Sinfonia 10 by Domenico Scarlatti (1685-1757). Score and parts. Standard notation. Published by Gerard Billaudot Editeur (PR.576003680). With Standard notation.

Oeuvres Completes pour Clavier. (Volume 04 Sonates K156 a K205 (Lp34)). By Domenico Scarlatti (1685-1757). For keyboard. This edition: Volume 4. Published by Heugel & Cie (AH.HE32486). ISBN 9790047324863.

Oeuvres Completes pour Clavier. (Volume 06 Sonates K256 a K305 (Lp36)). By Domenico Scarlatti (1685-1757). For keyboard. This edition: Volume 6. Published by Heugel & Cie (AH.HE32430). ISBN 9790047324306.

Messe h-moll BWV 232 by Johann Sebastian Bach (1685-1750). Edited by Joshua Rifkin. For Soli, Choir and Orchestra. Partitur-Bibliothek (Score Library). Score, urtext. 292 pages. Published by Breitkopf and Haertel (BR.PB-5363). ISBN 979-0-004-21170-0.

Les Indes Galantes Ballet reduit a quatre grands concerts by Jean-Philippe Rameau (1683-1764). Edited by Pascal Duc. For Harpsichord, Choir, Ad libitum instrumentation, Soloists. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Score. 257 pages. Published by Anne Fuzeau Productions - France (FZ.5936). ISBN M230659369. 23.5 x 31.5 cm inches. This Jean-Philippe Rameau's original publication is in facsimile on French classical music collection. Preface by Pascal Duc: history, bibliography - index of the pieces - complete text of Les Indes Galantes - Rameau's preface. Beautifully engraved, very legible and elegant. The preface is remarkably well documented. This version can be attributed to the great success of Rameau's opera-ballet. Pieces for harpsichordFor the details of each Concert, please contact us Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Municipal Library of Lyon (France).

Lord my God, my heart and soul were sore distressed (Cantata for the 3rd Sanday after Trinity/all occasions). By Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. For STB vocal soli (SB/TB/SATB), SATB choir, oboe, bassoon, 3 trumpets, 4 trombones, timpani, 2 violins, viola, basso continuo. Stuttgart Urtext editions. Cantatas. Level 3. Complete orchestral parts. Language: German/English. Composed 1713. Duration 45 min. Published by Carus Verlag (CA.3102119). With Language: German/English. Cantatas. The edition allows for the performance of this cantate in the various forms which Bach himself used. The solo parts for high voice are always allotted primarily to the voice specified by Bach in Leipzig, with the alternative authorized by the Weimar and Cothen parts placed afterwards in brackets.

O faithful Christians, now take heart (Cantata for the 17th Sunday after Trinity). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For SATB vocal soli, SATB choir, horn, flute, 2 oboes, [horn], 2 violins, viola, basso continuo. Cantatas, Trinity. Level 3. Complete orchestral parts. Language: German/English. Composed 1724. Duration 26 min. Published by Carus Verlag (CA.3111419). ISBN M-007-04853-2. With Language: German/English. Cantatas, Trinity.

Canon In Beat by Johann Pachelbel (1653-1706). Arranged by Xavier Eeckeloot. For concert band. Grade 3. Score and set of parts. Published by Beriato Music (BT.0709-1-378).

Venus and Adonis by John Blow (1649-1708). Library volumes. Score. Published by Stainer & Bell Ltd. (ST.PC2). ISBN 978-0-85249-907-8.

Three Occasional Odes by Henry Purcell (1659-1695). Library volumes. Score. Published by Stainer & Bell Ltd. (ST.PE1). ISBN 978-0-85249-908-5.

All praise to you, Lord Jesus Christ (Cantata for the 1st day of Christmas). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For SATB vocal soli, SATB choir, 3 oboes, bassoon, 2 horns, timpani, 2 violins, viola, basso continuo. Cantatas, Christmas. Level 3. Complete orchestral parts. Language: German/English. Composed 1725. Duration 19 min. Published by Carus Verlag (CA.3109119). ISBN M-007-04643-9. With Language: German/English. Cantatas, Christmas.

Lord God, your eyes are seeing truth in trusting (Cantata for the 10th Sunday after Trinity). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For ATB vocal soli, SATB choir, flute (violino piccolo), 2 oboes, 2 violins, viola, basso continuo. Cantatas. Complete orchestral parts. Language: German/English. Composed 1725. Duration 24 min. Published by Carus Verlag (CA.3110219). ISBN M-007-04744-3. With Language: German/English. Cantatas.

Mass in G major by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. Arranged by Paul Horn. For Soli SATB, SATB Choir, 2 Oboes, 2 Violins, Viola, Basso continuo. Stuttgart Urtext editions. Masses, Latin, Mass settings, incomplete (also Kyrie and Gloria). Level 3. Complete orchestral parts. Language: Latin. Composed 1742 (terminus ante quem). Duration 30 min. Published by Carus Verlag (CA.3123619). With Language: Latin. Masses, Latin, Mass settings, incomplete (also Kyrie and Gloria).

