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Duende flamenco Vol. 6B - Rondena, taranta by Claude Worms. For flamenco guitar. Classical. Score. Published by Editions Combre (LM.C06130).
$39.95

Instruments: Acoustic Guitar, Classical Guitar, Flamenco Guitar, Guitar
Genres: Classical, Flamenco, Latin
Duende flamenco Vol. 6C - Granaina, minera, rondena, taranta by Claude Worms. For flamenco guitar. Classical. Score. Published by Editions Combre (LM.C06357).
$42.95

Instruments: Acoustic Guitar, Classical Guitar, Flamenco Guitar, Guitar
Genres: Classical, Flamenco, Latin
Maestros clasicos de la guitarra flamenca Vol.2 : M. Cano by Claude Worms. For flamenco guitar. Classical. Score and CD. 108 pages. Published by Editions Combre (LM.C06328).
$66.95

Pages: 108
Instruments: Acoustic Guitar, Classical Guitar, Flamenco Guitar, Guitar
Genres: Classical, Flamenco, Latin
Maestros clasicos de la guitarra flamenca Vol.3 : Serranito by Claude Worms. For flamenco guitar. Classical. Score and CD. 130 pages. Published by Editions Combre (LM.C06552).
$73.95

Pages: 130
Instruments: Acoustic Guitar, Classical Guitar, Flamenco Guitar, Guitar
Genres: Classical, Flamenco, Latin
Maestros contemporaneos Vol. 1 : V. Amigo by Claude Worms. For flamenco guitar. Classical. Score. 124 pages. Published by Editions Combre (LM.C06453).
$73.95

Pages: 124
Instruments: Acoustic Guitar, Classical Guitar, Flamenco Guitar, Guitar
Genres: Classical, Flamenco, Latin
Maestros contemporaneos Vol.2 : Jose Luis Monton by Claude Worms. For flamenco guitar. Classical. Score. 121 pages. Published by Editions Combre (LM.C06616).
$51.95

Pages: 121
Instruments: Acoustic Guitar, Classical Guitar, Flamenco Guitar, Guitar
Genres: Classical, Flamenco, Latin
Malaguena populaire by Claude Worms. For flamenco guitar. Classical. Score. Published by Editions Combre (LM.C05763).
$10.95

Instruments: Acoustic Guitar, Classical Guitar, Flamenco Guitar, Guitar
Genres: Classical, Flamenco, Latin
Malaguena (Flamenco) et Soleares. For guitar. Classical. Score. Published by Editions Combre (LM.C05246).
$7.95

Instruments: Acoustic Guitar, Classical Guitar, Flamenco Guitar, Guitar
Genres: Classical, Flamenco, Latin
Capriccio Flamenco by Miguel Abloniz. For guitar. Standard notation. Published by Berben (PR.564000100). With Standard notation.
$8.50

Instruments: Flamenco Guitar, Guitar
Genres: Flamenco, Latin
The Exciting Sound of Flamenco Vol. 1 by Juan Martin. For Guitar. Tablature. Published by United Music Publishers (PR.564005250). With Tablature.
$13.95

Instruments: Flamenco Guitar, Guitar
Genres: Flamenco, Latin
The Exciting Sound of Flamenco Vol. 2. (Vol. 2: Mi Rumba & Aires Gaditanos). By Juan Martin. For Guitar. Tablature. Published by United Music Publishers (PR.564005260). With Tablature.
$13.95

Instruments: Flamenco Guitar, Guitar
Genres: Flamenco, Latin
El Arte Flamenco CD by Juan Martin. For Guitar. Audio CD. Standard notation. Published by United Music Publishers (PR.564020610). With Standard notation.
$20.95

Instruments: Flamenco Guitar, Guitar
Genres: Flamenco, Latin
Canciones Flamencos Antiguas by Rafael Andia. For 2 Guitar. Standard notation. Published by Transatlantic (PR.564021140). With Standard notation.
$25.50

