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Quintett by Heinz Holliger (1939-2002). For piano, oboe (English horn), clarinet (bass clarinet), bassoon and horn. This edition: ED 7805. Chamber Music with Piano. Grade 6. Score and parts. Composed 1989. 116 pages. Duration 15 minutes. Published by Schott Music (SD.49007541). ISBN 9790001081054.
$94.00

Pages: 116
Instruments: Piano Accompaniment, Bass Clarinet, Oboe, Bassoon, English Horn, Piano, Piano and Keyboard, Clarinet, Woodwinds
Genres: 20th Century, Classical
Wir sind die Musikanten. (Eine kleine Instrumentenschau). By Gerhard Maasz (1906-1984). For orchestra; children's choir (2 unison voices) and speaker ad lib. (flute I/II (piccolo), oboe I/II, English horn, clarinet I/II, bassoon I/II (contrabassoon), horn I/II, trumpet-c I/II, trombone, tuba ad lib., timpani, 4 percussion, harp, celesta (piano), 4 violin I/II, 2 violas, 2 cellos, 2 double basses). This edition: CON 184-50. Choral Music. Concertino (Chamber Orchestra). Grade 3-4. Set of parts. Text language: German. 142 pages. Duration 15 minutes. Published by Schott Music (SD.49001882). ISBN 9790001024686. With Text language: German. Gerhard Maasz studierte Komposition bei Paul Graener und stand der Jugendmusikbewegung um Fritz Jode nahe. In der 1977 entstandenen "kleinen Instrumentenschau" verwendet er das bekannte Volkslied "Wir sind die Musikanten" (das von einem einstimmigen Chor mitgesungen werden kann) und stellt die einzelnen Orchesterinstrumente systematisch vor. Ein Werk fur Kinder- und Schulkonzerte, das Spielern und Horern auf heitere Weise Einblick in den Aufbau des Orchesters gibt.
$55.95

Pages: 142
Instruments: Choir, Voice, Piano Accompaniment, Flute, Clarinet, Oboe, Bassoon, English Horn, Violin, Cello, Viola, Double Bass, Harp, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Vocal, Piano, Piano and Keyboard, Woodwinds, Strings, Trumpet, Brass
Genres: Classical, 20th Century
Peter Maxwell Davies: Strathclyde Concerto No. 9 Score And Parts. For Piccolo, Alto Flute, Cor Anglais, Clarinet, Bass Clarinet, Contrabassoon, String Orchestra. Music Sales America. 20th Century. Chester Music #CH61154. Published by Chester Music (HL.14020989). Take advantage of this over-stock pricing while supplies last. The solo group consists of a sextet of the woodwind instruments which are normally doubled with more regular members of the orchestra: these six strangers, now brought to the fore, are piccolo, alto flute, cor anglais, clarinet in Eb, bass clarinet in Bb and contrabassoon. They make a motley group, diverse in colour as in register, and one of the tasks of the piece sets itself is to have them blend and cohere, both together as an ensemble and in partnership with the string orchestra (which itself is used with unusual variety and subtlety). Another evident task of the work is to provide fine solos for each member of the woodwind sextet: bright dances for the piccolo, recitatives for the alto flute, a stoical song from the contrabassoon in the extreme bass. The work is cast as a single movement, which begins in the composer's first-movement style of rapid regeneration. This is interrupted by slow interventions, including one for divided strings which gives rise to a sextuple cadenza for the soloists. Out of this comes a slow movement, or sequence of short slow movements, followed by a dancing finale with its own slow episodes. Altogether this is music of songs and dances, heavily tinged with Scottish rhythms and tonalities: one might think of a magic bagpipe, having six chanters and a drone of variegated string texture.
$26.37

Instruments: Piccolo, Bass Clarinet, Bassoon, English Horn, Flute, Woodwinds, Clarinet
Genres: 20th Century, Classical
Eighth Symphony (Theologoumena) by Charles Wuorinen (1938-). Contemporary Large Ensemble/Orchestra. For Piccolo, [3.3 English Horn.3.Bass clarinet.3.Contrabassoon-4.3.3.1], Timpani, 3 Percussion, Harp, Piano, Strings. Modern. Full Score. Composed Composed: 2006. Duration 30 minutes. Published by Edition Peters (PE.P68121).
$175.00

