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Jazz & Blues
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On a Sunday Afternoon by Vince Norman. For jazz ensemble (tenor saxophone feature). This edition: Trumpet range to E6. Ballad, Funk, Jazz. Level 5. Score and set of parts. Published by UNC Jazz Press (NC.1006). (8 Brass) (Level 5) A funk ballad with a tenor sax feature (contains flute parts in remaining sax parts).
$60.00

Genres: Jazz & Blues
Hey There by George Stone. For jazz ensemble (alto saxophone solo; woodwind doubles). This edition: Trumpet range to E6. Ballad, 3/4 time signature, Swing, Jazz. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.1275). 9 brass, alto saxophone solo, woodwinds double, flute, brass doubles, flugelhorn, shout chorus.
$50.00

Genres: Swing, Jazz & Blues
The Warmth Of You by Charles Young. For jazz ensemble (alto saxophone feature). This edition: Trumpet range to C6. Jazz, Ballad. Level 3. Score and set of parts. Published by UNC Jazz Press (NC.1646). (Level III) A beautiful ballad feature for alto sax. Playable by an average high school jazz ensemble and virtually any college ensemble. This widely performed work is a wonderful vehicle for a soloist having brief ensemble statements and backgrounds. 8 Brass.
$55.00

Genres: Jazz & Blues
Meet Mr. Cooper & Sons by Bret Zvacek. For jazz ensemble (tenor saxophone, trombone and drum solos). This edition: Trumpet range to A6. Up Tempo, Jazz. Level 5. Score and set of parts. Published by UNC Jazz Press (NC.1652). (Level V) "Burn Mode," up-tempo Bb blues chart written in the style of the Buddy Rich Band. Opens with a piano solo, followed by the saxes with a slippery but playable theme. Hard-hitting brass section writing throughout. Challenging sax soli with soprano lead. Solos for tenor, trombone (trading 4's with the band) and drums, culminated by an ending that will get them out of their seats. Recorded on University of North Texas Lab '88 and UNC's Alive XI. A real screamer. 10 Brass.
$55.00

Genres: Jazz & Blues
Epilogue - Miami Suite Movement V by Christopher Jentsch. For jazz ensemble (with vocal solo). This edition: Trumpet range to Ab5. Ballad, Jazz, Straight 8th, ECM. Level 3. Score, vocal part and set of parts. Published by UNC Jazz Press (NC.1734). (8 Brass) Epilogue takes the peak of the Media Event ending and calms the mood to prepare for the Suite ending. This brief movement recalls The Ballad... second movement closely but ties up the Suite with references to all of the other movements. Reed II plays soprano sax throughout and soprano voice is back in. No other doubles. Recorded by the University of Miami's Concert Jazz Band on Jentsch's Miami Suite CD.
$15.00

Genres: Jazz & Blues
Big Sky by Mike Holober. For jazz ensemble (tenor saxophone, trumpet, guitar, and drum solos). Reggae, Straight 8ths, Jazz. Level 5. Score and set of parts. Published by UNC Jazz Press (NC.1841). (Level V) A fun piece that features tenor, trumpet, guitar, and drums. A 'Cakewalk' vibe with a Reggae-like groove, but the 8ths are straight. Recorded by The Gotham Jazz Orchestra on Thought Trains. 8 Brass.
$65.00

Genres: Jazz & Blues
Returning Dreams by Pete Hankinson. For guitar ensemble (4 guitars, bass, and optional drums). Jazz Waltz. Score and set of parts. Published by UNC Jazz Press (NC.591). Characteristic tremolo (guitars 2,3, and 4) provide the background for the 1st guitar in the introduction to this Italian waltz. Guitar 2 has the melody throughout. Three part harmony and contrasting bass pedal point lead into a key change and challenging rhythmic content. Written for 4 guitars, bass, and optional drums.
$25.00

Genres: Jazz & Blues
Seeds by Richard Lawn. For jazz ensemble (woodwind and brass doubles). This edition: Trumpet range to E6. Afro-Cuban, Jazz, Odd Meter. Level 3. Score and set of parts. Published by UNC Jazz Press (NC.679). (Level III) This beautifully orchestrated composition serves as the introductory movement to a four episode jazz ballet entitled Mirrors. Traditional West African motives and Duke Ellington's influence predominate as the piece moves from a chant-like introduction into a smooth African 9/8 feel. Percussion is essential as are two soprano saxes to interpret the free form written out duet complete with multiphonics. Alto I-sop./fl., Alto II-sop. /Fl./clar., Ten. I & II-clar., and Tpts II & IV-flugel. 8 Brass.
$45.00

Genres: Jazz & Blues
Snow Wisp by Jim Linahon. For jazz ensemble. This edition: Trumpet range to F6. Jazz, Funk, Fusion. Level 5. Score and set of parts. Published by UNC Jazz Press (NC.708).
$45.00