Instruments: Flamenco Guitar, Guitar
Genres: Flamenco, Latin
Vision Clasica Del Flamenco by Jose-Luis De Narvaez. For guitar. Standard notation. Opus 21. Published by Transatlantic (PR.564021160). With Standard notation.
$23.50

Instruments: Flamenco Guitar, Guitar
Genres: Flamenco, Latin
Palmas por Palos, Volume 1 by Jeronimo Utrilla. For Guitar (Classical). Methods. RGB Arte Visual. Flamenco. Beginning-Intermediate. Book+DVD. Published by RGB Arte Visual (MB.8493767389). ISBN 9788493767389. Flamenco. 5.25" x 7.5" inches. The "Palmas por Palos" series is a continuation and a complement of the "Learn and practice the palmas" though this one includes some new ideas and elements to study the Flamenco rhythm. The main features are: Practice of complete Palos: Bulerias, Fandangos de Huelva, Rumba, Seguiriya and Tanguillos. It includes baile in some palos Palmas of baile have a little difference with palmas of cante. The baile has in its structure some parts like escobillas, where the palmas must beat clearly the compas (flamenco metre) base. Thereby palmas are played consecutively in the base and in the 2nd voice. The palmas are played in all the palos since the beginning to the end and in two voices (palmas base and second voice). That is, as playing live with two palmeros (people who clap). This is the first time we perform muffled palmas. 80 new palmas patterns which include base patterns, second voices and remates. The difficult level of these new patterns is harder than the "Learn and Practice the Palmas" DVD one so it is advisable to study the most basic and essential patterns of the first volume before. The palmas scores of all the palo's are included. Every score points out, bar by bar, the palmas pattern used in the bases and in the second voice. There is no need of musical knowledge to read the palmas graphics as they are very visual and have an easy comprehension.
$34.99

Instruments: Acoustic Guitar, Guitar
Genres: Flamenco, Latin
Palmas por Palos, Volume 2 by Jeronimo Utrilla. For Guitar (Classical). Methods. RGB Arte Visual. Flamenco. Beginning-Intermediate. Book+DVD. Published by RGB Arte Visual (MB.8493767396). ISBN 9788493767396. Flamenco. 5.25" x 7.5" inches. The "Palmas por Palos" series is a continuation and a complement of the "Learn and Practice the Palmas" though this one includes some new ideas and elements to study the Flamenco rhythm. The main features are: Practice of complete Palos: Sole!, Jaleos, Tientos/Tangos, Sevillanas and Alegrias. It includes baile in some palos Palmas of baile have a little difference with palmas of cante. The baile has in its structure some parts like escobillas, where the palmas must beat clearly the compas (flamenco metre) base. Thereby palmas are played consecutively in the base and in the 2nd voice. The palmas are played in all the palos since the beginning to the end and in two voices (palmas base and second voice). That is, as playing live with two palmeros (people who clap). This is the first time we perform muffled palmas. 80 new palmas patterns which include base patterns, second voices and remates. The difficult level of these new patterns is harder than the "Learn and Practice the Palmas" DVD one so it is advisable to study the most basic and essential patterns of the first volume before. The palmas scores of all the palo's are included. Every score points out, bar by bar, the palmas pattern used in the bases and in the second voice. There is no need of musical knowledge to read the palmas graphics as they are very visual and have an easy comprehension.
$34.99

Instruments: Acoustic Guitar, Guitar
Genres: Flamenco, Latin
Mil Abrazos Book/CD Set Book/CD Set by Jorge Berges. For Guitar (Classical). Solos. Flamenco. Intermediate-Advanced. Book/CD Set. 112 pages. Published by RGB Arte Visual (MB.0901311299). ISBN 9790901311299. Flamenco. 8.25x11.5 inches. This book includes part of Jorge's late compositions, all included in his CD "Mil abrazos". Jorge plays seven pieces of very different flamenco styles, someones "deep" as solea, others joyful as bulerias. He shows us the richness of the flamenco "palos" and their great expressive power. Together with Jorge we can listen to the impressive compas of drummer Josue Barres, Tano Escudero, singer, Marcelo Escrich, bass guitar, and the zapateado (footwork) of dancer Miguel Chaves. UK product number 901311299.
$34.95

