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Jazz & Blues
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Poor Butterfly by Frank Sinatra With The Duke Ellington Orchestra. Arranged by Billy May. For big band with vocal. Swing. Medium. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-9058). Here is another great Billy May arrangement from the Sinatra/Ellington album, recorded in 1967. Jazz Lines Publications is very proud to publish these tunes, making the music of a truly landmark and historic recording session available to the public for the first time.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Taking A Chance On Love by Frank Sinatra. Arranged by Nelson Riddle. For big band with male vocal. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2221). Another jewel of a chart from the Sinatra-Riddle 1954 album 'Swing Easy.' After just a three note intro we're right into the chart, with the rhythm section providing a very structured backing to the first 16 measures of the vocal chorus. These parts have been written as-played so your players can re-create the original feel. Most of the band backings are carried by the reeds and trombones, with the trumpets mostly providing muted background figures. This chart has been scored for 5/4/4/4, with the 4th trombone a bass. There are no sax doubles and the vocal keys are Bb, modulating to B for the final chorus. Swing @ 140 b.p.m.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Gospel Train by Susan Moniger. Edited by Doug Beach, George Shutack. Band. For jazz ensemble. D. Beach/Kjos Jazz. Kjos Vocal Jazz. Vocal Jazz. Grade 3. Score and parts. Published by Neil A. Kjos Music Company (KJ.ZV12). Exciting Harmonies and A Driving Rhythmic Feel Combine To Create This Infectious Chart.
$25.00

Instruments: Voice, Vocal
Genres: Jazz & Blues
Straighten Up And Fly Right by Nat King Cole And Natalie Cole. Arranged by Myles Collins. For big band with female vocal. Swing. Easy. Full score and set of parts. Published by Lush Life (JL.LL-2049). One of the many great songs written by Nat 'King' Cole, it has found its place as a stock tune in the repertoire of many female singers, including Linda Rondstat and Natalie Cole. This version borrows a little from the style of each. A short intro followed by the first vocal chorus, discreetly backed by the band, leads to a Nat style piano solo. The sax soli re-introduces the second vocal chorus. A muted trumpet solo continues the very laid-back feel, and the whole thing is rounded off by the vocalist. The vocal range is Middle C to C above middle C. Vocal key is F. The mp3 is courtesy of the Blue Moon Big Band. Ranges: Trumpets 1-4 B5,G5,E5,E5 Trombones 1-4 G4, F4, C4, C4 Vocal C4 - C5.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Home For The Holidays arranged by Alan Glasscock. For big band with male/female vocal duet. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2117). Home for the Holidays is a seasonal vocal chart, written for a Boy/Girl duet, though equally suitable as a solo vocal feature. This classy arrangement from Alan Glasscock moves along with a punchy swing feel, and modulates up chromatically from concert Bb to C. At 2 minutes 20 secs it is not a long chart, but is as long as it needs to be. A fun and festive chart which everyone will enjoy. The vocal keys are Bb, B & C, and there are no sax doubles. The 4th trombone is Bass. The audio is courtesy of the Blue Moon Big Band. Ranges: Trumpets 1-4: D6, A5, G5, G5 Trombones 1-4: A#4, E4, C#4, G3 (Bass) Vocal Range (Boy/Girl Duet): A3/2 - E5/G4 (11 steps) Vocal key: Bb-B-C.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Chicago by Tommy Dorsey. Arranged by Sy Oliver. For big band with male vocal [and optional vocal backing group]. Swing. Medium Difficult. Full score and set of parts. Published by Lush Life (JL.LL-2263). A Tommy Dorsey - Sy Oliver classic, beautifully transcribed by Alan Glasscock from the 1945 Dorsey/Oliver/Sentimentalists recording. This chart features trombone, trumpet, clarinet and tenor, and of course your male vocalist and backing group, although it is perfectly singable with just a solo vocal instead. The chart has been presented here 'as-played' by the Dorsey band, and is has been graded as medium difficult, purely because the brass ranges are fairly high (trumpets 1,2,3 to at least Bb5, with option to D6, and 1st trombone to high C5). Alto 2 is written to double clarinet and take the solos. The tenor solo is written on tenor 1, and the trumpet solos on trumpet 2. The vocal chorus is in the key of Bb. Swing @ 150 b.p.m.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Puttin' On the Ritz by Irving Berlin. Arranged by Kirby Shaw. ShowTrax CD. Choral. CD only. 8 pages. Hal Leonard #W20863 .83. Published by Hal Leonard (HL.8661907). First, Irving Berlin...then the popular Taco recording...now Kirby Shaw! An up-tempo Dixieland treatment that's a show-stopper for any age choir. Available: SATB, SAB, SSA, 2-Part, Instrumental Pak, ShowTrax CD.
$26.99