Genres: Jazz & Blues
Danny Boy by Deke Sharon. For jazz choir (SSATTB choir, a cappella). Jazz, Ballad. Level 4. Set of 16 octavos. Published by UNC Jazz Press (NC.VJ1210). (Level 4) Close harmony chords and arpeggiated textures combine to make for a lush, complex, and moving rendering of the Irish ballad. A tenor solo and baritone duet share the melody with the ensemble. SSATTB a cappella.
$45.00

Genres: Jazz & Blues
Fly Me To The Moon by Kirby Shaw. For jazz choir (S(S)ATB choir with rhythm section). Scat, Jazz. Level 4. Set of 16 octavos with rhythm parts. Published by UNC Jazz Press (NC.VJ1233). (Level 4) This 50's classic features all the things that have made Kirby Shaw a leader in vocal jazz education--fresh melodic/rhythmic treatment, varied choral textures, a hip, written-out solo vocalese, stylistically authentic scat syllables, a hot shout chorus and written-out rhythm section parts that work! Commissioned by Fairview High School Excalibur, Boulder, Colorado, this is a great opener for concerts and festivals! S(S)ATB with rhythm section.
$45.00

Genres: Jazz & Blues
Christmas in the Rain by Jason Heald. For jazz choir (SATB choir, a cappella). Christmas, Swing. Level 3. Set of 16 octavos. Published by UNC Jazz Press (NC.VJ1786). An original song arranged for a cappella SATB. It's a swinging arrangement that includes a female solo.
$40.00

Genres: Christmas, Swing, Miscellaneous, Jazz & Blues
Have Yourself A Merry Little Christmas arranged by Jeff Hall. For jazz choir (SAATBB choir with rhythm section). Jazz Waltz. Level 3. Set of 16 octavos. Published by UNC Jazz Press (NC.VJ1891). A challenging jazz waltz with an a cappella intro and a pedaled "A" section under male and female soloists. This arrangement also features a vocal or instrumental improvised solo and two modulations. A chart that sounds lush and also swings. It's a great holiday addition. SAATBB with rhythm section.
$40.00

Genres: Christmas, Jazz & Blues, Miscellaneous
That's the Way of the World arranged by Darmon Meader, Caprice Fox & Robert Sadin. For jazz choir (SSATB choir with rhythm section). Jazz, Rock, Funk. Level 4. Set of 16 octavos with rhythm parts. Published by UNC Jazz Press (NC.VJ2066). The title track for the New York Voices Hearts of Fire album. A funk/rock setting of the rock classic, this arrangement features exciting voicings that really allow the featured soprano solo to soar! SSATB with rhythm (piano, bass synthesizer, guitar and drums).
$55.00

Genres: Jazz & Blues, Rock
That's All arranged by Jeremy Landig. For jazz choir (SSATB choir with rhythm section). Ballad, Jazz, Rubato. Level 3. Set of 16 octavos with rhythm parts. Published by UNC Jazz Press (NC.VJ670). This lovely arrangement, set in 12/8 feel with rubato introduction and coda, is a tribute to Gene Puerling's classic Georgia on My Mind, whose form it parallels throughout. The chart includes written-out piano and bass parts for "non-compers." Four- and five-part harmonies are interspersed with unison and creative two-part writing for variety. Subtle harmonic twists, including a "tiered" double key change in the second bridge will keep your audience's ears glued to performance. SSATB with rhythm.
$50.00

Genres: Jazz & Blues
If I Had You by The Dave Pell Octet. Arranged by Marty Paich. For jazz ensemble (Tenor Saxophone, Baritone Saxophone, Trumpet, Trombone, Piano, Bass, Drums, Guitar). Swing, Jazz. Medium Difficult. Score and parts. Published by Jazz Lines Publications (JL.JLP-8066).
$35.00

Genres: Swing, Jazz & Blues
Is There Life After Bebop? by Kubis. For jazz ensemble. Jazz Summit Series. Bright Swing. Advanced. Score and set of parts. Duration 2 minutes, 45 seconds. Published by Kendor Music Inc (KN.62345). In this tip-of-the-hat tribute to one of the most pivotal eras of jazz, classic bebop vocabulary is set in a bright swing feel for proficient groups. It includes an open solo section and a drum solo. Duration 2:45.
$56.00

Genres: Swing, Jazz & Blues
Just One Of Those Things by Rob McConnell and The Boss Brass. Edited by Rob DuBoff and Jeffrey Sultanof. Arranged by Rob McConnell. For big band. Swing, Jazz. Advanced. Score and parts. Published by Jazz Lines Publications (JL.JLP-7041). Well, what can you say about Rob McConnell's writing that hasn't already been said? His writing is consistently interesting, surprising, and swinging. This arrangement is a perfect example of why he was one of the most important writers of the second half of the 20th Century. He takes the Cole Porter standard Just One of Those Things and turns it on its head. For the first chorus Rob took an improvised solo and harmonized it for the reeds (ala Supersax). The arrangement drops down to half time with some nice swinging figures until it gradually starts to accelerate back to tempo I. This accelerando section (16 bars) will be tricky for any band to pull off but is an amazing effect. This arrangement features solos for trumpet 5 and trombone 5 (those parts were written for Guido Basso and McConnell himself). There is no getting around the fact that this arrangement will require work from even the most experienced bands. There are reed doubles, some meter changes, tempo changes, and high range notes for brass. But, if you have the time and players this would be a standout piece for any festival or concert Ranges: Trumpet 1: to E6, Trumpet 2: to C6, Trombone 1: to Bb4.
$75.00

Genres: Swing, Jazz & Blues
The East Side / The West Side by The Jazz Interactions Orchestra. Edited by Rob DuBoff and Jeffrey Sultanof. Arranged by Oliver Nelson. For big band. Swing, Jazz. Medium. Score and parts. Published by Jazz Lines Publications (JL.JLP-7096). This arrangement by Oliver Nelson was recorded by the Jazz Interactions Orchestra in 1967, an ensemble led by pianist Billy Taylor. Set in a modal 9/8 groove (with two measures of 4/8 thrown in) this chart features a lengthy alto saxophone solo (played by Phil Woods on the recording) with nice backgrounds. Also featured is vibraphone. Oliver wrote this arrangement (and the others from this recording session) for two bass players (played by Ron Carter and George Duvivier). Throughout this particular arrangement one bass player is arco and the other is pizz. There are no instrument doubles. Ranges: Trumpets 1 & 2: to D6; Trombones 1 & 2: to C5.
$48.75

Genres: Swing, Jazz & Blues
The East Side / The West Side by The Jazz Interactions Orchestra. Edited by Rob DuBoff and Jeffrey Sultanof. Arranged by Oliver Nelson. For big band. Swing, Jazz. Medium. Score. Published by Jazz Lines Publications (JL.JLP-7096S). This arrangement by Oliver Nelson was recorded by the Jazz Interactions Orchestra in 1967, an ensemble led by pianist Billy Taylor. Set in a modal 9/8 groove (with two measures of 4/8 thrown in) this chart features a lengthy alto saxophone solo (played by Phil Woods on the recording) with nice backgrounds. Also featured is vibraphone. Oliver wrote this arrangement (and the others from this recording session) for two bass players (played by Ron Carter and George Duvivier). Throughout this particular arrangement one bass player is arco and the other is pizz. There are no instrument doubles. Ranges: Trumpets 1 & 2: to D6; Trombones 1 & 2: to C5.
$20.00

Genres: Swing, Jazz & Blues
Anubis by David Liebman (1946-). For big band. Medium to difficult. Score and parts. Published by Walrus Music Publishing (WA.51712). Composed by David Liebman; arranged by Scott Reeves. Featured on Lieb's big band recording "As Always". This arrangement centers around a 5/4 world music. trumpet 1 has one A above staff. S/A/T/T/4/4/G/P/B/D. Ostinato figure with multiple soloists embedded in a wide variety of colorful background textures and rubato unison melodies played over the prevailing vamp. The highest lead trumpet note is written E (D concert).5/4/4/P/B/D/G.
$60.00

Genres: Jazz & Blues
Tomorrow's Expectations by David Liebman (1946-). For big band. Medium to difficult. Score and parts. Published by Walrus Music Publishing (WA.51714). Arranged by Arnon Palty. This chart is medium level for a standard big band orchestration with a melodic and dramatic melodic line in a ballad feel. The leading theme is carried throughout the arrangement which features a prominent bass figure. Any lead instrument can be featured (with possible range changes).trumpet to written high C with one high C#. Sop/A/A/T/T/B/ 4 trumpets/ 4 Bones/G/P/B/D.
$50.00

Genres: Jazz & Blues
Limehouse Blues by Phil Kelly. For big band. Medium to difficult. Score and parts. Published by Walrus Music Publishing (WA.56415). A new twist on the old standard - normally played as an uptempo number, this is a slowed down basie style walking tempo (ala shiny stockings) chart featuring plunger muted brass. Careful attention to the dynamics by the ensemble are the key to the success of this chart. Solo and a quiet to loud shout chorus. First tpt up to D. 5,4,4,G,P,B,D.
$60.00

Genres: Blues, Jazz & Blues
Don't Get Sassy in Bb by Thad Jones. Arranged by Mike Carubia. For jazz ensemble. Thad Jones Series. Jazz/Swing. Grade 4. Extra full score. Duration 3 minutes, 14 seconds. Published by SmartChart Music (S3.SCM-1005-01). The second and more difficult of the two "Sassy's". This one mirrors Thad's original in form and style. Slightly richer voicings than SCM-1001 but not an overly high lead trumpet part.
$6.00

Genres: Swing, Jazz & Blues