranged by Cy Payne. For small jazz band with vocal duet. Swing. Medium Difficult. Published by Jazz Lines Publications (JL.PH-4260). The great Duke Ellington standard, as featured by Tony Bennett & Michael Buble on the "Duets II" album has been adapated here to suit a small band configuration of alto saxophone, tenor saxophone, baritone saxophone, 2 trumpets, trombone, guitar, piano, bass, and drums. Tenor 1 Solo written out, or Optional ad lib. Key as recorded. Key: . BbInstrumental Feature: . Tenor saxVocal range: . A-BbTrumpet range: . D6Trombone range: . A4.
$50.00

Genres: Swing, Jazz & Blues
Don't Get Around Much Anymore by Tony Bennett And Michael Buble. Arranged by Cy Payne. For big band with vocal duet. Swing. Medium Difficult. Published by Jazz Lines Publications (JL.PH-4261). The great Duke ellington standard, as featured by Tony Bennett & Michael Buble on the "Duets II" album. Tenor 1 Solo written out, or Optional ad lib. Key as recorded. Key: . BbInstrumental Feature: . Tenor saxVocal range: . A-BbTrumpet range: . D6Trombone range: . A4.
$75.00

Genres: Swing, Jazz & Blues
Get Out Of Town by Lena Horne. Edited by Cy Payne. Arranged by Lennie Hayton. For big band with vocal. Swing. Medium Difficult. Published by Jazz Lines Publications (JL.PH-4266). This laid back, medium-groove Lena Horne version of the Cole Porter standard is now featured on the recent album 'Essential Jazz Singers'. Although recorded in the 1950s this number just does not date. A great walking bass line, drums on brushes and perfect section writing for the horns add up to the ideal combination. Transcribed by Cy Payne and in the key as recorded. Francy Boland no doubt had this version in mind when he created the instrumental chart for the 'All Smiles' 1968 Clarke Boland Big Band album.Ranges:Vocal Key: . F to EbTrumpet 1: . E6Trombone 1: . G4.
$75.00

Genres: Swing, Jazz & Blues
All I Want For Christmas Is You by Michael Buble. Arranged by Cy Payne. For big band with vocal. Rock Ballad. Medium Easy. Published by Jazz Lines Publications (JL.PH-4285). This score can be used by just the rhythm section and string synth or string section. It can be used by a small band with or without the strings of any sort and it can be used by a big band, with or without the strings.Note: Available for small group, big band, or jazz studio orchestra with strings, product codes 4284, 4285, and 4286. Transcribed by: Cy Payne Style: Rock Ballad Arranged by: Cy Payne Artist/performer: Michael Buble Publisher: Power House OrchestrationsArrangement type: Big Band Vocal Grade: Easy/Medium Key: Recorded Version in Gb. This version in F to avoid awkward transpositions. Trumpet range: E Trombone range: 'Low' A.
$75.00

Genres: Christmas, Rock, Standards, Miscellaneous, Jazz & Blues
Misty arranged by Jack Bastow. For big band. Swing. Difficult. Published by Jazz Lines Publications (JL.JB-1006). This is not the Johnny Mathis version! This is an up-beat, back-beat swing version of this great Erroll Garner tune. It takes advantage of the beautiful original chord progression to build on the melody, as well as to solo over. This is a very original version.
$55.00

Genres: Swing, Jazz & Blues
Don't Sit Under The Apple Tree With Anyone Else But Me by Glenn Miller. Arranged by Myles Collins. For big band. Swing. Difficult. Published by Lush Life (JL.LL-1065). This is Glenn Miller's version that was originally performed by the Modernaires vocal group, except that it has been turned into an instrumental, whilst keeping the form true to the original. The band intro is there, as are the correct modulations and fills behind the melody lines. The trombones are written quite high in places (lead to high Db). This is also offered as the original vocal version of this chart (see vocals section). The mp3 is the vocal version.
$65.00