Pages: 112
Instruments: Acoustic Guitar, Guitar
Genres: Flamenco, Latin
Rafael Riqueni - Alcazar de Cristal, Volume 3 by Rafael Riqueni. Edited by Enrique Vargas. For Guitar (Classical). Solos. The Great Flamenco Guitars of Today Library. Flamenco. Intermediate. Book. 176 pages. Published by RGB Arte Visual (MB.0801224255). ISBN 9790801224255. Flamenco. 8x11.75 inches. The three books of the CD "Alcazar de cristal" are a new addition to Enrique Vargas's "The Great Flamenco Guitarists of Today Library" collection. "Alcazar de cristal," the latest work by Rafael Riqueni, is extremely interesting for a variety of reasons. First, there is the wide palette of influences found in the work, from baroque to Spanish musical nationalism, and from jazz to nineteenth-century romanticism - all of which Rafael implements within an unmistakably flamenco musical idiom. Second, there is the complexity of the arrangements, which sometimes include three guitars, a string section, piano, etc... Since there is practically no flamenco literature for more than one guitar, great effort has been made to include these arrangements in the transcriptions, which can be used in both professional settings and for didactic purposes. All the parts where there are more than one guitar have been transcribed in their entirety, making these scores ideal for duets or trios. This opens up some very interesting possibilities for professional flamenco groups or for students who prefer to play with another guitarist. For example, musicians who work in dance companies or who accompany singers can use various falsetas from this album that are arranged for more than one guitar. Flamenco guitar students can also interpret these pieces to learn to play with other musicians. Finally, this work includes a series of pieces that don't come from the world of pure flamenco, and therefore don't demand a deep knowledge of flamenco forms and techniques, which makes them accessible to guitarists of other styles - classical, jazz, Brazilian, etc. - interested in the flamenco guitar, making these pieces a sort of link between the flamenco guitar and other genres. Each transcription includes the following: 1. A history of the form 2. Scales, chords, and flamenco tonalities 3. Compas, palmas and foot-tapping patterns, which, though indispensable for understanding flamenco rhythms, are rarely analyzed in publications about flamenco. 4. Analysis of the most difficult falsetas with explanations and suggestions on their technical execution. In addition, each book includes 1. A list of basic rasgueados 2. A glossary of flamenco terminology 3. The symbols used in flamenco writing Since altogether this work is over 600 pages long, it is presented in three books in order to make it possible to use. This is the habitual format for transcriptions in "The Great Flamenco Guitarists of Today Library" series, since contemporary flamenco pieces are much longer than they used to be in the past and often include more than one guitar. Enrique Vargas transcribes all the additional guitars, which obviously makes the musical text much longer. In addition, the commentaries, suggestions, and analysis sections make each book a mini-manual of flamenco in general, and the style of each artist in particular.
$54.95

