Marco Polo, Opera in 3 Acts by Zanettovich. Published by Pizzicato Verlag (PZ.PVH-1484).

Alceste - Alkestis (Tragedia per musica in 3 Akten). By Christoph Willibald von Gluck (1714-1787). Edited by Gerhard Croll; Renate Croll. For Soprano voice solo (4), Tenor voice solo (2), Baritone voice solo (2), Bass voice solo (3), Mixed Choir, Ball, Flute (2), Oboe (2), Chalumeau (2), English Horn (2), Bassoon (2), Horn (2), Trumpet (2), Trombone (3), Kettledrum, Strings, Basso Continuo. This edition: Complete edition, Urtext edition. Gluck Samtliche Werke Serie I, Band 3a+b. Wiener version 1767; Teilband a + b. Score (cloth bound). Language: Italian/German. Duration 135'. Published by Baerenreiter Verlag (BA.BA2292-02). ISBN 9790006495450. With Language: Italian/German. 33.0 x 26.0 cm inches.

Cosi fan tutte ossia (La scuola degli amanti) K. 588 (Dramma giocoso in two acts). By Wolfgang Amadeus Mozart (1756-1791). Edited by Faye Ferguson; Wolfgang Rehm. For 3 soprano voice solos, tenor voice solo, 2 bass voice solos, SATB choir, 2 flutes, 2 oboes, 2 clarinets, basset horn, 2 bassoons, 2 horns, 2 trumpets, timpani, strings, basso continuo. This edition: Faux-leather bound, Complete edition, Urtext edition. Neue Mozart-Ausgabe. Serie II, Werkgruppe 5/18. Score. Language: Italian. K. 588. Duration 3 hours. Published by Baerenreiter Verlag (BA.BA4606-04). ISBN 9790006451883. With Language: Italian. 33.1 x 26.4 cm inches.

Madama Butterfly by Giacomo Puccini (1858-1924). For For New reduction for 2,1,EH,1,BsCl,1/2 2 2/2 Perc.,Harp & Strings. This edition: Parts. Commissioned by Opera North. Published by Trillenium Music Company (TR.934).

Les Surprises De L'amour. (Actes 1 Et 2 Tome 1). By Jean-Philippe Rameau (1683-1764). This edition: Version 1757-1758. Standard notation. Published by Gerard Billaudot Editeur (PR.511010950). With Standard notation.

Le Toreador ou l'Accord parfait (Opera bouffon in two acts). By Adolphe-Charles Adam (1803-1856). Edited by Paul Prevost. For soprano voice solo, tenor voice solo, bass voice solo, baritone voice solo, 4 choirs, orchestra. This edition: Clothbound, Complete edition, Urtext edition. L'Opera francais. Score. 391 pages. Published by Baerenreiter Verlag (BA.BA8701). ISBN 9790006530458. 33.2 x 26.5 cm inches.

Noel 1812 by Etienne Crausaz & Anne-Marie Yerly. For Brass Band, Choir and Narrator. Difficult. Score and Set of parts. Duration 70'. Published by Woodbrass Music SA (W1.P09489).

Esther. (Opera in Three Acts). By Hugo Weisgall. Orchestra. For Flute, Piccolo, Oboe, English Horn, Clarinet, Bass Clarinet, Bassoon, Horn, Trumpet, Trombone, Bass Trombone, Tuba, Timpani, Percussion (A Complete Percussion List Is in the Part), Harp, Violin, Viola, Cello, Contrabass. Libretto by Charles Kondek. Full score (large). Standard notation. Composed DECEMBER 13 1990. 546 pages. Published by Theodore Presser Company (PR.41641375L). With Standard notation.

Ottone HWV 15 (Opera in three acts). By George Frideric Handel (1685-1759). Edited by Fiona McLauchlan. For 2 soprano voice solos, mezzo-soprano voice solo, 2 alto voice solos, bass voice solo, 2 oboes, 3 violins, viola, bassi (cello, double bass, bassoon, harpsichord, archlute). This edition: Clothbound, Complete edition, Urtext edition. Hallische Handel-Ausgabe. Serie II, Band 12. Version of the first performance 1723. Score. HWV 15. 399 pages. Published by Baerenreiter Verlag (BA.BA4077). ISBN 9790006550067. 33.0 x 26.0 cm inches.

Requiem by Giuseppe Verdi (1813-1901). Edited by Norbert Bolin. For Solo SMsTB, SATB choir, piccolo, 2 flutes, 2 oboes, 2 clarinets, 4 bassoon, 4 horns, 4 trumpets, 4 offstage trumpets, 3 trombones, ophicleide, timpani, percussion, 2 violins, viola, cello, contrabass. Stuttgart Urtext editions. Requiem, Mourning, death. Complete orchestral parts. Language: Latin. Duration 90 min. Published by Carus Verlag (CA.2730319). With Language: Latin. Requiem, Mourning, death. Among Verdi's many compositions, as a work of sacred music, the Requiem remains unique. It was composed as a musical memorial for the Italian national poet Allessandro Manzoni, deeply admired by Verdi, and was first performed on the first anniversary of his death on 22 May 1874 in Milan Cathedral. The exploration of many extremes places Verdi's tonal language with musical means wholly in the service of a dramatized liturgy. The edition is based on the autograph as the primary source and makes accessible one of the most important requiem settings of the 19th century in a modern scholarly edition. In addition to the musical text the score contains a detailed foreword in three languages, a critical report with information on the source situation, the edition and the various readings. The complete performance material will be available for sale.