Etudes pour Agresseurs. (Vol. 5 Clavecin et Orchestre a Cordes/Partition). By Alain Louvier. For harpsichord and string orchestra. This edition: Volume 5. Score. Published by Alphonse Leduc (AH.AL24640). ISBN 9790046246401.

Parable for Harpsichord. (Parable XXIV). By Vincent Persichetti (1915-1987). For Harpsichord. Classical. Solo part. Standard notation. Opus 153. 10 pages. Duration 8 minutes, 40 seconds. Published by Theodore Presser Company (PR.160002080). With Standard notation. classical.

Miroirs (Piano Solo). By Maurice Ravel (1875-1937) and Maurics Ravel. Edited by Peter Jost. For piano solo. Piano (Harpsichord), 2-hands. Henle Music Folios. Softcover. 72 pages. G. Henle Verlag #HN842. Published by G. Henle Verlag (HL.51480842). "Miroirs" - Ravel dedicated each of these five piano pieces to a member of the Parisian artistic circle "Les Apaches." Ravel also belonged to this circle of poets, painters and musicians, giving first performances of many of his works at gatherings of this illustrious group. In "Miroirs" he went a step further than in "Jeux d'eau." The music was to sound as if it came from a sketchbook. The bold harmony irritated his contemporaries at first but pointed the way ahead for Ravel's subsequent works. This famous cycle - it also contains the well-known "Alborada del gracioso" - is now available in Henle Urtext in a particularly clear and larger format with an extensive commentary.

Trois Petites Danses dans le Style Louis Quinze by Germaine Tailleferre (1892-1983). For Oboe, Violin, Viola, Cello, Harpsichord. Published by Musik Fabrik (FA.MFGT044B).

Sonatina by Helen Glatz. For flute and harpsichord. Winds and Piano. First Edition. 20th Century. Score and set of parts. Published by Rosewood Publications (RW.RP-52). Helena Glatz: studied at the Royal College in London with Vaughan-Williams and Gordon Jacob; won a Cobbett prize for chamber music and a travelling scholarship; went to Italy, Vienna and Budapest; post- war returned as a refugee to this country; joined the teaching staff at Dartington until her death.

Kothener Messe (2002) by Jonathan Dove. For SATB Soli, SATB Choir, 2 Alto recorders, Harpsichord, Strings [minimum: 2.2.1.1.1]. Modern, Choral. Full Score. Composed Composed: 2002; First Performance: Koethener Bach Festtage, Akademie fuer Altemusik. Duration 17 minutes. Published by Edition Peters (PE.P7658). N. B. : Minimum string requirement 2. 2. 1. 1. 1SATB Soli-SATB Chorus, 2 Alto Recorders, Harpsichord, Strings (Full Score).

Piece by Jean Langlais (1907-1991). For trumpet (or flute or oboe) and piano (or organ or harpsichord). Classical. Score. Published by Editions Combre (LM.P04383).

By Claude Debussy (1862-1918). Edited by Ernst-Gunter Heinemann. For solo piano. Piano (Harpsichord), 2-hands. Henle Music Folios. Urtext edition-paper bound. Impressionistic. SMP Level 9 (Advanced). Collection. Introductory text, performance notes and fingerings. 31 pages. G. Henle Verlag #HN382. Published by G. Henle Verlag

Danse (Tarentelle Styrienne) (Piano Solo). By Claude Debussy (1862-1918). Edited by Ernst-Gunter Heinemann. For piano solo. Piano (Harpsichord), 2-hands. Henle Music Folios. Pages: V and 13. SMP Level 8 (Early Advanced). Softcover. 20 pages. G. Henle Verlag #HN401. Published by G. Henle Verlag (HL.51480401). About SMP Level 8 (Early Advanced) 4 and 5-note chords spanning more than an octave. Intricate rhythms and melodies.

Harpsichord Divisions by Charles Wuorinen (1938-). For Harpsichord. Modern. Sheet Music. Composed Composed: 1966. Duration 13 minutes. Published by Edition Peters (PE.P66370). ISBN M-3007-2144-6. Modern.

Suite by Jones, Daniel (1912-1993). For flute / harpsichord. Suites; Original Works. Maecenas Chamber. 20th Century; English. Score & part. Published by Maecenas (MT.C0786-SET).

Third Harpsichord Sonata. (For Harpsichord). By Vincent Persichetti (1915-1987). Piano. For Harpsichord. Classical. Solo part. Standard notation. Opus 149. 16 pages. Duration 9 minutes, 10 seconds. Published by Theodore Presser Company (PR.460000800). With Standard notation. classical.

Suite dans le style Louis Quinze by Germaine Tailleferre (1892-1983). For Harpsichord or Piano. Published by Musik Fabrik (FA.MFGT042).