Pages: 176
Instruments: Acoustic Guitar, Guitar
Genres: Flamenco, Latin
Pepe Habichuela - Yerbaguena, Volume 1 by Pepe Habichuela. Edited by Enrique Vargas. For Guitar (Classical). Solos. The Great Flamenco Guitars of Today Library. Flamenco. Intermediate. Book. 196 pages. Published by RGB Arte Visual (MB.0801224279). ISBN 9790801224279. Flamenco. 8.25x11.5 inches. At last, the long-awaited transcription of the historic CD Yerbaguena by Pepe Habichuela has been released as an addition to maestro Enrique Vargas' "Great Flamenco Guitars of Today Library". This two-volume edition, as all others within this Library, carries a hand-written exclusive authorization by the author of the music. Yerbaguena is considered historic for the following reasons: one, it is the first album that fuses Gypsy flamenco with the music of India, the homeland of the Roma (Gypsies). The ease with which Habichuela's guitar blends with the colorful Indian melodies of the Bollywood Strings, full of microtones and oriental embellishments is truly astonishing. Two, this work is a fruit of the combined effort of four different members of this outstanding flamenco family, the Carmona: maestro Pepe Habichuela; his son Josemi, himself a great guitarist, composer, arranger and producer; Juan Carmona, guitar virtuoso and also a great composer; and, last but not least, Antonio Carmona, an extraordinary percussionist. The music on Yerbaguena exudes the joy of living, pure and sincere as the ancestral wisdom of the Gypsy, who, through the thousands of years and miles preserved their soul and their art. The transcription of "Yerbaguena" was complicated by the abundance of Indian instruments, two and sometimes three guitar tracks, singing, etc.. Surprisingly, maestro Vargas not only transcribed all the guitar tracks, but also arranged the most important parts played by the Bollywood Strings, the oud and the mandola for the second guitar. As a result, this work offers flamenco material for solo guitar as well as duos and trios. No need to say, flamenco pieces for more that one guitar have been virtually non-existent on the chart market. It should be added that all the tunes from Yerbaguena are perfectly playable on a solo guitar. As in all of his books, Enrique Vargas offers detailed explanations on the forms included on Yerbaguena, foot marking, tonalities, the basics of the harmonic and melodic language of each form as well as the analysis of the most difficult compas, falsetas and technical aspects of the artist's style. This turns each book into a mini-manual of flamenco in general and the personal style of each guitarist in particular. UK product number 801224279.
$54.95

Pages: 196
Instruments: Acoustic Guitar, Guitar
Genres: Flamenco, Latin
Tomatito's Paseo de los Castanos Score, Volume 2 (The Great Flamenco Guitars of Today Library). By Jose Fernandez Torres Tomatito. Edited by Enrique Vargas. For Guitar (Classical). Solos. The Great Flamenco Guitars of Today Library. Flamenco. Intermediate-Advanced. Book. Text language: Spanish, English. 206 pages. Published by RGB Arte Visual (MB.0801224316). ISBN 9790801224316. With Text language: Spanish, English. Flamenco. 8.75x12 inches. New book of The Great Flamenco Guitarist of today Library by Enrique Vargas The complete transcription of the historic CD "Paseo de los Castanos" by Tomatito, one of the most influential flamenco guitarists of our times. Maestro Enrique Vargas has chosen this CD to transcribe for two reasons: first, because it's musical value is unquestionable and second, because this recording like no other reflects the versatility of the artistic trajectory of this guitarist and composer. This work demonstrates a wide palette of styles and influences that Tomatito made his own: from a dazzling and very jazzy jam session with the great George Benson to a fiesta por bulerias in a wine cellar en Jerez de la Frontera in a pure Gypsy style, from an Argentinian bolero to a profoundly ancestral solea, from tangos flamencos so "Tomatito" to a Turkish folk song with a string cuartet. Presented in Spanish and English.
$61.95

