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Wege zur Neuen Musik. (Uber einige Grundlagen der Musikgeschichtsschreibung des 20. Jahrhunderts). By Andreas Ballstaedt. This edition: ED 9527. Books/Librettos. Eine systematische Beschreibung der Charakteristika Neuer Musik und der Prinzipien ihrer historischen Darstellung. Text language: German. 226 pages. Published by Schott Music (SD.49008435). With Text language: German. Kaum ein Zeitraum vorher hat sich so umfassend in der Darstellung seiner Geschichte selbst bespiegelt, wie das 20. Jahrhundert. Dieser Band mochte nicht eine weitere Musikgeschichtsdarstellung zum 20. Jahrhundert vorlegen, sondern anhand der existierenden die Voraussetzungen einer solchen thematisieren und nach den Prinzipien der Neuen Musik fragen. Die Unscharfe der Begriffe und die Widerspruchlichkeiten der Geschichtsschreibung fuhren nach dem Versuch, den Anfang der Neuen Musik in der Gegenuberstellung zweier Positionen (Ives und Webern) zu beschreiben, zu einem Pladoyer fur Neue Musik als plurale Kategorie.

Pages: 226
Genres: 20th Century, Classical
(5 Preludes for Solo Guitar). By Heitor Villa-Lobos (1887-1959). Edited by Fr

Pages: 25
Instruments: Guitar
Genres: 20th Century, Classical
Cafe Para Dos by Maximo Diego Pujol (1957-). For 2 guitars. Classical. Score. Published by Editions Henry Lemoine (LM.28062).

Instruments: Acoustic Guitar, Classical Guitar, Guitar
Genres: Classical, 20th Century, Argentinian, Latin
Abel Carlevaro: Aires De Vidalita. (Sobre Un Tema De E Cotelo). By Abel Carlevaro (1916-2001). For Guitar (Classical). Solos. Chanterelle. Classic. Intermediate. Book. 4 pages. Published by Chanterelle (MB.ECH724). ISBN 9780786677061. Classic. 9x12 inches. Abel Carlevaro, an exceptional virtuoso, composer and teacher, is not only one of the most important guitarists of our time, but the creator of a new school of instrumental technique as well. Aires de Vidalita is a virtuistic piece which Carlevaro masterfully composed. In ENGLISH and SPANISH.

Pages: 4
Instruments: Acoustic Guitar, Guitar
Genres: 20th Century, Classical
Nazareth - Hair of the Dog: Live from London by Ernesto Nazareth. Live/DVD. DVD. MVD #CRDVD178. Published by MVD (HL.321017). Nazareth is one of the legendary acts to emerge from the 1970s progressive and hard rock scenes – a name recognized and loved all around the world. The band formed in the late 1960s but only began to enjoy success in the mid-1970s, when their Razamanaz album spawned two top ten UK singles “Broken Down Angel” and “Bad Bad Boy.” It was 1975's Hair of the Dog album that broke the band as an international success, selling over a million copies in the U.S. – the single “Love Hurts” was a U.S. top ten hit. The band went on to establish themselves in the vanguard of rock with a series of classic albums throughout the late '70s and early '80s. This DVD captures a full show from the London leg of one of the band's many UK tours from the early 1980s. Nazareth are still actively touring the world and releasing new material – their latest album The Newz was released only last year, lapped up by their ever-loyal fanbase. Songs: Telegram • Razamanaz • I Want to Do Everything for You • Boys in the Band • Beggars Day •.

Genres: Classical, 20th Century, Brazilian, World
Adagio in G Minor (Full Score). By Tomaso Giovanni Albinoni (1671-1751). Edited by Remo Giazotto. Score. Study Score. 11 pages. Ricordi #R129658. Published by Ricordi (HL.50018160). ISBN 0793555485. 8x10.75 inches. For Strings (3-3-2-2-1) and Organ.

Pages: 11
Genres: Classical, 20th Century, Italian, World
(Violin and Piano). By Claude Debussy (1862-1918). Edited by L