Promenades fur Flote, Violine und Cembalo (Klavier) (1940). (4 Settings for 3 Instruments). By Bohuslav Martinu (1890-1959). For flute/violin/harpsichord (piano). Flotenmusik. Level 4. Performance score, Set of parts. Composed 1940. 23/7/7 pages. Published by Baerenreiter Verlag (BA.BA3327). ISBN 9790006432813. 30.0 x 23.0 cm inches.

(Piano Solo). By Claude Debussy (1862-1918). Edited by Ernst-Gunter Heinemann. For piano solo. Piano (Harpsichord), 2-hands. Henle Music Folios. Pages: XII and 43. SMP Level 9 (Advanced). Softcover. 56 pages. G. Henle Verlag #HN404. Published by G. Henle Verlag

Oboe Concerto by Tadeusz Baird (1928-1981). Contemporary Large Ensemble/Orchestra. For Oboe Solo, [3(Alto Flute).0.3.0-4.3.3.0], Timpani, 5 percussion, Piano, Harpsichord (Celeste), 2 Harp, Strings [14.12.10.8.6]. Modern. Score. Duration 17 minutes. Published by Edition Peters (PE.P08324).

Progression. (Clavecin). By Gerald Finzi (1901-1956). For harpsichord. Published by Alphonse Leduc (AH.AL25623). ISBN 9790046256233.

Etudes pour Agresseurs. (Vol. 3Bis (Etudes 15 et 18) Clavecin). By Alain Louvier. For harpsichord. This edition: Volume 3. Published by Alphonse Leduc (AH.AL25490). ISBN 9790046254901.

Passage. (For Voice, Flute and Harp). By William Mayer (1925-). For Voice, Flute, Harpsichord. Classical. Score and part(s). Standard notation. 33 pages. Published by Theodore Presser Company (PR.111401530). With Standard notation. classical.

Eighth Harpsichord Sonata by Vincent Persichetti (1915-1987). For Harpsichord. Classical. Solo part. Standard notation. Opus 158. 18 pages. Duration 10 minutes. Published by Theodore Presser Company (PR.160002110). With Standard notation. classical.

Concerto a cinque Op.5 No.6 by Tomaso Giovanni Albinoni (1671-1751). Edited by Walter Kolneder. For violin solo and harpsichord. Full Score. Published by Edition Kunzelmann (PE.GM0328P). Solo Violin, Strings, Basso continuo (Score).

Changeant by Milko Kelemen (1924-). Contemporary Medium Ensemble. For Cello Solo, [0.0.3.0,1.1.1.0], Percussion, Celeste, Harpsichord, Harp, 10 Violin, 4 Double Bass. Modern. Full score. Duration 15 minutes. Published by Edition Peters (PE.P08040).

Carmina Flori by Flor Peeters. Edited by Schroyens. For Harpsichord and organ. Sheet Music. Duration circa 20 minutes. Published by Edition Peters (PE.P67029). ISBN M-3007-3357-9. A Suite of Compositions arranged from Op. 68, 70 and 100 by Raymond J. Schroyens.

Michael Nyman: Concerto For Amplified Harpsichord And Strings by Michael Nyman. For Harpsichord, String Orchestra. Music Sales America. 20th Century. 72 pages. Chester Music #CH61361. Published by Chester Music (HL.14023603). Take advantage of this over-stock pricing while supplies last. ISBN 0711978107. 20th Century. 9.25x12 inches. Quoting Nyman: This Concerto was composed during the winter of 1994/95 for Elisabeth Chojnacka, who gave the first performance with the Michael Nyman String Orchestra on 29th April 1995 in the Queen Elizabeth Hall, London. Its history is eccentric and cumulative. I had met Elisabeth in Paris about a year earlier while I was working on the soundtrack for Diane Kurys' film A la Folie (Six Days, Six Nights). I was attempting to persuade her to play my solo piece The Convertibility of Lute Strings (1992) but she expressed a passion only for tangos. As luck would have it, one of the cues of the Kurys score was what I fondly called a tango. Elisabeth showed interest in this and I subsequently turned it in to a harpsichord solo. Sadly, during the writing of the piece my friend the composer Tim Souster died tragically. Elisabeth's enthusiasm for Tango for Tim encouraged me to write the Concerto for her. The Concerto is shaped as a very simple ABA form - the outer sections, derived from The Convertibility for Lute Strings, enfold an elaborated version of Tango for Tim. After the first performance, Elisabeth decreed that the true potential of the Concerto could only be fulfilled by the addition of a cadenza. This was duly composed in the summer of 1995 - a toccata derived from harmonies first heard in the immediate post-Tango for Tim, Convertibility material. (Elisabeth subsequently ordained that the cadenza could also have a life outside the Concerto as a concert piece if it had a few extensions added. Hence - inevitably, the title of the piece - Elisabeth Gets Her Way. Duration c. 22mins.