Genres: Swing, Jazz & Blues
April In Paris by Count Basie. Edited by Myles Collins. Arranged by Wild Bill Davis. For big band. Swing. Medium Difficult. Published by Lush Life (JL.LL-1119). This version of April in Paris has been lovingly assembled from a number of recordings done by the Basie band of this fabulous Wild Bill Davis chart, and has a richer, lusher, more authentic feel than previous / current offerings published by other companies. We have taken down the Henderson Chambers' trombone solo (on bass bone, but cross cued on the other parts), and the stunning Phil Guilbeau trumpet solo (written out), both from Basie's Sept.1965 London concert. The trumpet solo in particular is in a different league to Basie's early "pop goes the weasel" version, though your player can improvise from the chords provied too. Also included is the "one more time" ending too, should you wish to tease the crowds. This chart will not disappoint.Ranges:Trumpets . 1-4: . D6(E6), D6, G5, E5Trombones . 1-4: . Bb4, A4, A4, F4.
$65.00

Genres: Swing, Jazz & Blues
March Of The Toys by Tommy Dorsey. Edited by Myles Collins. Arranged by Dean Kincaide. For big band. Swing. Difficult. Published by Lush Life (JL.LL-1126). March of the Toys is a rarely heard, yet exquisite chart, originally scored by Dean Kincaide for the Tommy Dorsey Orchestra. The tune itself is from the second act of Victor Herbert's "Babes In Toyland" operetta of 1903. Swinging the classics was fairly common during the Swing Era, but no one ever did it better than Dorsey. This chart calls for all your reed players to double Clarinet - AATT on Clari, and Bari on Bass Clari. However, we have written cue notes on the Bari part which avoid having to double, and both Tenors can play up an octave to avoid the double. The original flavour will be somewhat lost, but the result will be acceptable. The original Trumpet & TD's Trombone solos are written out in full, and the phrasing and articulation markings are all there, to allow you to reproduce an authentic performance.Ranges:Trumpets . 1-4: . C6, B5, B5, F#5Trombones . 1-4: . C5, A4, F4, E4.
$65.00

Genres: Swing, Jazz & Blues
The Fox by Ray Anthony. Arranged by Myles Collins. For big band. Swing. Medium. Published by Lush Life (JL.LL-1145). The Fox is a real beauty of a swing-dance chart, perfect for the Jitterbug and Lindy dance crowd. This tune has a totally infectious bounce to it, and swings like crazy from start to finish. The arrangement is nearly all ensemble work, aside from a screaming 2nd Trumpet cameo solo, and there is a lot of plunger work in the Brass, with the sections answering each other behind the Sax lines, so it will have a lot of visual appeal in performance too. The Fox is not a hard chart to play, though it relies on your players being relaxed into the feel and not pushing the beat. The drum part is fully notated with the necessary licks, and the Trumpet solo can be played as written or from the chords provided. A rare and elegant swing chart from the Ray Anthony orchestra. Trumpets 1-4: C6, C6 (G6 opt), G5, F5 Trombones 1-4: Ab4, Ab4, Ab4, Ab4.
$65.00

Genres: Swing, Jazz & Blues
Intermission Riff by Ted Heath. Edited by Jon Harpin. Arranged by Ron Roullier. For big band. Swing. Difficult. Published by Lush Life (JL.LL-1163). When you say Intermission Riff, the first name that pops up is usually Stan Kenton. However, other bands also covered this Ray Wetzel tune, and we offer you the Ted Heath version here, originally arranged by Ron Roullier and transcribed by Jon Harpin. We have written out the opening Piano solo chorus, and have left the other sax and trombone solos for your players to improvise. The first sax solo chords are scored onto the Alto 1 chair, and cued on the Tenor 1 part. The Trombone solo chords are written on all Trombone parts, leaving you free to share the solo space amongst your section. As per the Kenton chart, the Trumpets scream very high towards the end - lead to high G and second to high Eb. If your lead doesn't have the range, he can drop this little 3 measure section down an octave, though hell still have to hit high Eb on the final chord. There are no sax doubles.Ranges:Trumpets 1-4: G6(Eb6), Eb6, C6, Bb5Trombones 1-4: F4, F4, F4, F4.
$65.00

