By Leonard Bernstein (1918-1990). For soprano voice solo and piano accompaniment. Vocal. Broadway, 20th Century and Opera. Difficulty: difficult. Single piece. Vocal melody, lyrics and piano accompaniment. 14 pages. Published by Leonard Bernstein Music Publishing Co.

By Nino Rota (1911-1979). For solo piano. Piano Solo Sheets. Movies. SMP Level 5 (Intermediate). Single. 3 pages. Published by Hal Leonard

Second Waltz (from Jazz Suite No. 2). (Piano, 2 violins, cello, clarinet, trumpet ad lib.). By Dmitri Shostakovich (1906-1975). Score and parts. 26 pages. Sikorski #SIK2151. Published by Sikorski (HL.50484084). ISBN 0634034529. 8.25x11.75 inches.

Flute Sonata (1936). (for Flute & Piano). By Paul Hindemith (1895-1963). For flute and piano. Schott. 20th Century. Set of performance parts. 28 pages. Duration 15m. Schott Music #ED2522. Published by Schott Music (HL.49003799).

Concerto For Viola and Orchestra by William Walton (1902-1983). Edited by Christopher Wellington. For solo viola and piano accompaniment. Viola. 20th Century. ABRSM Exam: LRSM, FRSM. Set of performance parts. Introductory text. 59 pages. Duration 23'. Published by Oxford University Press (OU.9780193681316). ISBN 9780193681316. With introductory text. 20th Century. 9x12 inches. This edition of the piano reduction is compatible with the Walton Edition full score and restores the solo line as edited and prepared by Frederick Riddle. It contains tempo markings and dynamic and expression marks from both of Walton's orchestrations (1929 and 1962), the 1962 version distinguished by lighter type.

Someone to Watch Over Me by George Gershwin (1898-1937) and Ira Gershwin. Masterworks; Sheet; Solo. 20th Century; Masterwork Arrangement. Sheet. 6 pages. Published by Alfred Music Publishing (AP.VS2766).

By Eric Whitacre (1970-). For SSAATTBB choir and piano (SATB DV A Cappella). Walton Choral. 20th Century. Difficulty: easy-medium. Vocal score (with piano accompaniment). Introductory text. 28 pages. Walton Music #WJMS1019. Published by Walton Music

(Score). By Aram Ilyich Khachaturian (1903-1978). Score. Boosey & Hawkes Orchestra. 36 pages. Boosey & Hawkes #M060832468. Published by Boosey & Hawkes

Paris Holds the Key (To Your Heart) (From the Twentieth Century-Fox Motion Picture <I>Anastasia</I>). Arranged by Dave Wolpe. Jazz Ensemble. Jazz Ensemble. Jazz Band Series. Movie. Grade 3. Conductor Score & Parts. 98 pages. Duration 2:14. Published by Alfred Music Publishing (AP.JE9767). This lush ballad from the soundtrack to the marvelous animated feature film Anastasia is beautifully arranged by Dave Wolpe. Dave really knows how to make a chart 'sing,' and this is no exception. Your group will want to play this one! (2:14).

Walking in the Air (Theme from The Snowman). (Piano/Vocal Sheet). By Howard Blake. For Piano/Vocal. Music Sales America. Softcover. 8 pages. Chester Music #CH77110. Published by Chester Music (HL.14041330). ISBN 1849386048. 9x12 inches.

Journey to the Past (From the Twentieth Century-Fox Motion Picture <I>Anastasia</I>). Arranged by Roy Phillippe. Jazz Ensemble. Jazz Ensemble. First Year Charts for Jazz Ensemble. Movie. Grade 1.5. Conductor Score & Parts. 72 pages. Duration 1:52. Published by Alfred Music Publishing (AP.JE9768). We are proud to present this selection from the soundtrack to the marvelous animated feature film Anastasia. Roy Phillippe's easy treatment of this beautiful ballad is the perfect way to give your jazz ensemble the opportunity to play today's music today. This song will create excitement and heartfelt pleasure in every audience, guaranteed! (1:52).

