These sonatas are among the epoch-making works of the violin repertoire and nowadays figure in the standard repertoire of every violinist. It is all the more surprising, therefore, that until now there has been no Urtext edition of such significant works. The score is based on a first edition supervised by Corelli himself. From what we know of performance practice in Corelli’s time, however, more was expected of the violinist than just a musical reading of the printed score: it was customary to add ornamentation verging on improvisation, with embellishment and “variations as desired”. The original score is therefore presented here with the earliest documented ornamentation from a reprint published by Roger in Amsterdam in 1708. This ornamentation is not meant to be slavishly imitated, but to stimulate the player to find their own creative and stylistically confident interpretation of the score. As Roger did not specify any ornaments for the sonatas in the second volume, the “variations as desired” used by Corelli’s pupil Geminiani have been reproduced with the ninth Sonata as an example. Advice on performance is given by the Cologne baroque specialist Reinhard Goebel. This advice does not only apply to ornamentation, but also to articulation, bowings and more besides, calling for specific markings in the separate violin part. The realisation of the continuo part echoes the fashions of that time. Here too, advice on performance is meant to stimulate free interpretation by the continuo player. A figured bass part is included for the player who prefers to read the accompaniment from figures.

Sonate d-Moll / Sonata in D minor TWV 40:121 Sonate A-Dur / Sonata in A major TWV 40:122 Sonate a-Moll / Sonata in A minor TWV 40:123 Zirkelkanon e-Moll / in E minor TWV Anh. 40:103

No description available. Contact info@musicroom.com for more information.

No description available. Contact info@musicroom.com for more information.

No description available. Contact info@musicroom.com for more information.

No description available. Contact info@musicroom.com for more information.

Cantata for the Feast of St. Michael.

Music Minus One presents a masterpiece concerto by Bach, who originally composed this classic 'triple' concerto for three violins, strings and continuo. Music Minus One are happy to offer it as closely as possible to the original version, for three violins. They've also included separate recordings minus each of the three instruments, so you can choose which part you want to play! This MMO learning and performance edition features virtuoso violinist Mario Hossen playing the primoviolin part, with Jacklin Preys and rosiza Chopeva providing second and third violin parts along with the Les Orpheistes Chamber Orchestra of Vienna. Includes an authoritative performance edition of the violin score, edited by Mario Hossen and newly engraved and printed on high-quality ivory paper. The CD contains the complete performance of the concerto, followed by a second version minus the soloist, as well as a slower-tempo version of the accompaniments for practice.

Samson, an oratorio for soloists, mixed chorus and orchestra by George Frideric Handel, libretto by Newburgh Hamilton after Milton’s Samson Agonistes. Edited by Donald Burrows.This is the Cello / Double Bass (Continuo) part.

Samson, an oratorio for soloists, mixed chorus and orchestra by George Frideric Handel, libretto by Newburgh Hamilton after Milton’s Samson Agonistes. Edited by Donald Burrows.This is the Viola part.

Samson, an oratorio for soloists, mixed chorus and orchestra by George Frideric Handel, libretto by Newburgh Hamilton after Milton’s Samson Agonistes. Edited by Donald Burrows.This is the Violin 2 part.

Samson, an oratorio for soloists, mixed chorus and orchestra by George Frideric Handel, libretto by Newburgh Hamilton after Milton’s Samson Agonistes. Edited by Donald Burrows.This is the Violin 1 part.

The purpose of the series if Bach was a cellist is to live the fantasy that everything Bach wrote, he wrote for the cello. It may also serve as a way for cellists to get close to Bach through works other than the six solo suites and the three gamba sonatas. Cello Concerto in C minor for two cellos and piano. C minor becomes a powerful key in Bach's hands. It sets the tone of the composition, weight is added, and one can even sense how it directs Bach's thought-process. The present concerto exists as BWV 1060 for two harpsichords, but if Bach was a cellist, his prefered version would have been for two cellos.

Barry Lyndon (I. Saraband -- II. Piano Trio). By George Frideric Handel (1685-1759) and Franz Schubert (1797-1828). Arranged by John G. Mortimer. Brass Band. Swiss import. Grade 4. Score and parts. Published by Editions Marc Reift (MA.EMR-2699).

Baroques Masterpieces. (Adagio-Largo-Allegretto / Suite / Suite de danses / Sonata Suite de danses / Sonata / Prelude & Fugue). By Various. For contrabass. Grade 3+. Published by Editions Marc Reift (MA.EMR-2340).

Baroque Masterpieces by Various. For violoncello & piano (organ). Swiss import. Grade 3+. Score and parts. Published by Editions Marc Reift (MA.EMR-2339).

Baroque Masterpieces by Various. For viola & piano (organ). Swiss import. Grade 3+. Score and parts. Published by Editions Marc Reift (MA.EMR-2338).

Baroque Masterpieces by Various. For violin & piano / organ. Swiss import. Grade 3+. Score and parts. Published by Editions Marc Reift (MA.EMR-2335).

Concerto G-Dur RV 298/PV 100 by Antonio Vivaldi (1678-1741). Edited by Tivadar Nachez. For violin, strings and organ (cello/double bass). This edition: ED 902-14. Orchestra Music. Individual part. 12 pages. Published by Schott Music (SD.49008289). ISBN 9790001032247.

Concerto G-Dur RV 298/PV 100 by Antonio Vivaldi (1678-1741). Edited by Tivadar Nachez. For violin, strings and organ (viola). This edition: ED 902-13. Orchestra Music. Individual part. 12 pages. Published by Schott Music (SD.49008288). ISBN 9790001032230.

Concerto G-Dur RV 298/PV 100 by Antonio Vivaldi (1678-1741). Edited by Tivadar Nachez. For violin, strings and organ (violin II). This edition: ED 902-12. Orchestra Music. Individual part. 12 pages. Published by Schott Music (SD.49008287). ISBN 9790001032223.

Concerto g-Moll op. 12/1 RV 317 / PV 343 by Antonio Vivaldi (1678-1741). Edited by Tivadar Nachez. For violin, string orchestra and organ (organ part). This edition: ED 901-15. Orchestra Music. Individual part. 16 pages. Published by Schott Music (SD.49008276). ISBN 9790001032193.

Concerto g-Moll op. 12/1 RV 317 / PV 343 by Antonio Vivaldi (1678-1741). Edited by Tivadar Nachez. For violin, string orchestra and organ (cello/double bass). This edition: ED 901-14. Orchestra Music. Individual part. 8 pages. Published by Schott Music (SD.49008275). ISBN 9790001032186.

Concerto g-Moll op. 12/1 RV 317 / PV 343 by Antonio Vivaldi (1678-1741). Edited by Tivadar Nachez. For violin, string orchestra and organ (viola). This edition: ED 901-13. Orchestra Music. Individual part. 8 pages. Published by Schott Music (SD.49008274). ISBN 9790001032179.