By Various. Arranged by Lennie Niehaus. For S(A)ATB Saxophones. Saxophone Quartet. Christmas, Jazz. Grade 3. Published by Kendor Music Inc

By Various. Arranged by Lennie Niehaus. For S(A)ATB Saxophones. Saxophone Quartet. Christmas, Jazz. Grade 3. Published by Kendor Music Inc

Yuletide Jazz Suite #1 by Various. Arranged by Lennie Niehaus. For Soprano (opt. Alto), Alto, Tenor and Baritone Saxes. Saxophone Quartet. Christmas, Jazz. Grade 3. Published by Kendor Music Inc (KN.16435).

Your First Fake Book arranged by Alexander Citron. For voice and C instrument. Hal Leonard Fake Books. Vocal Standards and Pop. Difficulty: easy-medium. Fakebook (leadsheet notation). Vocal melody, lyrics, leadsheet notation and chord names. 158 pages. Published by Hal Leonard (HL.240112). ISBN 0793585031. With vocal melody, lyrics, leadsheet notation and chord names. Vocal Standards and Pop. 9x12 inches. An entry-level fake book! This book features larger-than-most fake book notation with simplified harmonies and melodies - and all songs are in the key of C. An introduction addresses basic instruction in playing from a fake book. Includes over 100 songs, including: Ain't Misbehavin' * All the Things You Are * America the Beautiful * Beauty and the Beast * Bewitched * Blueberry Hill * Can't Help Falling in Love * Don't Get Around Much Anymore * Edelweiss * Getting to Know You * Heart and Soul * It Only Takes a Moment * Leaving on a Jet Plane * Let It Be * Love Me Tender * Maria * Mood Indigo * Satin Doll * Somewhere Out There * Try to Remember * When the Saints Go Marching In * Young at Heart * and more. About Hal Leonard Fake Books A "fake book" contains songs written in a concise format that includes only the melody and chords, letting you interpret the song's performance as you feel is appropriate. This is great for quickly learning songs by yourself or with an ensemble. Each song in a fake book only has a single melody actually written out in notes, which is usually the vocal or lead melody. This melody will have the lyrics written beneath the notes, with each word aligned to its corresponding note. Above the notes of the melody will appear the names of the appropriate chords to play - for example, a "C minor" chord would be written as "Cmin" or Cm", rather than writing out all of the notes in those chords as they appeared in the original version of the song. This format is very compact, which is why you will often see fakebooks containing 500 or more songs.

Woodwind Quintet No. 4 by Alec Wilder (1907-1980). Print on demand - publisher prints this title after order is received. Parts. Published by Margun Music (S5.PT0152).

When The Saints Go Marching In arranged by Lennie Niehaus. For saxophone quartet (2 alto saxophones, tenor saxophone, and baritone saxophone). Saxophone Quartet. Standards. Grade 4. Score and set of performance parts. 14 pages. Duration 3m50s. Published by Kendor Music Inc (KN.16425).

By Traditional. Arranged by James Christensen. For clarinet choir. Clarinet Choir. Spiritual, Jazz. Grade 4. Published by Kendor Music Inc

By Traditional. Arranged by Greg Yasinitsky. For AATTB Saxophones with Optional Rhythm. Saxophone Quintet. Spiritual, Jazz. Grade 3. Published by Kendor Music Inc

What a wonderful world by Louis Armstrong (1901-1971). Arranged by Bart Picqueur. For Flute. Grade 3-4. Playing score. Published by Kameleon Editions (BT.KME0508-030-KAM-06).

What a wonderful world by Louis Armstrong (1901-1971). Arranged by Bart Picqueur. For Oboe. Grade 3-4. Playing score. Published by Kameleon Editions (BT.KME0508-030-KAM-08).

What a wonderful world by Louis Armstrong (1901-1971). Arranged by Bart Picqueur. For Clarinet (B-flat). Grade 3-4. Playing score. Published by Kameleon Editions (BT.KME0508-030-KAM-13).

What a wonderful world by Louis Armstrong (1901-1971). Arranged by Bart Picqueur. For Soprano Saxophone. Grade 3-4. Playing score. Published by Kameleon Editions (BT.KME0508-030-KAM-16).

What a wonderful world by Louis Armstrong (1901-1971). Arranged by Bart Picqueur. For Alto Saxophone. Grade 3-4. Playing score. Published by Kameleon Editions (BT.KME0508-030-KAM-17).

What a wonderful world by Louis Armstrong (1901-1971). Arranged by Bart Picqueur. For Tenor Saxophone. Grade 3-4. Playing score. Published by Kameleon Editions (BT.KME0508-030-KAM-18).

What a wonderful world by Louis Armstrong (1901-1971). Arranged by Bart Picqueur. For Baritone Saxophone. Grade 3-4. Playing score. Published by Kameleon Editions (BT.KME0508-030-KAM-19).

Arranged for saxophone quartet by Arthur Frackenpohl.

Volume 70 - Killer Joe by Jamey Aebersold. For any C instrument, Eb instrument, Bb instrument or bass clef instrument. Play-Along series with accompaniment CD.. Similar to the popular Volume 54 of the Aebersold series. Start playing jazz tunes. Intermediate, advanced. Book with CD. Published by Jamey Aebersold Jazz (JA.V70DS). Beginner/Intermediate. Similar to the popular Volume 54 "Maiden Voyage," this volume again meets the needs of the up-and-coming jazz player who is ready to make the transition from scales and chords to improvising on real standard chord changes. The selections feature slower tempos and easier changes and each has a great feel that makes improvising easier. RHYTHM SECTION IS: Jamey Aebersold, Piano; Tyrone Wheeler, Bass; Steve Davis, Drums.