I Feel Pretty (from West Side Story). (SSA). For SSA choir and piano accompaniment (SSA). Choral. 20th Century and Broadway. Octavo. 8 pages. Leonard Bernstein Music Publishing Co. #M051471027. Published by Leonard Bernstein Music Publishing Co. (HL.450022). Score.

By Dmitri Kabalevsky (1904-1987). For piano solo. Published by International Music Company

(Flute, violin and piano). By Nino Rota (1911-1979). Ensemble. 56 pages. Ricordi #R133178. Published by Ricordi

Schumann in Endenich. (Kammermusik Nr. 2). By Wilhelm Killmayer. For piano, electronic organ (harmonium) and percussion (5 players). This edition: ED 6431. Drums/Percussion. Score (also performance score). Composed 1972. 12 pages. Duration 8 minutes. Published by Schott Music (SD.49006313). ISBN 9790001068468. Wilhelm Killmayer stellt den einzelnen Ton an den Beginn dieser Komposition. Doch wahrend Robert Schumann darin den Ausgangspunkt seiner romantischen Musik fand, unterbindet Killmayer die Entwicklung poetischer Melodien. Die Art und Weise, wie Killmayer sich fur die Beschrankung auf einen sehr begrenzten Tonraum entschieden hat, erinnert an Schumanns Beschrankung auf die Heilanstalt Endenich. Mit sich wiederholenden Sekundschritten verdeutlicht der Klavierpart die Enge im Leben des erkrankten Komponisten. Auch die Einwurfe von Vibraphon, Bongo und Conga konnen diese Grenze letztlich nicht uberwinden. So bleibt nur die Flucht ins Innere. Und wenn sich im Dialog zwischen Klavier und Glockenspiel raffinierte Klangfarben offenbaren, wird Schumann in Endenich zur Reise in das Bewusstsein eines ratselhaften Mitmenschen.

Rhapsody on a Theme of Paganini, Op. 43. (18th Variation). By Sergei Rachmaninoff (1873-1943). Cello. Boosey & Hawkes Chamber Music. 12 pages. Boosey & Hawkes #M060115226. Published by Boosey & Hawkes (HL.48012235).

Two Tangos by Albeniz by Rodion Shchedrin (1932-). For orchestra. This edition: ED 9400. Scores. Study score. Composed 1996. 27 pages. Duration 10 minutes. Published by Schott Music (SD.49008405). ISBN 9790001131209. Rodion Shchedrin hat den beiden bekannten Tangos von Albeniz einen modernen instrumentalen Klang verliehen, dabei aber die Bildhaftigkeit und Plastizitat des Originals beibehalten. Grundlage fur die freie Transkription der Klaviertangos von Albeniz sind die Nr. 2 a-Moll aus dem Zyklus "Zwei Spanische Tanze" und die beruhmte Nr. 2 D-Dur aus der Suite "Spanien". Daruber hinaus verwendet Shchedrin noch einige kurze Applikationen aus anderen Klavierwerken von Albeniz, u.a. das Rezitativ aus den "Spanischen Weisen".

Trumpet Concerto by Alexander Arutunian (1920-). Edited by Roger Voisin. For trumpet and piano accompaniment. 20th Century. Difficulty: difficult. Instrumental solo book. Composed 1950. 29 pages. Published by International Music Company (IM.2376).

Journey to the Past (From the Twentieth Century-Fox Motion Picture <I>Anastasia</I>). Arranged by Mike Lewis. Jazz Ensemble. Jazz Ensemble. Young Jazz Ensemble. Movie. Grade 2. Conductor Score & Parts. 70 pages. Duration 2:51. Published by Alfred Music Publishing (AP.JE9766). Only once in a great while does a song come along that is so beautiful, it transfers easily to every music medium. This lovely song from Anastasia is a perfect example. Mike Lewis has successfully arranged this lush ballad for your young jazz ensemble. Your students will love playing popular material from the movies, and you'll know this is good music that is well worth your time. (2:51).

Anonyme XX Siecle by Maurice Ohana (1914-1992). For 2 Guitar. Standard notation. Published by Gerard Billaudot Editeur (PR.564018960). With Standard notation.