Pages: 8
Instruments: Choir, Vocal
Genres: Jazz & Blues, Standards
Ac-Cent-Tchu-Ate the Positive by Mercer-Arlen. Edited by Rob Berry. Band. For big band with vocal solo. D. Beach/Kjos Jazz. Big Band with Vocal. Jazz. Grade 4. Score and parts. Published by Neil A. Kjos Music Company (KJ.ZS2).
$38.00

Instruments: Voice, Vocal
Genres: Jazz & Blues
Rio by Susan Moniger. Edited by Doug Beach, George Shutack. Band. For jazz ensemble. D. Beach/Kjos Jazz. Kjos Vocal Jazz. Vocal Jazz. Grade 2. Score and parts. Published by Neil A. Kjos Music Company (KJ.ZV3).
$45.00

Instruments: Voice, Vocal
Genres: Jazz & Blues
I'll Never Stop Loving You (Vocal Feature). Arranged by Frank Mantooth. Jazz Ensemble. Jazz Ensemble. Jazz Vocal Series. Grade 4. Conductor Score & Parts. 60 pages. Published by Alfred Music Publishing (AP.JEVM00001). This is one gorgeous ballad for female vocalist and big band. Educator/arranger/bandleader Frank Mantooth has a knack for picking wonderful songs, and this is one of his personal favorites. From the 1954 film Love Me or Leave Me, originally sung by the legendary Doris Day, this song will give you goose bumps with its beautiful melody and lyrics. A lush flugelhorn solo with simple backgrounds and beautifully voiced saxophone scoring provide just a few ingredients for this great chart. Your female vocalist will stop the show with this arrangement, the perfect choice for concert or dance. Truly superb.
$45.00

Pages: 60
Instruments: Voice, Vocal
Genres: Jazz & Blues
Intuition by Susan Moniger. Edited by George Shutack, Doug Beach. Band. For jazz ensemble. D. Beach/Kjos Jazz. Kjos Vocal Jazz. Vocal Jazz. Grade 3. Score and parts. Published by Neil A. Kjos Music Company (KJ.ZV10). Solid Scoring and A Fiery Latin Feel Combine To Create This Exciting Lating Composition.
$25.00

Instruments: Voice, Vocal
Genres: Jazz & Blues
Ten Gallon Hat by Susan Moniger. Edited by Doug Beach, Dick Garretson. Band. For jazz ensemble. D. Beach/Kjos Jazz. Kjos Vocal Jazz. Vocal Jazz. Grade 2. Score and parts. Published by Neil A. Kjos Music Company (KJ.ZV14). On Calvary's Cross combines words from the holy Scriptures with religious poetry, familiar hymns and original music to achieve heightened effects. Prayers for the minister and congregation are included as well as a final benediction to provide a complete musical Holy Week worship service. Soprano, tenor, and bass soloists.
$25.00

Instruments: Voice, Vocal
Genres: Jazz & Blues
Hit Me with a Hot Note by Don George and Duke Ellington (1899-1974). Arranged by Mac Huff. ShowTrax CD. Pop Choral Series. CD only. Published by Hal Leonard (HL.8202021). This sizzling Duke Ellington classic will be a super feature for pop and jazz choirs. Use the live band or ShowTrax CD for extra impact!Available separately: SATB, SAB, SSA, Instrumental ePak (parts for Trumpet I & II, Tenor Sax, Trombone, Baritone Sax, Guitar, Bass and Drums) and ShowTrax CD. Performance Time: Approx.2:40.
$22.95