(Jazz Play Along Series). By Miles Davis. For Bb instrument, Eb instrument and C instrument. Jazz Play Along. Jazz and Play Along. Difficulty: medium. Fakebook (leadsheet notation; includes separate versions for Eb, Bb, and C instruments) and accompaniment CD. Leadsheet notation and chord names. 52 pages. Published by Hal Leonard

By Jamey Aebersold. For singers, vocalists, drums, bass, guitar, flute, clarinet, violin, viola, piano, keyboard, organ, saxophone, trombone, trumpet harmonica. Play-Along series with accompaniment CD.. Jamey Aebersold Standards Play-A-Long. Celebrate the music of great innovaters who started in all with these Dixieland favorites. Level: Intermediate/Advanced. Play Along. Intermediate, advanced. Book and accompaniment CD. Published by Jamey Aebersold Jazz

Visions: The Clarinet Artistry Of Ron Odrich allows an extraordinary opportunity to match skills with one of the finest clarinetists in jazz. Original material and standards, ballads and Latin stylings, plus an exquisite classical selection. Both the listening and the playing are exceedingly exciting and worthwhile. This album is for intermediate-to-advanced players. Enjoy! Includes a complete, high-quality printed music score with performance suggestions; and two compact discs containing the complete version of each piece with soloist and accompaniment; then a second performance with accompaniments minus you, the soloist. Performed by Ron Odrich, clarinet Accompaniment : Lew Soloff, trumpet/flugelhorn; David Fink, bass; David Ratajczak, drums; John Basili, guitar Sammy Figueroa, percussion; Marc Copeland, piano; John Corbert, synthesizer Conductor : Larry Fallon (Arranger)

Vier Stucke im Bluesstil by Josef Schlotter. For Flute (instrumental part(s)). Published by Edition Tonger (E4.R622-2). ISBN M-005-76222-5. Flote.

Contemporary Sax styles by The Super Groovers, featuring Frank Villafranca on Saxophone and Andrew D. Gordon on Keyboards and Guitar.The smooth jazz grooves in this book feature a variety of contemporary rhythm section styles including Jazz, R&B, Rock, Gospel, Hip-Hop, and Latin.On each of the twenty tracks, the groove is separated into three melodic ideas. Each melodic idea (example or riff) is played first, by the Saxophone with the groove, followed by just the rhythm section groove, without Sax. The first example is usually the easiest, the second slightly harder and the third the most difficult."Andrew D. Gordon and A.D.G. Productions have done a fine job of compiling this information in an attractive and accessible package. Many a smooth jazz aficionado will appreciate this collection in print and on CD. - Skip Spratt, SaxShed.com Customer Comments

Contemporary Sax styles by The Super Groovers, featuring Frank Villafranca on Saxophone and Andrew D. Gordon on Keyboards and Guitar.The smooth jazz grooves in this book feature a variety of contemporary rhythm section styles including Jazz, R&B, Rock, Gospel, Hip-Hop, and Latin.On each of the twenty tracks, the groove is seperated into three melodic ideas. Each melodic idea (example or riff) is played first, by the Saxophone with the groove, followed by just the rhythm section groove, without Sax. The first example is usually the easiest, the second slightly harder and the third the most difficult.Customer Comments

Internationally renowned authors, musicians and recording artists, Frank Villafranca and Andrew D. Gordon of The Super Groovers have composed a collection of grooves and melodies in the Smooth Jazz Genre creating an exciting supplemental jazz study series for beginner, intermediate and advanced jazz students and musicians. After releasing their first CD Supergroovin, which received world wide airplay, they recognized a need in the music publishing business for a series of books on contemporary improvising within the "Smooth Jazz" genre. Andrew composed and recorded all the rhythm tracks used in this book. In their opinion, the melodies were so catchy they couldn't resist developing them into completed songs. Mainline Connection, Villefranche–sur-Mer and You're The Only One In My Life, are a few featured on their second CD, Mainline Connection. The smooth jazz grooves in this 50 page book feature a variety of contemporary rhythm section styles including R&B, Jazz, Funk, Top 40, Rock, Gospel, Hip Hop and Latin. These stylistic influences are frequently associated with smooth jazz. Popular artists in this genre include, The Super Groovers, David Sanborn, Eric Marienthal, Kenny G, David Benoit, Dave Koz, Tom Scott, Gerald Albright, Candy Dulfer, Wilton Felder, Boney James, Chris Botti, Chuck Mangione, Sade, George Benson, Peter White, Lee Ritenour, Earl Klugh, Larry Carlton, Jeff Lorber, Brian Culbertson, George Duke, Paul Hardcastle, Joe Sample, Spyro Gyra, Pat Metheny, Four Play, The Yellow Jackets and The Rippingtons. We suggest that you become acquainted with as many of these artists as possible. On each of the 20 tracks, the groove is separated into 3 melodic ideas. Each melodic idea (example or riff) is played first, by the Flute with the groove, followed by just the rhythm section groove, without the Flute. The 1st example is usually the easiest, the 2nd slightly harder and the 3rd the most difficult. Versions for each groove are available as midi files or extended MP3 files where the rhythm tracks for each groove are recorded for approximately 2 minutes. Customer Comments