Adagio from Spartacus by Aram Ilyich Khachaturian (1903-1978). Arranged by Matthew Cameron. For Piano. Piano Solo. Softcover. 12 pages. Published by G. Schirmer (HL.50486875). ISBN 1423462769. 9x12 inches. Khachaturian's ballet Spartacus (1950-54) was first performed at the Kirov Theatre in Leningrad in 1956. This edition makes a piano arrangement of the ballet's beautiful Adagio available for the first time.

Luces y Sombras. (5 Tangos). By Volker David Kirchner. For piano. This edition: ED 9214. Piano Music. Grade 5. Composed 1999. 20 pages. Duration 12 minutes. Published by Schott Music (SD.49008338). ISBN 9790001127677. Die in ihrem Stimmungsgehalt sehr unterschiedlichen Stucke demonstrieren weniger den typischen Rhythmus des Tangos als die dem Tango innewohnende Damonie. Ungewohnliche Spieltechniken unterstreichen die Intention des Komponisten.

By Eric Whitacre (1970-). Eric Whitacre Concert Band. Grade 3.5. Published by Hal Leonard

Seventh Symphony. (Liturgical). By Vincent Persichetti (1915-1987). Orchestra. For Piccolo, Flute, Oboe, English Horn, Clarinet, Bass Clarinet in Bb, Bassoon, Contra Bassoon, Horn, Trumpet, Tenor, Tuba, Timpani, Snare Drum, Chimes, Suspended Cymbal, Tenor Drum, Bass Drum, Violin I, Violin II, Viola, Cello, Contrabass. Full score (large). Standard notation. Opus 80. 139 pages. Duration 28 minutes. Published by Theodore Presser Company (PR.466000090). With Standard notation.

(Commissioned in Honor of Carnegie Hall's Centennial Season). By Maury Yeston. For voice, piano and guitar chords. Piano/Vocal/Guitar Artist Songbook. 20th Century. Difficulty: medium-difficult. Collection. Vocal melody, piano accompaniment, lyrics and introductory text. 88 pages. Published by Cherry Lane Music

Cowboy Song by Jack Beeson. For Baritone voice & piano. Vocal Music. 12 pages. Published by Galaxy Music Corporation (EC.1.3090).

Parabola concertante by Rodion Shchedrin (1932-). For cello, string orchestra and timpani. This edition: ED 9407. Orchestra Music. Grade 5. Piano reduction with solo part. Composed 2001. 36 pages. Duration 15 minutes. Published by Schott Music (SD.49008410). ISBN 9790001131384. Bei einem Komponisten, der mit seinen Werken in nahezu allen musikalischen Gattungen vertreten ist, ist es nicht erstaunlich, dass diese Vielseitigkeit seines Schaffens auch zu ungewohnlichen Besetzungen fuhrt, wie z. B. in "Music from afar" fur 2 Bassblockfloten, oder in "Balalaika" fur eine Solo-Violine, die durchweg pizzicato spielt. Mit dieser Vorliebe setzt Shchedrin in "Parabola concertante" zum begleitenden Streichorchester Pauken ein, die dem in seinem Gesamtgestus verhaltenen, besinnlichen Stuck einen charakteristischen Kontrapunkt geben. Geschrieben ist das Stuck fur den Altmeister des Cellospiels Mstislav Rostropovitch, der auch das Werk beim Internationalen Cello-Festival Kronberg uraufgefuhrt hat.

Franzosisches Liederbuch by Wilhelm Killmayer. For soprano, baritone and chamber ensemble. This edition: ED 7239. Scores. Conductor's/study score. Text language: French - German. Composed 1979-80. 80 pages. Duration 30 minutes. Published by Schott Music (SD.49007074). ISBN 9790001075817. With Text language: French - German.

Opening Piece from Glassworks. (Solo Piano). By Philip Glass (1937-). For Piano Solo. Music Sales America. Post-1900. 4 pages. Dunvagen Music Publishers #DU10023. Published by Dunvagen Music Publishers (HL.14024625). The short opening piece from Philip Glass's masterpiece, constructed from layers of repeating musical “cells,” written for the solo piano.