Instruments: Choir, Vocal
Genres: Jazz & Blues, Standards, Swing
Indian Love Call by Artie Shaw. Arranged by Myles Collins. For big band with male or female vocal. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2120). Indian Love Call is a classic vocal number from the Artie Shaw orchestra, featuring everyone in the band on vocals! Though it might sound slightly corny when you listen to the audio, when this chart is performed live it is a real wow. The tune opens with solo clarinet and toms, then the saxes join in and the band accompanies with falsetto shouts. Then into the first Tutti chorus at full speed ahead. The vocal chorus (suitable for Alto female or high Baritone/Tenor male vocalists) is unusual in that it is only vocal & rhythm, with the rest of the band singing the answerbacks to the vocal line. After the vocal the band is back with flat-out swinging riffs and the whole thing rounds off with a screaming Clarinet lip-gliss. The Saxes are scored for solo Clarinet, 2 Altos and 2 Tenors. All the Saxes double Clarinets (mainly unison) and it won't really matter if the Alto 2 (your Bari player) doesn't play any Clarinet parts. We have scored his lines as the lowest voice in the harmonized clarinet passages.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Jazz Cantate by Greg Gilpin. For Choral (Studiotrax CD). Choral. Shawnee Press. Vocal Jazz. CD only. Shawnee Press #CD0397. Published by Shawnee Press (HL.35011351). Smooth, choral, stylistic, and smart all describe this new original choral by Greg Gilpin. Close harmonies rhythmically set above a moving accompaniment, the familiar Latin text, and strong choral-writing create a unique piece for all choral groups. A stand-out selection.
$26.95

Instruments: Choir, Vocal
Genres: Jazz & Blues
Accentuate The Positive by Johnny Mercer With The Pied Pipers And The Paul Weston Orchestra. Arranged by Alan Glasscock. For big band with solo vocal and vocal quartet. Swing. Medium Easy. Full score and set of parts. Published by Lush Life (JL.LL-2213). Here is the 1944 hit version of Accentuate the Positive, performed by Johnny Mercer (who wrote the lyrics) and the Pied Pipers, with the Paul Weston Orchestra. The arrangement is scored for full big band, vocal solo and four piece vocal backing group. The chart also works fine without the backing singers, as their lines have been cross-cued into the trombone parts. Alto 1 doubles clarinet in the opening verse, but aside from this there are no other sax doubles. The vocal key is F throughout. Swing @ 85& 120 b.p.m.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Deed I Do by Rose-Hirsch. Edited by Bill Holman. Band. For big band with vocal solo. D. Beach/Kjos Jazz. Big Band with Vocal. Jazz. Grade 4.5. Score and parts. Published by Neil A. Kjos Music Company (KJ.ZS3).
$80.00

Instruments: Voice, Vocal
Genres: Jazz & Blues
Teach Me to Swing by Susan Moniger. Edited by Doug Beach. Band. For jazz ensemble. D. Beach/Kjos Jazz. Kjos Vocal Jazz. Vocal Jazz. Grade 3. Score and parts. Published by Neil A. Kjos Music Company (KJ.ZV5). Take advantage of this over-stock pricing while supplies last.
$27.00

Instruments: Voice, Vocal
Genres: Jazz & Blues
And The Angels Sing by Benny Goodman. Arranged by Myles Collins. For big band with male vocal. Swing. Medium/Difficult. Full score and set of parts. Published by Lush Life (JL.LL-2004). Another classic from the Benny Goodman Orchestra, written by trumpeter Ziggy Elman. In the original arrangement the vocal chorus led to a typical Goodman 'Yiddish' trumpet chorus. In our arrangement this is replaced by a more conventional trumpet solo chorus and 'middle 8', with the vocal returning to close the chorus. The ending is as per the original, with a trumpet solo feature leading the band to a rousing finale. The vocal range is A below to Bb above middle C.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
A Tisket, A Tasket by Ella Fitzgerald. Arranged by Klaus Lessmann. For big band with female vocal. Swing. Easy. Full score and set of parts. Published by Lush Life (JL.LL-2032). A Tisket A Tasket was a hit for Ella Fitzgerald during her time with the Chick Webb band, and remains one of her most memorable charts. Klaus Lessmann has produced a classy transcription of this chart and had adapted it for a full band line-up. Everything is here, including the band answer-back vocals. Both the sax and the brass sections get to have a go! All articulations are clearly marked and the vocal sheet is as per Ella's performance. Key of A flat. Swing @ 165 b.p.m. Ranges: Trumpets 1-4: D6, Bb5, G5, Eb5 Trombones 1-4: Ab4, F4, Eb4, C4 Female Vocal: Ab3-Eb5 (12 steps).
$65.00