Genres: Swing, Jazz & Blues
Manhattan Spiritual by Ted Heath. Arranged by Myles Collins. For big band. Swing. Medium. Published by Lush Life (JL.LL-1166). Manhattan Spiritual is a wonderfully uplifting swing chart, as its name might suggest. Originally scored in the late 50s by Reg Owen for the Ted Heath band, this chart was also a feature for Owen's own outfit, and that of Jack Parnell too. The arrangement starts and ends with a chorale-style fanfare, and swings like crazy in between. Plenty of hand claps from all sections of the band add to the rousing nature. We have scored this chart for a regular big band and a timpanist, though the timp notes are cued onto the Piano and Drum parts and the chart works equally well without the kettles. The last few bars are a bit of a scream for the Trumpets (with lead up to high F and second to high D) but the section can be taken down the octave if needs be. Both Altos double Clarinets.Swing @ 200 b.p.m.Ranges:Trumpets 1-4: F6, Db6, Bb5, F5 Trombones 1-4: Cb4, Bb4, Ab4, C4.
$65.00

Genres: Swing, Jazz & Blues
All The Cats Join In by Benny Goodman. Edited by Myles Collins. Arranged by Johnny Thompson. For big band. Swing. Difficult. Published by Lush Life (JL.LL-1180). Benny Goodman recorded this chart as an instrumental feature, to which a vocal overlay was added before it became part of the soundtrack for Disney's 1946 Make Mine Music cartoon cinema release. It's a hot swing chart that features clarinet, piano, trombone, trumpet and tenor, and it works equally well as a concert or swing dance chart. Aside from the piano solos, all the others are written out in full "as played" by the BG orchestra. The piano solo chords have been cued into the clarinet part, should you wish to make this number an extended clarinet feature. The reeds are scored CAATT and the brass has been augmented up to 8 voices. Style: Swing @ 185 b.p.m.Ranges:Trumpets 1-4: C#6, E6, G5, Eb5Trombones 1-4: C5, FG4, F4, B3.
$65.00

Genres: Swing, Jazz & Blues
Apple Honey by Ted Heath. Edited by Myles Collins. Arranged by Roland Shaw. For big band. Swing. Advanced. Published by Lush Life (JL.LL-1197). Transcribed from Ted Heath's "Swing is King Vol. 2" album, this version of Apple Honey closely follows the form of the Woody Herman original, though the solo spaces are less cluttered, allowing for more improvisational freedom. The order of the solos is Tenor 1 (as written, or improvised - full chorus), Trombone (improvised from chords on all parts - full chorus), Piano (improvised - half chorus) and Clarinet twice (as written - half chorus and improvised half chorus). The Clarinet line is written on the Alto 1 part, and the saxes are AATTB. The final flourishing Trumpet solo is written on Trumpet 2. Because of the tempo and the need for players to improvise at this speed we have rated this chart as advanced.Ranges:Trumpets 1-4: C6, D6 (F6), C6, C6Trombones 1-4: Bb4, F4, Eb4, C4.
$65.00

Genres: Swing, Jazz & Blues
Chloe by Ted Heath. Arranged by Alan Glasscock. For big band. Swing. Advanced. Published by Lush Life (JL.LL-1213). Chloe was originally a chart made famous by the Tommy Dorsey Orchestra, thanks to a stunning arrangement by Bill Finegan. Structurally and harmonically it was probably ahead of its time, and certainly showed the sort of direction that the Sauter Finegan band was set to take later on. This is a transcription of the Ted Heath version which is essentially the same as the Dorsey / Finegan chart. There are solo features for baritone, piano, trumpet and tenor, with some great trombone and sax passages. The second alto doubles clarinet, to lead over the saxes in their soli and to solo over the band in the final chorus. All of the as-played solos are written out, though your tenor, trumpet & piano players can improvise from the chords if they wish. This is quite an exacting chart to play. Dynamics are crucial and the brass ranges are fairly high, hence this has been graded as advanced.Ranges:Trumpets 1-4 : Eb6, D6, G#5, G5 Trombones 1-4 : C5, A4, Ab4, E4.
$65.00

Genres: Swing, Jazz & Blues