(Study Score). By Bela Bartok (1881-1945). For string quartet (2 violins, viola, cello) (Study Score). Boosey & Hawkes Scores/Books. 20th Century and Hungarian. Miniature study score (hardbound). Analysis. 352 pages. Boosey & Hawkes #M051210282. Published by Boosey & Hawkes

Duermete, Nino. (aus "Retablo de Navidad - II Canciones"). By Joaquin Rodrigo (1901-1999). For soprano, baritone and chamber orchestra. This edition: ED 8360. Scores. Score. Composed 1952. 12 pages. Duration 4 minutes. Published by Schott Music (SD.49007948). ISBN 9790001084987.

Rota. ("Sumer is icumen in"). By Carl Orff (1895-1982). For mixed choir (STBar) and instruments (soprano/alto glockenspiel). This edition: ED 6412-20. Choral Music. Grade 2. Individual part. Text language: Old English. Composed 1972. 4 pages. Duration 4 minutes. Published by Schott Music (SD.49006284). ISBN 9790001068192. With Text language: Old English. Im Britischen Museum in London findet sich in einer Handschrift des spaten 13. Jahrhunderts aus der englischen Abtei Reading der erste bekannte Kanon der europaischen Kunstmusik: der sogenannte "Sommerkanon", dessen Verse den Einzug des Sommers begrussen. Eine beigefugte Notiz erklart den kunstvollen Schichtenaufbau der Klangform: ein zweistimmiges Fundament von glockenartig schwingenden Pendelklangen tragt einen Oberbau von vier in gleichen Abstanden nacheinander einsetzenden Stimmen. Die Notiz nennt den Kanon "Rota", Rad, was auf die drehende, kreisende Bewegung des stetig pulsierenden Klanges hinweist. Die Kreisform entspringt einem vitalen Urtrieb des Musizierens; sie verlangt nach tanzerischer Ausgestaltung. Der Kanon ist aber durch das Zusammenwirken der streng geordneten Stimmeneinsatze auch eine gesellig gebundene Musizierform. Als "Gruss der Jugend" zu den Olympischen Spielen 1972 in Munchen konnte Carl Orff daher keine gemassere musikalische Form wahlen als die mittelalterliche Rota. In der Verbindung der Singstimmen mit dem heute weltweit verbreiteten Orff-Instrumentarium erklingt ein Zeugnis europaischer Uberlieferung als lebendige Gegenwart.

Kaganove sanje by Nenad First (1964-). Published by Pizzicato Verlag (PZ.PVH-1030).

Pavane (Flote, Tuba, Cello, Klavier) by Gabriel Faure (1845-1924). For flute, tuba, cello, and piano. Swiss import. Grade 4+. Score and parts. Published by Editions Marc Reift (MA.EMR-282).

(Organ Solo or Organ and Bb Trumpet). By David German. For Bb trumpet and organ. Fred Bock Publications. 20th Century. Difficulty: medium. Set of performance parts (includes separate trumpet part on back cover ). 4 pages. Fred Bock Music Company #BG0920. Published by Fred Bock Music Company

Reality by Vladimir Cosma. Arranged by John G. Mortimer. Brass Band. Swiss import. Grade 3+. Score and parts. Published by Editions Marc Reift (MA.EMR-2504).

O Magnum Mysterium by Morten Lauridsen (1943-). For Choral (SATB). Peermusic Classical. Softcover. 10 pages. Peermusic #61860-121. Published by Peermusic (HL.228817). The original choral setting of O Magnum Mysterium, premiered by the Los Angeles Master Chorale conducted by Paul Salamunovich in December, 1994, has since been performed thousands of times throughout the world and was also designated as an American Choral Masterpiece by the National Endowment for the Arts. The genesis of this motet is discussed in my Wall Street Journal article. “Zurbaran's 'Still-life with Lemons, Oranges and a Rose.'”--Morten Lauridsen.

Pavasara muzika. (Fruhlingsmusik - Spring Music). By Peteris Vasks (1946-). For piano. This edition: ED 9437. Piano Music. Grade 5. Composed 1995. 36 pages. Duration 19 minutes. Published by Schott Music (SD.49008417). ISBN 9790001131650. Diese Fruhlingsmusik ist Teil des Zyklus "Die Jahreszeiten", einer Sammlung fur Klavier mit den bereits vorhandenen Stucken "Balta ainava" (Weisse Landschaft) und "Rudens musika" (Herbstmusik). Natur in allen ihren Erscheinungsformen und die Beziehung des Menschen zu ihr spielen in Vasks Werken eine grosse Rolle. Daher finden sich vielfach diesbezugliche programmatische Titel in seinem OEuvre, wie "Landschaften der ausgebrannten Erde" und "Musik fur wegziehende Vogel".

Der Mond. (Ein kleines Welttheater nach einem Marchen der Bruder Grimm). By Carl Orff (1895-1982). This edition: ED 9541. Books/Librettos. Text language: German. 42 pages. Published by Schott Music (SD.49033155). With Text language: German. "Vorzeiten gab es ein Land, wo die Nacht immer dunkel und der Himmel wie ein schwarzes Tuch daruber gebreitet war. Denn es ging dort niemals der Mond auf und kein Stern blinkte in der Finsternis." - So beginnt das Marchen "Der Mond" der Gebruder Grimm, das Carl Orff in Musik gesetzt hat. Die Geschichte erzahlt, wie vier Burschen den Mond aus einem anderen Land stehlen, wie er in die Unterwelt gelangt und die Toten - beim Mondenschein - plotzlich aus ihrem Schlaf erwachen. Bald geht es im Totenreich so lebhaft zu wie auf Erden, bis Petrus eingreift... Er sorgt dafur, dass wieder Ruhe einkehrt und der Mond seinen rechtmassigen Platz am Himmel bekommt. Das Bilderbuch, das mit stimmungsvollen Illustrationen von Annegert Fuchshuber ausgestaltet ist, gibt sowohl den Text des "kleinen Welttheaters" von Carl Orff als auch die Marchenfassung der Gebruder Grimm wieder. Auf der beiliegenden CD wird das Marchen von Godela Orff erzahlt. Daruber hinaus enthalt die CD die Orffsche Fassung mit dem Rundfunkchor und -sinfonieorchester Leipzig. Fur Kinder ab 6 Jahren. Ausgezeichnet mit dem Deutschen Musikeditionspreis 2003. Aufgenommen in die Empfehlungsliste padagogisch wertvoller Bilderbucher 2004 der Gesellschaft fur Jugend- und Sozialforschung GJSF.

By Pierre Boulez (1925-). Standard notation. Published by Universal Edition

Concerto for Tuba by James Barnes and James Barnes. Arranged by Yukiko Nishimura. For Tuba. Brass Solos & Ensembles - Tuba And Piano/Organ. Grade 5. Published by Southern Music Company (SO.SU380).

Tonight (from West Side Story) by Leonard Bernstein (1918-1990) and Stephen Sondheim (1930-). Arranged by William Stickles. SATB. Choral. 8 pages. Hal Leonard #M051471126. Published by Hal Leonard (HL.450044).

(Concert March). By Edwin Franko Goldman (1878-1956). Edited by Edward S. Lisk. Concert Band. For Flute I, Flute II, Flute III, Oboe I, Oboe II, Clarinet (in Eb), Clarinet I, Clarinet II, Clarinet III, Alto Clarinet, Bass Clarinet, Bassoon I, Bassoon II, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Cornet I, Cornet III, Co. Carl Fischer Classic Band Editions. Classical. Full Score. Standard notation. 24 pages. Published by Carl Fischer

Suite In E Major by Jean Sibelius (1865-1957). For Violin, Piano. Published by Fennica Gehrman (FG.042-08771-8). ISBN 951-757-673-0.

My Song is Love Unknown by Carolyn Jennings. For unison voices. Sacred Anthem: Lent. Octavo. Published by Chorister's Guild (LO.CGA559).