Instruments: Piano, Piccolo, Bass Clarinet, Bassoon, English Horn, Harp, Percussion, Timpani, Piano and Keyboard, Flute, Woodwinds, Clarinet, Strings
Genres: Classical, 20th Century
Sei canzoni andaluse (flute and English horn) by Daniele Zanettovich (1950-). For flute and English horn. Published by Pizzicato Verlag (PZ.PVH-1090).
$35.95

Instruments: Flute, English Horn, Woodwinds
Genres: 20th Century, Classical
Kreuzweg. (14 Stationen). By Volker David Kirchner. For 2 oboes and English horn. This edition: OBB 43. Brass/Wind Music. Oboen-Bibiothek (Oboe Library). Grade 5. Score and parts. Composed 2001. 30 pages. Duration 9 minutes. Published by Schott Music (SD.49016140). ISBN 9790001133678.
$26.95

Pages: 30
Instruments: Oboe, English Horn, Woodwinds
Genres: 20th Century, Classical
Passacaglia. (2. Satz aus dem unvollendet gebliebenen Konzert fur Orchester). By Hans Erich Apostel (1901-1972). Various concert music. For orchestra ([1.1.English horn.2.Recorder.2 Contrabassoon-4.3.3.1], Harp, Strings). Study score. Op. 50. Published by Doblinger Music Publishers (DB.STP-00327).
$25.95

Instruments: Bassoon, Recorder, English Horn, Harp, Woodwinds, Strings
Genres: Classical, 20th Century, Serialism
Passacaglia, op. 50. (2. Satz aus dem unvollendet gebliebenen Konzert fur Orchester). By Hans Erich Apostel (1901-1972). Facsimile. For orchestra ([1.1.English horn.2.Recorder.2 Contrabassoon-4.3.3.1], Harp, Strings). Facsimile-reduction-score. Op. 50. Published by Doblinger Music Publishers (DB.74-00900).
$68.95