Requiem by Johann Heinrich Schmelzer (1620-1680). Mass. For SATB soli, SATB choir, 3 violas, bass, organ, horn ad libitum, 3 trombones ad libitum. Bound score. Published by Doblinger Music Publishers (DB.WE-00009).

Klavierwerke, Band 1-4 (Sonderausgabe zum Handel-Jahr 2009). By George Frideric Handel (1685-1759). Edited by Terence Best; Peter Northway; Rudolf Steglich. For piano. This edition: Urtext edition. Performance score, Anthology (paperbound). 375 pages. Published by Baerenreiter Verlag (BA.BA4262). ISBN 9790006532612. 31.0 x 24.2 cm inches.

3e Concerto by Johann Melchior Molter (1696-1765). Arranged by Sana. For solo soprano or solo clarinet saxophone and concert band. Concert band - with solo. Concert Band. Grade 3. Score and set of parts. Published by Edition Andel (ND.CBDS29-SET).

Air de la suite No.3 by Johann Sebastian Bach (1685-1750). Arranged by Sana. For concert band. Transcriptions. Grade 3. Score and set of parts. Published by Edition Andel (ND.TRNS2-SET).

Alleluia du Messie by George Frideric Handel (1685-1759). Arranged by Sana. For concert band. Transcriptions. Grade 3. Score and set of parts. Published by Edition Andel (ND.TRNS9-SET).

Eternity, thou thundrous word (Cantata for the 1st Sunday after Trinity). By Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For ATB vocal soli, SATB choir, 3 oboes, tromba da tirarsi, 2 violins, viola, basso continuo. Stuttgart Urtext editions. Cantatas, Trinity. Level 3. Complete orchestral parts. Language: German/English. Composed 1724. Duration 31 min. Published by Carus Verlag (CA.3102019). With Language: German/English. Cantatas, Trinity.

New covenant, most joyful season (Cantata for the Purification of Mary). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For ATB vocal soli, SATB choir, 2 oboes, 2 horns, violin solo, 2 violins, viola, basso continuo. Cantatas Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Level 3. Complete orchestral parts. Language: German/English. Composed circa 1727. Duration 20 min. Published by Carus Verlag (CA.3108319). ISBN M-007-04568-5. With Language: German/English. Cantatas Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary.

What makes you seek the gloomy (Cantata for the 7th Sunday after Trinity). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For STB vocal soli, SATB choir, 2 flutes, 2 oboe d'amore, [corno d'caccia], 2 violins, viola, basso continuo. Cantatas. Level 3. Complete orchestral parts. Language: German/English. Composed 1725. Duration 20 min. Published by Carus Verlag (CA.3110719). ISBN M-007-04790-0. With Language: German/English. Cantatas.

Mass in G minor by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For Soli ATB, SATB Choir, 2 Oboes, 2 Violins, Viola, Basso continuo. Stuttgart Urtext editions. Masses, Latin, Mass settings, incomplete (also Kyrie and Gloria). Level 3. Complete orchestral parts. Language: Latin. Composed Entstehungszeit vermutlich spaete Leipziger Jahre. Duration 30 min. Published by Carus Verlag (CA.3123519). ISBN M-007-08598-8. With Language: Latin. Masses, Latin, Mass settings, incomplete (also Kyrie and Gloria). probably composed during the later years in Leipzig.

Fruhfassungen zur h-Moll Messe BWV 232 by Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. For flute1/flute2/oboe1 (oboe d'amore)/oboe2/oboe3/bassoon1/bassoon2/corno da caccia/trumpet1/trumpet2/trumpet3/timpani. This edition: Urtext edition. Set of wind parts. BWV 232. Published by Baerenreiter Verlag (BA.BA5293-65). ISBN 9790006532674. 32.5 x 25.5 cm inches.

Sonates pour violon et basse continue. Opus V. Editions Agrementees (Rome, 1700). By Arcangelo Corelli (1653-1713). Edited by Nicolas Fromageot. For Violin and continuo. This edition: Facsimile. Collection Dominantes. Score. 228 pages. Published by Anne Fuzeau Productions - France (FZ.5560). ISBN M230655606. 23.5 x 31.5 cm inches. This Arcangelo Corelli's original publication is in facsimile on Dominantes collection. Original edition: Roma, Santa, 1700. Edition with embellishments : Amsterdam, Roger, 1710. Extracts from ornamented and varied versions (manuscript of Manchester, Geminiani, Veracini). Presentation by Nicolas Fromageot: Corelli, violin makers and violinists - the editions of opus V, without ornamentation, contemporary to the composer - Principal manuscript versions with added ornamentation - Principal works based on Corelli's opus V - Principal transcriptions for other instruments - the ornamentation published by Roger under the name of A. Corelli, 1710 - Documents reproduced in facsimile in the present edition - Veracini's dissertation on Corelli's Opus V - comprehension of the score (the ornamentation, phrasing and articulation, polyphony, manuscript adjunctions). Annexe to the preface: ninth sonata of Corelli, ornamented, extract from Hawkins' A general history . Annex to the preface: ninth sonata of Corelli, ornamented, extract from Hawkins' A general history . Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from:- National Library of Paris (France)- Public Libraries of Manchester (England)- a private collection- G. B. Martini Music Library of Bologna (Italy).