Pages: 7
Instruments: Piano, Violin, Piano and Keyboard, Strings
Genres: Impressionism, 20th Century, Classical
The Old Maid and the Thief. (A Grotesque Opera in 14 Scenes). By Gian Carlo Menotti (1911-). For 4 vocals soloists. Masterworks; Vocal (Opera) Score. Belwin Edition. Opera, 20th Century and Italian. Vocal score. Composed 1939. 192 pages. Published by Belwin Publishing (AP.FC01282). ISBN 0769245919. Opera, 20th Century and Italian. 9x12 inches. This one act opera, divided into 14 scenes, is about an old maid, Miss Todd, who is a busybody in her small town. Though she is of high standing in her community, her love life has been bare for over forty years. Her housemaid Laetitia is a young catty, eavesdropper who is wary of becoming an Old Maid like her employer. Bob, a wanderer (bum), comes to Miss Todd's door one afternoon while the town gossip, Miss Pinkerton is visiting. Enamored of his beauty, Laetitia easily convinces Miss Todd to let him stay. Intending to leave the next morning Bob sings "When the Air Sings of Summer" (Bob's Bedroom Aria), Laetitia convinces him to stay for the rest of the week. The next day Miss Todd learns from Miss Pinkerton of an escaped convict matching Bob's description is in the area. Undeterred, she leaves money out for Bob to "steal". Eventually unable to continue financing Bob, she resorts to stealing from her neighbors. Meanwhile, Laetitia is falling in love with the wanderer and sings "Steal Me Sweet Thief" an aria of her love for him, asking him to steal her away before time ravages and withers her looks. Miss Pinkerton, encounters Miss Todd and warns her to "Keep all the doors locked, keep all the windows closed" because the thief is in town and has stolen from the neighbors. Laetitia once again finds Bob preparing to leave and he will only stay if he can "have something to drink." Miss Todd, being a good prohibitionist, doesn't have any in the house and would scandalize the town if she was seen buying liquor, forms a plan with Laetitia to break into a liquor store. The next day Miss Pinkerton visits Miss Todd at home and informs her that the liquor store has been violated and the owner attacked. A drunken Bob interrupts their conversation, singing loudly upstairs. She also says that the police are going to search every house to find the thief. Forcing Miss Pinkerton out the door, Miss Todd and Laetitia confront Bob about his true identity. Explaining the police were on their way, Miss Todd plans to run away with Bob. Bob refuses to runaway because he has done nothing wrong. Miss Todd "Is your love for me so small that you would see me in prison." Bob "Small? I don't love you at all" Miss Todd rages and leaves saying she would call the police and blame all the theft on him. Glumly, Bob and Laetitia duet on whether to stay and face the charges or leave, Laetitia winning the argument. They steal all Miss Todd's valuables including car and rided off together. Miss Todd returns to find everything stolen and collapses in grief.

Pages: 192
Instruments: Voice, Vocal
Genres: Classical, 20th Century, Italian, Opera, World, Miscellaneous
The Magic Night Waltz from Zaubernacht. (Violin and Piano). By Kurt Weill (1900-1950). String. Score and parts. 6 pages. European American Music #EA850. Published by European American Music (HL.49014051). ISBN 142340985X. 9x12 inches.

Pages: 6
Instruments: Piano, Violin, Piano and Keyboard, Strings
Genres: 20th Century, Broadway, Classical
Stabat Serban for solo cello by Douglas DaSilva. For Cello. Instructional, Secular, 20th Century, World, 21st Century. Advanced Intermediate. Solo Part, Score. Burke & Bagley #BB106. Published by Burke & Bagley (S0.10461). "I was asked to compose this piece by cellist/composer Serban Nichifor for his wife Liana Alexander, who died in 2011. Serbanʼs grief and his way of expressing it, through proclamations of sempiternal love for his late wife, in many ways reminds me of my father, who lost my mother in 2003. From a compositional standpoint I set out to explore and express the powerful and conflicting emotions associated with grief/loss of a loved one. These emotions are often described as ""stages"" and I am sure that in many cases this is accurate. However, it is probably universal to have these emotions mixed together creating something greater (or worse) than the individual emotions; something that we can call grief. I composed these in their present order as I explored these emotions within myself. This was a challenging, and at times, not-so-pleasant experience for me (must we suffer for our art?) In the end, though, I am satisfied with the results and am honored that Serban gave me the chance to do this. Part I: Denial- This isnʼt as unreasonable as it may appear. Human resilience will encourage one to continue life as usual. As if there has been no loss. This is why I have quoted a small phrase from Liana Alexandraʼs ""Melody"" and base this first movement upon it. We hear Liana speaking to us directly as if nothing has changed. Part II: Anger-The rapid pace of this angry piece is repeatedly interrupted by moments of reflection, the other emotions related to grief are constantly interfering with the need to send the hurt outward, expressed in the simplest, most primal of the emotions! Part III: Depression-When a soul-mate is lost, one feels ripped apart, only half of you is left, never whole again. This part is performed almost entirely without the use of the left hand, symbolizing the loss. Part IV: Acceptance- Of all of these ""stages,"" this is probably the most isolate and seemingly impossible to achieve. This is the inevitable that is never seen.". About Digital Print Sheet Music Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play! View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application. Learn more

Genres: 20th Century, 21st Century, World, Classical
By Ralph Vaughan Williams (1872-1958). For bass tuba solo and piano accompaniment. 20th Century and British. ABRSM Exam: Grade 7-8. Set of performance parts. 30 pages. Duration 15'. Published by Oxford University Press

Pages: 30
Instruments: Piano Accompaniment, Tuba, Piano, Piano and Keyboard, Brass
Genres: 20th Century, British, Classical, World
Bi by Nenad First (1964-). Published by Pizzicato Verlag (PZ.PVH-1029).

Genres: 20th Century, 21st Century, Classical
Psalm of Christ. (Psalm 22). By Klaus Huber (1924-). For baritone and 8 instruments (clarinet, bass clarinet, trumpet in C, horn in F, trombone, violin, viola and cello). This edition: AVV 305. Vocal Music. Score. Text language: German - English. Composed 1967. 47 pages. Duration 10 minutes. Published by Ars Viva (SD.49000573). ISBN 9790200101362. With Text language: German - English.