Instruments: Bassoon, Recorder, English Horn, Harp, Woodwinds, Strings
Genres: Classical, 20th Century, Serialism
Tune in a Popular London Style by Percy Aldridge Grainger (1882-1961). Arranged by Barry Kopetz. For Concert Band (Piccolo, 1st & 2nd Flute, 1st & 2nd Oboe, English Horn, 1st & 2nd Bassoon, 1st Clarinet in Bb, 2nd Clarinet in Bb, 3rd Clarinet in Bb, Bass Clarinet in Bb, Soprano Saxophone, 1st & 2nd Alto Saxophone in Eb, Tenor Saxophone in Bb, Baritone Saxophone in Eb,). Band Music. Platinum Band Series. Grade 4. Score and parts. Duration 3:15. Published by C. Alan Publications (CN.10890). Tune in a Popular London Style was "An attempt to write an air with a 'Music Hall' flavor embodying the London blend of gaiety with wistfulness so familiar in the performances of George Grossmith, Jr., and other vaudeville artists. It consists of two strains, like the solo and chorus of music-hall ditties.The musical material, composed in London, dates from about 1912, and was worked out and scored during the winter of 1915/16 in New York City and in railway trains.(Notes derived form "A Source Guide to the Music of Percy Grainger," ed. by Thomas P. Lewis.)While residing in London in 1915, Grainger and his mother made a quick decision to leave London. The Great War had just begun, and Rose Grainger worried about her son's career prospects if they remained in London. They boarded the Cunrad ship Laconia in Liverpool and reached Boston on September 8, 1915. Grainger merged into the musical life of New York City and began performing at the piano, earning him a wide reputation. Sixteen concerts were booked for New York with the leading orchestras, as well as numerous solo recitals. Other performances were scheduled in Philadelphia, Minneapolis, Boston and the Chicago orchestras.In the first season in America, Grainger's works received approximately one hundred performances, though Grainger was only invited to conduct but once. Although the success he was receiving as a pianist was unlike anything he received in Europe, he saw that his success as a performer was in danger of denying him any critical acclaim as a serious composer.As his career began to flourish, the need for increased travel became a necessity. Whenever Grainger traveled, he took the train. He loved railways, as they gave him the space to spread his manuscripts out and compose. He always traveled second class, and rarely took a sleeper, preferring to sleep sitting up. He would occasionally depart the train one station early and give the difference in fare to a local charity. It was partly during these trips on the train that Grainger scored In a Nutshell.In June of 1916, Grainger was invited to take part in the Norfolk, Connecticut Festival of Music. It was for this performance that he scored and put together an orchestral suite which he entitled In a Nutshell. Some of the sketches for the piece went back to 1905, and the suite was eventually published in four movements, the final movement being the well-known "Gum-Suckers March" (originally entitled 'Cornstalks March'). Despite the mood of jollity of the suite, it is serious in intent and contains some of Grainger's most characteristic scoring. The first performance was conducted by Dr. Arthur Mees and Grainger was paid $500 for producing it.(Notes derived from "Percy Grainger" by John Bird).
$69.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Soprano Saxophone, Tenor Saxophone, Bassoon, English Horn, Woodwinds, Clarinet, Saxophone
Genres: 20th Century, Latin, Classical
Prelude from 49th Parallel by Ralph Vaughan Williams (1872-1958). Arranged by Leroy Osmon. For Concert Band (1st Flute, 2nd Flute, Oboes, English Horn*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet*, Eb Contralto Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone*, Bb Tenor Saxophone, Eb Ba). Band Music. Grade 4. Score and parts. Duration 2:30. Published by C. Alan Publications (CN.R10241). Ralph Vaughan Williams was in his sixties when in 1941 he produced his first film score for Michael Powell and Emeric Pressburger's "49th Parallel." The Prelude, an orchestral hymn in praise of freedom and mutual trust, accompanies the film's prologue which is spoken over majestic shots of the Canadian Rockies.The Prelude was originally scored for strings and a few wind instruments. Osmon's orchestration retains the rich texture of the original, utilizing thick scoring throughout. The entire Prelude is played molto legato and its harmonies show a delightful simplicity.Osmon's orchestration was completed in December 1987 and is "dedicated to my friend Lee Boyd Montgomery.".
$50.60

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Tenor Saxophone, Bassoon, English Horn, Woodwinds, Clarinet, Saxophone
Genres: 20th Century, British, Classical, World
Choral No. 2 for Organ by Percy Aldridge Grainger (1882-1961). Arranged by Percy Aldridge Grainger. For Concert Band (Piccolo, 1st Flute, 2nd Flute, Oboe, English Horn, Bassoon, Contrabassoon, Eb Clarinet, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet, Bb Bass Clarinet, Contrabass Clarinet, Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Bariton). Band Music. Grade 5. Score only. Duration 11:00. Published by C. Alan Publications (CN.S11039). At the age of 15, Cesar Franck (1822-1890) traveled from his native Belgium to study organ and composition at the Paris Conservatoire. He remained in Paris for the rest of his life, working as a church organist and teaching piano and organ. In 1872, at the age of 50, he was named professor of organ at the Conservatoire. The same year he composed his popular Panis Angelicus, and as a result became more widely known as a composer. During the last eleven years of his life he wrote most of his compositions including the Symphonic Variations, the Violin Sonata, and the Symphony in D Minor. At a time when French music was often light in character, his was serious and profound.Franck's final and culminating achievement was the Three Chorals for Organ. The completed manuscript was at his fingertips as the priest arrived to administer last rites.The Three Chorals are organized in variation form. They are not as brief as the church chorals of Bach, but rather, extended symphonic compositions. Albert Schweitzer has commented that "the chorale in modern French organ literature means simply a fantasy on a formal, noble theme." The Organ Choral No. 2 fits Schweitzer's description. The music contains references to the D Minor Symphony, Heroic Piece for Organ, and the Violin Sonata, as well as settings of the Christ motive of Franck's The Beatitudes (bar 115 and bar 274).The 2nd Choral opens with a chaconne-style bass theme. The melody passes successively through bass and treble voices leading to a lyrical second subject (bar 65). This new theme develops through a series of interspersed interludes arriving at a grand, virtuosic cadenza (bar 127). The chaconne variations resume, continuing to unfold until the first and second themes are combined (bar 195). More intense and complex variants lead to a powerful final statement of the opening theme (bar 259). The music concludes with a tender and poignant coda based on the "Christ motive."Grainger's setting of the Choral No. 2 was first performed by the Interlochen Band on July 12, 1942. Grainger conducted. It is interesting to note that five years earlier at Interlochen, Grainger had conducted the 1st Franck Organ Choral in a band arrangement by his friend Ralph Leopold. Leopold's arrangement may have been an impetus for Grainger's setting of the 2nd Choral.Quite another factor may have been the composer's apprehension over the onset of World War II. In 1940, Percy and Ella Grainger moved away from their home in White Plains to escape the supposed vulnerability of the New York City area. They chose Springfield, Missouri, presumed safe from enemy air and naval attacks. It is not hard to imaging that he wanted his students to share Franck's healing message of love, hope, reaffirmation, and peace. The Interlochen program cover for the premier features Grainger's picture with the following inscription:a man of genius, force and achievement,renowned and honored throughout the world-who comes to us for the entire seasonwith the sweet simplicity of a true gentleman andthe rare patience of the exceptional teacher,with a gigantic intellect projected far beyond our petty problemsbut with a wide and sympathetic understandingfor the lowliest among us.His visit is a privilege we humble hope to merit.
$22.50