Pages: 206
Instruments: Acoustic Guitar, Guitar
Genres: Flamenco, Latin
Rafael Riqueni - Alcazar de Cristal, Volume 2 by Rafael Riqueni. Edited by Enrique Vargas. For Guitar (Classical). Solos. The Great Flamenco Guitars of Today Library. Flamenco. Intermediate. Book. 176 pages. Published by RGB Arte Visual (MB.0801224248). ISBN 9790801224248. Flamenco. 8.x11.75 inches. The three books of the CD "Alcazar de cristal!" are a new addition to Enrique Vargas' "The Great Flamenco Guitarists of Today Library" collection. "Alcazar de cristal," the latest work by Rafael Riqueni, is extremely interesting for a variety of reasons. First, there is the wide palette of influences found in the work, from baroque to Spanish musical nationalism, and from jazz to nineteenth-century romanticism - all of which Rafael implements within an unmistakably flamenco musical idiom. Second, there is the complexity of the arrangements, which sometimes include three guitars, a string section, piano, etc... Since there is practically no flamenco literature for more than one guitar, great effort has been made to include these arrangements in the transcriptions, which can be used in both professional settings and for didactic purposes. All the parts where there are more than one guitar have been transcribed in their entirety, making these scores ideal for duets or trios. This opens up some very interesting possibilities for professional flamenco groups or for students who prefer to play with another guitarist. For example, musicians who work in dance companies or who accompany singers can use various falsetas from this album that are arranged for more than one guitar. Flamenco guitar students can also interpret these pieces to learn to play with other musicians. Finally, this work includes a series of pieces that don't come from the world of pure flamenco, and therefore don't demand a deep knowledge of flamenco forms and techniques, which makes them accessible to guitarists of other styles - classical, jazz, Brazilian, etc. - interested in the flamenco guitar, making these pieces a sort of link between the flamenco guitar and other genres. Each transcription includes the following: 1. A history of the form 2. Scales, chords, and flamenco tonalities 3. Compas, palmas and foot-tapping patterns, which, though indispensable for understanding flamenco rhythms, are rarely analyzed in publications about flamenco. 4. Analysis of the most difficult falsetas with explanations and suggestions on their technical execution. In addition, each book includes 1. A list of basic rasgueados 2. A glossary of flamenco terminology 3. The symbols used in flamenco writing Since altogether this work is over 600 pages long, it is presented in three books in order to make it possible to use. This is the habitual format for transcriptions in "The Great Flamenco Guitarists of Today Library" series, since contemporary flamenco pieces are much longer than they used to be in the past and often include more than one guitar. Enrique Vargas transcribes all the additional guitars, which obviously makes the musical text much longer. In addition, the commentaries, suggestions, and analysis sections make each book a mini-manual of flamenco in general, and the style of each artist in particular.
$54.95

Pages: 176
Instruments: Acoustic Guitar, Guitar
Genres: Flamenco, Latin
Basic Handbook of Flamenco by Jose Martinez Hernandez. For Guitar (Classical). Reference. Flamenco. Beginning-Intermediate. Book. 109 pages. Published by RGB Arte Visual (MB.8461243778). ISBN 9788461243778. Flamenco. 5x7.5 inches. This book brings you closer to Flamenco, in a brief and summarized way. --Flamenco - a name --The early days --The place of birth --A life story --Flamenco singing: the craked voice --Dancing Flamenco --Flamenco Guitar --Descripton of every Flamenco variations "PALOS" --Glossary UK product number 8461243778.
$22.95

Pages: 109
Instruments: Acoustic Guitar, Flamenco Guitar, Guitar
Genres: Flamenco, Latin
5 Flamenco Pieces for Piano Book by Miguel Angel Remiro. For Keyboard (Piano). Solos. Flamenco. Intermediate. Book. 34 pages. Published by RGB Arte Visual (MB.0901311268). ISBN 9790901311268. Flamenco. 8.25x11.5 inches. This series of flamenco pieces is particularly intended for pianists who, although they know their instrument well, are not familiar with the style of flamenco. UK number 901311268.
$34.95

Pages: 34
Instruments: Piano, Organ, Piano and Keyboard
Genres: Flamenco, Latin
Hechizo Book/CD Set by Oscar Herrero. For Guitar (Classical). Solos. Flamenco. Intermediate. Book/CD Set. 108 pages. Published by RGB Arte Visual (MB.0901311251). ISBN 9790901311251. Flamenco. 8.25x11.50 inches. Eight flamenco guitar solos composed and performed by Oscar Herrero with introduction and notations for right and left hand technique in Spanish, English and French. Written in standard notation and tablature. UK product number 901311251.
$44.95

Pages: 108
Instruments: Acoustic Guitar, Guitar
Genres: Flamenco, Spanish, Latin, World