By Arvo Part (1935-). For Piano. Full score (study). Standard notation. Published by Universal Edition

Aladdin Suite, Op. 34/F. 89 by Carl August Nielsen (1865-1931). For 2 d1, 2 d1, 2, 2 - 4, 2, 3, 1, timpani, percussion, cello, strings, mixed choir. Scandinavian Arabic/Islamic Chinese African Oriental/Asiatic Mythology/Legends: 20th Century Post-Romantic. Full score. Composed 1919. Duration 25 minutes. Published by Edwin F. Kalmus (KM.A6380-FSC).

Comedy Overture by John Ireland (1879-1962). For Concert Band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone*). Band Music. Grade 5. Score and parts. Duration 10:30. Published by C. Alan Publications (CN.R10004). Originally composed for Brass Band in 1934 "Comedy Overture" is, despite its name, a serious piece of writing. The term Overture does not imply that there is anything else to follow; it is used in the 19th century sense of Concert Overture (like Mendelssohn's "Fingal's Cave" - in other words, a miniature Tone Poem).The 1930's was a period of Ireland's mature writing - yielding the Piano Concerto (1930), the Legend for piano and orchestra (1933), and the choral work "These Things Shall Be" (1936-1937). We are fortunate therefore to have both "Comedy Overture" and "A Downland Suite" (1932) written for band medium at this time.As with "Maritime Overture" (written in 1944 for military band) Ireland approaches his material symphonically. The opening three notes state immediately the two seminal intervals of a semitone and a third. These are brooding and dark in Bb minor. It is these intervals which make up much of the thematic content of "Comedy," sometimes appearing in inverted form, and sometimes in major forms as well.The concept that some musical intervals are consonant , some dissonant, and some perfect is perhaps useful in understanding the nature of the tension and resolution of this work. The third is inherently unstable, and by bar 4, the interval is expanded to a fourth - with an ascending sem-quaver triplet - and then expanded to a fifth. The instability of the third pushes it towards a "perfect" resolution in the fourth or the fifth.The slow introduction is built entirely around these intervals in Bb minor and leads through an oboe cadenza, to an Allegro moderato brillante in Bb major.Once again, the semi-tone (inverted) and a third (major) comprise the main, chirpy, theme-inspired by a London bus-conductor's cry of "Piccadilly." (Much of the material in "Comedy" was re-conceived by Ireland for orchestra and published two years later under the title "A London Overture.")The expansion of the interval of a third through a fourth, fifth, sixth, and seventh now takes place quickly before our very ears at the outset of this quicker section.Immediately the theme is developed, inverted, and accents displaced across the bar line to give a 3/2 feel against the written meter. But this restlessness leads to a tranquillo built around an arpeggio figure and presented by flute and clarinet. Ireland weaves his flowing counterpoint around this melody until the original slow introduction returns leading to a stretto effect as the rising bass motifs become more urgent, requesting a resolution of the tension of that original semitone and minor third.Yet resolution is withheld at this point as the music becomes almost becalmed in a further, unrelated tranquillo section marked pianissimo. It is almost as if another side of Ireland's nature is briefly allowed to shine through the stern counterpoint and disciplined structure.This leads to virtually a full recapitulation of the chirpy "brilliante," with small additional touches of counterpoint, followed by the first tranquillo section-this time in the tonic of Bb major. But the instability of the third re-asserts itself, this time demanding a resolution. And a triumphant resolution it receives, for it finally becomes fully fledged and reiterates the octave in a closing vivace. The opening tension has at last resolved itself into the most perfect interval of all.

Concierto Pastoral (1977). (Flute and Piano). By Joaquin Rodrigo (1901-1999). Schott. Piano Reduction with Solo Part. 93 pages. Schott Music #ED11489. Published by Schott Music (HL.49002841). Contents: Allegro • Adagio • Rondó.

Rhapsody on a Theme of Paganini by Sergei Rachmaninoff (1873-1943). Arranged by Morris. For handbells (2-3 octaves). Print on demand - publisher prints this title after order is received. Published by Harold Flammer Music (S5.HP5177).