Instruments: Choir, Organ, Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Soprano Saxophone, Tenor Saxophone, Bassoon, English Horn, Double Bass, Vocal, Piano and Keyboard, Woodwinds, Clarinet, Saxophone, Strings
Genres: 20th Century, Classical
Choral No. 2 for Organ by Percy Aldridge Grainger (1882-1961). Arranged by Percy Aldridge Grainger. For Concert Band (Piccolo, 1st Flute, 2nd Flute, Oboe, English Horn, Bassoon, Contrabassoon, Eb Clarinet, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet, Bb Bass Clarinet, Contrabass Clarinet, Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Bariton). Band Music. Grade 5. Score and parts. Duration 11:00. Published by C. Alan Publications (CN.R10039). At the age of 15, Cesar Franck (1822-1890) traveled from his native Belgium to study organ and composition at the Paris Conservatoire. He remained in Paris for the rest of his life, working as a church organist and teaching piano and organ. In 1872, at the age of 50, he was named professor of organ at the Conservatoire. The same year he composed his popular Panis Angelicus, and as a result became more widely known as a composer. During the last eleven years of his life he wrote most of his compositions including the Symphonic Variations, the Violin Sonata, and the Symphony in D Minor. At a time when French music was often light in character, his was serious and profound.Franck's final and culminating achievement was the Three Chorals for Organ. The completed manuscript was at his fingertips as the priest arrived to administer last rites.The Three Chorals are organized in variation form. They are not as brief as the church chorals of Bach, but rather, extended symphonic compositions. Albert Schweitzer has commented that "the chorale in modern French organ literature means simply a fantasy on a formal, noble theme." The Organ Choral No. 2 fits Schweitzer's description. The music contains references to the D Minor Symphony, Heroic Piece for Organ, and the Violin Sonata, as well as settings of the Christ motive of Franck's The Beatitudes (bar 115 and bar 274).The 2nd Choral opens with a chaconne-style bass theme. The melody passes successively through bass and treble voices leading to a lyrical second subject (bar 65). This new theme develops through a series of interspersed interludes arriving at a grand, virtuosic cadenza (bar 127). The chaconne variations resume, continuing to unfold until the first and second themes are combined (bar 195). More intense and complex variants lead to a powerful final statement of the opening theme (bar 259). The music concludes with a tender and poignant coda based on the "Christ motive."Grainger's setting of the Choral No. 2 was first performed by the Interlochen Band on July 12, 1942. Grainger conducted. It is interesting to note that five years earlier at Interlochen, Grainger had conducted the 1st Franck Organ Choral in a band arrangement by his friend Ralph Leopold. Leopold's arrangement may have been an impetus for Grainger's setting of the 2nd Choral.Quite another factor may have been the composer's apprehension over the onset of World War II. In 1940, Percy and Ella Grainger moved away from their home in White Plains to escape the supposed vulnerability of the New York City area. They chose Springfield, Missouri, presumed safe from enemy air and naval attacks. It is not hard to imaging that he wanted his students to share Franck's healing message of love, hope, reaffirmation, and peace. The Interlochen program cover for the premier features Grainger's picture with the following inscription:a man of genius, force and achievement,renowned and honored throughout the world-who comes to us for the entire seasonwith the sweet simplicity of a true gentleman andthe rare patience of the exceptional teacher,with a gigantic intellect projected far beyond our petty problemsbut with a wide and sympathetic understandingfor the lowliest among us.His visit is a privilege we humble hope to merit.
$119.60

Instruments: Choir, Organ, Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Soprano Saxophone, Tenor Saxophone, Bassoon, English Horn, Double Bass, Vocal, Piano and Keyboard, Woodwinds, Clarinet, Saxophone, Strings
Genres: 20th Century, Classical
Festliche Musik by Hans Erich Apostel (1901-1972). Various concert music. For wind orchestra ([Piccolo.2.2.English horn.3.2 Saxophone.2.Contrabasoon-3.3 Flugelhorn.3.Euphonium.3.2], Drum, Percussion). Set of parts. Published by Doblinger Music Publishers (DB.74-00801-ST).
$68.95

Instruments: Saxophone, English Horn, Flugelhorn, Euphonium, Percussion, Woodwinds, Trumpet, Brass
Genres: Classical, 20th Century, Serialism
Festliche Musik by Hans Erich Apostel (1901-1972). Various concert music. For wind orchestra ([Piccolo.2.2.English horn.3.2 Saxophone.2.Contrabasoon-3.3 Flugelhorn.3.Euphonium.3.2], Drum, Percussion). Score. Published by Doblinger Music Publishers (DB.74-00801-PA).
$41.95

Instruments: Saxophone, English Horn, Flugelhorn, Euphonium, Percussion, Woodwinds, Trumpet, Brass
Genres: Classical, 20th Century, Serialism
Sonatine. (Cor Anglais et Piano). By Pierre Max Dubois (1930-). For english horn and piano. Published by Alphonse Leduc (AH.AL23507). ISBN 9790046235078.
$27.20

Instruments: Piano Accompaniment, English Horn, Piano, Piano and Keyboard, Woodwinds
Genres: 20th Century, Classical
Concert Spirituel. (Marginalien for Orchestra zu Briefen and Skizzen W. A. Mozarts). By Cesar Bresgen (1913-1988). Various concert music. For orchestra ([2(Piccolo).2(English horn).2(Bass Clarinet).2-2.2.2.0], Harp, Drum, Percussion and Strings). Study score. Published by Doblinger Music Publishers (DB.STP-00542).
$61.95

Instruments: Bass Clarinet, English Horn, Harp, Percussion, Clarinet, Woodwinds, Strings
Genres: Classical, 20th Century
Symphonie No. 5, op. 100 by Julien-Francois Zbinden (1917-). For symphony orchestra (3(piccolo).3(english horn).3(bcl.)3(contrabass).4 saxophones - 4.4.4.1 - timpani, percussion (4), harp, strings). Contemporary. Study score. Composed 2006-2007. Duration 32'. Published by Editions BIM (ET.ORCH61D).
$43.75

Instruments: Saxophone, English Horn, Double Bass, Harp, Percussion, Timpani, Woodwinds, Strings
Genres: Classical, 20th Century
Symphonie No. 5, op. 100 by Julien-Francois Zbinden (1917-). For symphony orchestra (3(piccolo).3(english horn).3(bcl.)3(contrabass).4 saxophones - 4.4.4.1 - timpani, percussion (4), harp, strings). Contemporary. Score. Composed 2006-2007. Duration 32'. Published by Editions BIM (ET.ORCH61B).
$112.50

Instruments: Saxophone, English Horn, Double Bass, Harp, Percussion, Timpani, Woodwinds, Strings
Genres: Classical, 20th Century
Belshazzar's Feast by William Walton (1902-1983). Arranged by Steuart Bedford. For Mixed chorus, baritone solo, orchestra ([2, piccolo, 2, english horn(optional), 3(1+Eflat,II+bass clarinet), alto saxophone, 2, contrabassoon-4, 3, 3, 1], timpani, 4 percussion, 2 harp, piano (optional), organ, strings, and 2 optional brass ensembles each containing 3 trumpet, 3 trombone, tuba). Scores. William Walton Edition. Walton Edition. Full score. 208 pages. Duration 35'. Published by Oxford University Press (OU.9780193683082). ISBN 9780193683082. Walton Edition. 13 x 10 inches. For mixed chorus, baritone solo & orchestra. This edition of Walton's vibrant cantata presents a fully accurate score based on all extant sources, along with an informative preface and textual notes. A compatible vocal score is available. Compatible orchestral parts available on hire from the publisher.
$195.00

Pages: 208
Instruments: Choir, Piano, Organ, Bass Clarinet, Alto Saxophone, Bassoon, English Horn, Harp, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Vocal, Piano and Keyboard, Clarinet, Woodwinds, Saxophone, Strings, Trumpet, Brass
Genres: Classical, 20th Century
The Curlew - Parts by Peter Warlock (1894-1930). For tenor voice, flute, english horn and string quartet. Chamber music. Parts. Published by Stainer & Bell Ltd. (ST.AC32). ISBN 979-0-2202-1786-9.
$46.95

Instruments: Flute, English Horn, Violin, Cello, Viola, Tenor Voice, Woodwinds, Strings, Voice, Vocal
Genres: 20th Century, Classical
Symphony No. 5 by Ralph Vaughan Williams (1872-1958). Arranged by Peter Horton. For Orchestra ([2(II+piccolo), 1, english horn, 2, 2, -2, 2, 3, 0], timpani, strings). Scores. Miscellaneous. Full score. 128 pages. Duration 35'. Published by Oxford University Press (OU.9780193359420). ISBN 9780193359420. Miscellaneous. 12 x 9 inches. For orchestra. A new edition of Vaughan Williams's much-loved symphony, published as part of the 2008 anniversary celebrations (50th since death). Contains an introduction by Michael Kennedy and textual notes. Matching, newly engraved orchestral parts will be available on hire from the publisher.
$99.95

Pages: 128
Instruments: English Horn, Percussion, Timpani, Woodwinds
Genres: Classical, 20th Century, British, World
Kohar, Op. 66 by Alan Hovhaness (1911-2000). Contemporary Medium Ensemble. For Flute/English Horn, Timpani and strings. Modern. Full score. Composed (c)1947. Duration 8 minutes. Published by Edition Peters (PE.P6574). This title is printed on demand.
$25.00

Instruments: Flute, English Horn, Percussion, Timpani, Woodwinds
Genres: 20th Century, Classical
The Stars, Op. 126 by Alan Hovhaness (1911-2000). Contemporary Medium Ensemble. For Soprano voice solo, SATB Chorus, English Horn, Harp, Celeste, Strings. Modern, Choral. Full score. Duration 6 minutes. Published by Edition Peters (PE.P6508). Alan Hovhaness, an American composer of Armenian and Scottish ancestry, was born in Somerville, Massachusetts, on March 8th, 1911. He died on June 21st, 2000, in Seattle, Washington. Seattle, Washington.Soprano Solo, SATB Chorus, English Horn, Harp, Celesta, Strings (text from Henry David Thoreau's "Walden") ; Full Score* // * This score is printed on demand.
$30.00

Instruments: Choir, English Horn, Harp, Vocal, Woodwinds, Strings
Genres: 20th Century, Classical
Time Regained by Charles Wuorinen (1938-). Contemporary Large Ensemble/Orchestra. For Piano Solo, [2.Piccolo.2.English Horn.2.Bass-Clarinet.3-4.3.3.1-2], Percussion, Timpani, Harp, Strings. Modern. Full Score. Composed Composed: 2008; First Performance: Commissioned by the Met Orchestra. Duration 27 minutes. Published by Edition Peters (PE.P68246). Full scoreFantasy for Piano and Orchestra.
$85.00

Instruments: Piccolo, Clarinet, English Horn, Harp, Percussion, Timpani, Flute, Woodwinds, Strings
Genres: 20th Century, Classical