Instruments: Voice, Vocal
Genres: Jazz & Blues, Standards, Swing
Route 66 arranged by Myles Collins. For big band with male vocal. Swing. Medium Easy. Full score and set of parts. Published by Lush Life (JL.LL-2038). Mention the words Route 66 and many people think 'Johnny B-Goode', Rock and Roll, guitar bands etc. Well, think again. Our version is written as a bouncy, but not fast, swing-shuffle that has a laid-back yet driving feel to it. We've included solo space for Tenor, Trumpet and Baritone, all backed by brass riffs that build as the solos progress. Fun and straightforward to play and good to dance to. The vocal range is Bb below middle C to D one octave above middle C. Vocal key is Eb to F. Swing 140 b.p.m. Ranges: Trumpets 1-4: B5, G5, E5, E5 Trombones 1-4: G4, E4, D4.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
White Cliffs Of Dover arranged by Myles Collins. For big band with female vocal. Swing. Easy. Full score and set of parts. Published by Lush Life (JL.LL-2070). Immortalised by Vera Lynn in the 1940s, this tune came to symbolize hope in troubled times, though it is also a lovely melody in its own right. This arrangement is a smooth, flowing ballad in the '40s style, making full use of dynamic expression, muted and open brass, plus some Miller-voiced sax passages. Slightly nostalgic perhaps, but always popular. In the key of Ab, the vocal range is from Ab below, to C above middle C. Lead Alto doubles Clarinet, Baritone doubles Alto. The complete mp3, taken from a live gig, is courtesy of The Strayhorns, with Nou Nou on vocal. Ranges: Trumpets 1-4: Bb5, G5, F5, D5 Trombones 1-4: Ab4, F4, Eb4, C4 Vocal ke: Ab (Ab3-C5).
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Don' Cha Go Way Mad by Harry James And The Skylarks. Arranged by Alan Glasscock. For big band with vocal group [SATB]. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2107). Harry James and The Skylarks vocal group briefly joined forces in 1949-50, and came up with this gem of a chart. Don' cha Go 'Way Mad is all about a guy begging forgiveness for cheating on his girlfriend - quite a risky choice of a song for the times. The band and singers gel really well in this song, and the chart itself is not too demanding. Whilst the Skylarks were a 5-piece vocal outfit, we have modified the vocals to make it suitable for a more regular 4-piece (SATB) group. There are no Sax doubles in this chart. Another fine work from the pen of Alan Glasscock. Ranges: Trumpets 1-4: D6, Bb5, Bb5, Bb5 Trombones 1-4: A4, Ab4, Ab4, F4 Vocal key: Ab Lowest vocal Db3. Highest vocal Eb5.
$65.00

Instruments: Choir, Voice, Vocal
Genres: Swing, Jazz & Blues
Do Nothin' Till You Hear From Me by Robbie Williams. Arranged by Myles Collins. For big band with male vocal. Swing. Difficult. Full score and set of parts. Published by Lush Life (JL.LL-2130). Written by Duke Ellington and originally entitled Concerto for Cootie, Do Nothing Till You Hear From Me has been covered by all of the great vocalists including Ella Fitzgerald and Frank Sinatra. This version has been transcribed from the Robbie Williams Sinatra/Martin/Davis Jr tribute album, 'Swing When You're Winning.' The feel is almost a shuffle, and the chart has some great ensemble passages as well as a solo spot for Trumpet 2 (written out as played, with chords provided). The chart does require some top-end range from Trumpets 1 & 2 (up to a written high E) with some optional screaming from your lead player at the end of the chart. We have written in all of the dynamic markings and articulations that are so necessary to give this chart the correct balance, and have written the vocal line "as sung" by Mr. Williams. There are no sax doubles, the 4th Trombone is Bass, and the vocal Key is G. Ranges: Trumpets 1-4: E6, E6, E6, A5 Trombones 1-4: Db5, Ab4, F4, D4 Vocal key: G - Male Vocal C3 - F4 (11 steps).
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues