By Ernesto De Curtis (1860-1926). Arranged by Chiaramello, Giancarlo (B. 1939), Orchestrator. For 2+1, 2+1, 2+1, 2 - 4, 3, 3, 1, timpani, percussion, harp, strings, solo tenor. Italian Pops: Romantic. Full score. Composed 1915. Duration 3 minutes. Published by Edwin F. Kalmus

6 Kammersonaten op. 4 (Sonate da camera a tre). By Arcangelo Corelli (1653-1713). Edited by Gustav Jensen. For 2 violins, cello and piano (violin I). This edition: ED 1009-01. Chamber Music with Piano. Individual part. 12 pages. Published by Schott Music (SD.49013926). ISBN 9790001032438.

Concerto grosso B-Dur op. 6/11 by Arcangelo Corelli (1653-1713). Edited by Richard Platt. For 2 violins, cello, strings and basso continuo (viola). This edition: EOS 1836-13. Orchestra Music. Eulenburg Orchestra Series. Individual part. Published by Schott Music (SD.49015809). ISBN 9790200219760.

Serenata (E-flat Major) by Francesco Paolo Tosti (1846-1916). For medium voice solo and piano. 6 pages. Published by Classical Vocal Reprint (CV.1286).

Sonata in g-minor by Arcangelo Corelli (1653-1713). For euphonium & piano (organ). Swiss import. Grade 3+. Score and parts. Published by Editions Marc Reift (MA.EMR-2070M).

La Folia by Arcangelo Corelli (1653-1713). Arranged by Williams. For Piano part. Print on demand - publisher prints this title after order is received. Published by Shawnee Press (S5.LC1022).

La Follia (Level 3+). By Arcangelo Corelli (1653-1713). Edited by Detlef Tewes. For Mandolin Orchestra (Score). Score. Published by Edition 49 (E4.E49-08394-10).

La Follia (Level 3+). By Arcangelo Corelli (1653-1713). Edited by Detlef Tewes. For Mandolin Orchestra (Contrabass). Score. Published by Edition 49 (E4.E49-08394-15).

Sonata in g-moll, op. 2, Nr.6 by Tomaso Giovanni Albinoni (1671-1751). Edited by Detlef Tewes. For Mandolin Orchestra (guitar continuo). Score. Published by Edition 49 (E4.E49-08401-15).

Songs (Romanze). (High/Medium Voice). By Francesco Paolo Tosti (1846-1916). Vocal Collection. 120 pages. Ricordi #R134214. Published by Ricordi (HL.50480553). A wonderful collection of songs by the master of Italian melody. Tosti's style of popular salon song holds a unique place in vocal literature. He was obviously a great lover of the voiceit is music of pure, natural melodic expression. In fact, Verdi held that Tosti was the best voice maestro of his time. His songs have been favorites of many famous singers, perhaps most notably Enrico Caruso and Luciano Pavarotti. All the songs are presented in their original keys. Most are for High Voice or for Medium High Voice. Preface in English, Italian and German. Long lasting smythe-sewn binding. Contents: Mattinata • Vorrei morire! • Ave Maria • Aprile • Ideale • Ninon • Non t'amo più! • Vorrei • Marechiare • Sogno • Malìa • L'ultimo bacio • Ridonami la calma!... • La seranata • Si tu le voulais! • Penso! • Chanson de l'adieu • La mia canzone! • Pour un baiser! • L'ultima canzone • 'A vucchella • Tristezza • Il pescatore canta!... • Luna d'estate!... • Tormento!

By Giuseppe Verdi (1813-1901). For 1+1, 2, 2, 2 - 4, 2, 3, 1, timpani, percussion, harp, strings (2.2.1.1.1), mixed choir. Italian: Romantic. Full score. Composed 1847/1865. Published by Edwin F. Kalmus

La Folia. (For Violin and Piano). By Arcangelo Corelli (1653-1713). For Violin Solo, Piano. Solo part with piano reduction. Standard notation. 15 pages. Published by Carl Fischer (CF.F1127). ISBN 0825827132. With Standard notation.

The Old Maid and the Thief. (A Grotesque Opera in 14 Scenes). By Gian Carlo Menotti (1911-). For 4 vocals soloists. Masterworks; Vocal (Opera) Score. Belwin Edition. Opera, 20th Century and Italian. Vocal score. Composed 1939. 192 pages. Published by Belwin Publishing (AP.FC01282). ISBN 0769245919. Opera, 20th Century and Italian. 9x12 inches. This one act opera, divided into 14 scenes, is about an old maid, Miss Todd, who is a busybody in her small town. Though she is of high standing in her community, her love life has been bare for over forty years. Her housemaid Laetitia is a young catty, eavesdropper who is wary of becoming an Old Maid like her employer. Bob, a wanderer (bum), comes to Miss Todd's door one afternoon while the town gossip, Miss Pinkerton is visiting. Enamored of his beauty, Laetitia easily convinces Miss Todd to let him stay. Intending to leave the next morning Bob sings "When the Air Sings of Summer" (Bob's Bedroom Aria), Laetitia convinces him to stay for the rest of the week.The next day Miss Todd learns from Miss Pinkerton of an escaped convict matching Bob's description is in the area. Undeterred, she leaves money out for Bob to "steal". Eventually unable to continue financing Bob, she resorts to stealing from her neighbors. Meanwhile, Laetitia is falling in love with the wanderer and sings "Steal Me Sweet Thief" an aria of her love for him, asking him to steal her away before time ravages and withers her looks. Miss Pinkerton, encounters Miss Todd and warns her to "Keep all the doors locked, keep all the windows closed" because the thief is in town and has stolen from the neighbors. Laetitia once again finds Bob preparing to leave and he will only stay if he can "have something to drink." Miss Todd, being a good prohibitionist, doesn't have any in the house and would scandalize the town if she was seen buying liquor, forms a plan with Laetitia to break into a liquor store.The next day Miss Pinkerton visits Miss Todd at home and informs her that the liquor store has been violated and the owner attacked. A drunken Bob interrupts their conversation, singing loudly upstairs. She also says that the police are going to search every house to find the thief. Forcing Miss Pinkerton out the door, Miss Todd and Laetitia confront Bob about his true identity. Explaining the police were on their way, Miss Todd plans to run away with Bob. Bob refuses to runaway because he has done nothing wrong. Miss Todd "Is your love for me so small that you would see me in prison." Bob "Small? I don't love you at all" Miss Todd rages and leaves saying she would call the police and blame all the theft on him. Glumly, Bob and Laetitia duet on whether to stay and face the charges or leave, Laetitia winning the argument. They steal all Miss Todd's valuables including car and rided off together. Miss Todd returns to find everything stolen and collapses in grief.

Gavotte & Sarabande by Arcangelo Corelli (1653-1713). Arranged by Xavier Eeckeloot. For woodwind quintet. Score and Parts. Published by Wiltshire Music/Cor Publishing Co. (WS.WE21).

Adagio by Tomaso Giovanni Albinoni (1671-1751). For flute and guitar or 2 guitars. Classical. Score. Published by Editions Combre (LM.C05062).

Adagio by Tomaso Giovanni Albinoni (1671-1751). For accordion. Classical. Score. Published by Editions Combre (LM.P03949).

Crisantemi by Giacomo Puccini (1858-1924). Arranged by Drew, Lucas (B. 1938), Transcriber. For string orchestra. Italian Seasonal: Post-Romantic. Full score. Composed 1890. Duration 6 minutes. Published by Edwin F. Kalmus (KM.A1117-FSC).

By Giacomo Puccini (1858-1924). For 1, 2, 2+1, 1 - 4, 0, 0, 0, harp, cello, piano, strings. Italian: Post-Romantic. Full score. Composed 1917. Published by Edwin F. Kalmus

Adagio in G Minor by Tomaso Giovanni Albinoni (1671-1751). Edited by Werner Thomas-Mifune. For cello and piano accompaniment. Baroque. Difficulty: difficult. Instrumental solo book. Bowings and fingerings. 6 pages. Published by Edition Kunzelmann (PE.GM1670). With bowings and fingerings. Baroque. 9x12 inches.

Adagio by Tomaso Giovanni Albinoni (1671-1751). Edited by transcr. Robert Schultz. Arranged by Robert Schultz. For solo piano. Masterworks; Piano Solo; Solo. Classical Period. SMP Level 8 (Early Advanced). Single piece. 7 pages. Published by Alfred Music Publishing (AP.1029AP1X). The flowing, sustained beauty of this famous orchestral work is tastefully captured in this piano solo arrangement. Beginning softly, the piece builds to a full texture and volume, incorporating all the original orchestral lines, and includes a written out cadenza.This title has selections that range in difficulty from SMP Level 7-8. About SMP Level 8 (Early Advanced) 4 and 5-note chords spanning more than an octave. Intricate rhythms and melodies.

Aprile (A-flat Major) by Francesco Paolo Tosti (1846-1916). For low voice solo and piano. Published by Classical Vocal Reprint (CV.606).

Visione! by Francesco Paolo Tosti (1846-1916). For high voice solo with violin or cello obligato. 5 pages. Published by Classical Vocal Reprint (CV.2063).

Giovanna d'Arco by Giuseppe Verdi (1813-1901). Italian: Romantic. Octavo (tenor/bass). Composed 1845. Published by Edwin F. Kalmus (KM.A4613-OCT-TB).

A Vucchella by Francesco Paolo Tosti (1846-1916). Arranged by Conlon. For TTBB choir, keyboard. Choral octavo. Published by Alliance Music Publications (AN.AMP-0204).