Pages: 47
Instruments: Voice, Bass Clarinet, Horn, Violin, Cello, Viola, Trombone, C Trumpet, Vocal, Clarinet, Woodwinds, Brass, Strings, Trumpet
Genres: 20th Century, Christian, Classical, Religious
The Miraculous Mandarin by Bela Bartok (1881-1945). Arranged by James Ancona. Percussion Ensemble. For Glockenspiel, 3 marimbas (low A), xylophone, crotales, 3 vibraphones, 5 timpani, large tam tam, chimes, 2 china cymbals, 18" suspended cymbal, 4 toms, wind gong, medium gong, 2 small gongs of different sizes, dark sus. cym., bright sus. cym., sizzle cym., (8 players). Percussion Feature. Marching Band. Advanced. Score and parts. 36 pages. Duration 4'00". Published by Tapspace Publications (TA.TSPCE-04). This percussion ensemble arrangement of "The Miraculous Mandarin" is based upon three movements of Bartok's original work. The Beginning - A challenging display of technique, timbral variety, and creative orchestration. The Second Seduction - Featuring the vibraphones, this movement creates a rubato, tense beauty. The Chase - A relentless conclusion which drives to the ultimate point of release. This arrangement will challenge performers, and offers a programmatic piece which will showcase the versatility of the percussion ensemble's timbral range. It was first performed by the Santa Clara Vanguard Percussion Ensemble in 2000.

Pages: 36
Instruments: Percussion, Timpani, Marimba, Vibraphone, Xylophone, Glockenspiel
Genres: 20th Century, Hungarian, Classical, World
Moulin Rouge by Georges Auric (1899-1983). For Wind Band. Level 3. Published by Editions Marc Reift (MA.EMR-11535).

Genres: 20th Century, Classical
By Pierre Boulez (1925-). Standard notation. Published by Universal Edition

Genres: 20th Century, Classical
(from Adagio for Strings, Op. 11 Latin Only). By Samuel Barber (1910-1981). For SATB choir and piano accompaniment (SATB). Choral. Choral. 20th Century. Difficulty: medium. Octavo. 12 pages. Hal Leonard #OC11486. Published by Hal Leonard

Pages: 12
Instruments: Choir, Piano Accompaniment, Vocal, Piano, Piano and Keyboard
Genres: 20th Century, Christian, Classical, Religious
Motu perpetuo by Joaquin Rodrigo (1901-1999). For accordion. Keyboard/Piano. Published by Editorial de Musica Boileau (BO.RO0079).

Instruments: Piano, Organ, Accordion, Piano and Keyboard, Folk
Genres: 20th Century, Spanish, Classical, World
By Claude Debussy (1862-1918). Piano trio. For flute, clarinet and piano. Published by International Music Company

Instruments: Piano Accompaniment, Flute, Clarinet, Violin, Cello, Piano, Piano and Keyboard, Woodwinds, Strings
Genres: Impressionism, 20th Century, Classical
An American in Paris by George Gershwin (1898-1937). For alto trombone and piano. Swiss import. Grade 3. Score and parts. Published by Editions Marc Reift (MA.EMR-2154P).

Instruments: Piano Accompaniment, Trombone, Piano, Piano and Keyboard, Brass
Genres: 20th Century, Americana, Standards, Classical, Folk, Jazz & Blues
Guitar Works of Agustin Barrios Mangore, Vol. II by Agustin Barrios Mangore (1885-1944). Edited by Richard D. Stover. For solo guitar. Classical Guitar Folio. Classical Period and 20th Century. Difficulty: medium-difficult. Guitar solo songbook. Introductory text and fingerings. 47 pages. Published by Alfred Music Publishing (AP.EL02603). ISBN 089898887X. With introductory text and fingerings. Classical Period and 20th Century. 9x12 inches. 21 pieces, including: Minueto en La * Dinora * Oracion.

Pages: 47
Instruments: Acoustic Guitar, Classical Guitar, Guitar
Genres: Classical Period, 20th Century, Latin, Classical
Three Sketches (Tres Apuntes). (Guitar Solo). By Leo Brouwer (1939-). Gitarren-Archiv (Guitar Archive). 7 pages. Schott Music #GA426. Published by Schott Music (HL.49010840).

Pages: 7
Instruments: Guitar
Genres: Classical, 20th Century, Cuban, Latin
Cheap Imitation by John Cage (1912-1992). Edited by Paul Zukofsky. For Violin Solo. Modern. Sheet Music. Composed Composed: 1977. Duration circa. 35 minutes. Published by Edition Peters (PE.P66754). ISBN M-3007-2945-9. Modern.

Instruments: Violin, Strings
Genres: 20th Century, Classical
(Les Chansons Des Roses, No. 5). By Morten Lauridsen (1943-). For Medium Voice, Piano. Choral Cross-Ties, Bruce Browne conducting. Standard notation. Duration 4 minutes, 21 seconds. Published by Peermusic

Instruments: Piano, Medium Voice, Piano and Keyboard, Voice, Vocal
Genres: Classical, 20th Century