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Baroque Period
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Sonatas and Partitas BWV 1001-1006 (Violin Solo). By Johann Sebastian Bach (1685-1750). Edited by Klaus Ronnau. Violin. Henle Music Folios. Pages: VII and 62 * Vl Part with editorial annotations = VII and 62. Softcover. 142 pages. G. Henle Verlag #HN356. Published by G. Henle Verlag (HL.51480356). Violin part with and without annotations.
$39.95

Pages: 142
Instruments: Violin, Strings
Genres: Classical, Baroque Period
16 Sonatas Vln. & Piano by Heinrich Ignaz Franz von Biber (1644-1704). For Violin. Masterworks; String - Violin and Piano. Kalmus Edition. Baroque; Masterwork. Book. 160 pages. Published by Alfred Music Publishing (AP.K09194). ISBN 0757996213. Baroque; Masterwork.
$24.95

Pages: 160
Instruments: Piano Accompaniment, Violin, Piano, Piano and Keyboard, Strings
Genres: Baroque Period, Classical
VIVALDI 'La Stravaganza,' vol. I: Violin Concerti, op. 4, nos. 1-2 (2 CD set) by Antonio Vivaldi (1678-1741). For Violin. Instrumental Solo Part and 2 CDs. Published by Music Minus One (MO.MMOCD3191). ISBN 1596152060. Antonio Vivaldi created his groundbreaking and magnificent 'La Stravaganza' to show the violin in all its diverse and extravagant forms, building on the great concerti he created with his set entitled 'L'Estro Armonico.' Utilizing numerous then-innovative violin techniques, Vivaldi created a wild excursion through the violin's capabilities and we still relish these pieces today, while significantly expanding and nurturing his slow movements as contrast to the outer movements of the concerti. This first volume (comprising the first two concerti in the set) give you a great introduction to this true Vivaldi extravaganza! This deluxe set includes a second compact disc containing a slow-speed version of the accompaniments to help you get up to speed.Includes a newly-engraved edition of the concerto on high-quality ivory paper; and a digital stereo compact disc featuring a complete performance of the concerto with orchestra and soloist, followed by a second performance minus you, the soloist; and a second compact disc containing a full-speed version of each complete concerto followed by a special -20% reduced-tempo version of the accompaniments for practice purposes. The concerti are voluminously indexed for your practice and performance convenience.
$24.98

Instruments: Violin, Strings
Genres: Baroque Period, Classical
J. S. Bach: The Complete Lute Works by Johann Sebastian Bach (1685-1750). Edited by Josef Eotvos. For Guitar (Classical). Solos. Chanterelle. Baroque. Advanced. Book. 128 pages. Published by Chanterelle (MB.ECH110). ISBN 9780786668199. Baroque. 9x12 inches. This edition contains J.S. Bach's lute works arranged for guitar. Most of these works were for the lute or the lute-harpsichord, a keyed instrument with gut strings that could imitate the lute with its colorful sounds. The arranger has retained the structure and character of the originals as much as possible, based mainly on consultation of the original sources, and has attempted to emulate the clarity of Bach's own manuscripts. Where works required significant alteration to be playable on guitar, the questionable parts have been reconstructed to arrive at the best solution which is the closest to the original. Fingerings have been added only where necessary. Extensive notes on the arranging process are included. Notation only.
$36.99

Pages: 128
Instruments: Lute, Acoustic Guitar, Classical Guitar, Strings, Guitar
Genres: Baroque Period, Classical
By Johann Sebastian Bach (1685-1750) and Carl Philipp Emanuel Bach (1714-1788). Arranged by Robert Stanton. Quartet. For saxophone quartet (SATB). Grade 4. Published by Cimarron Music Press
$23.00

Instruments: Saxophone, Woodwinds
Genres: Classical Period, Baroque Period, Classical
ART: arias & interludes (1996) for string quartet by Thomas Oboe Lee. For String Quartet. Baroque Period, Classical Period, Romantic Period, 20th Century, 21st Century. Advanced Intermediate. Score. Published by Thomas Oboe Lee (S0.10585). "PROGRAM NOTE. This work, ART: arias & interludes (1996), commissioned by the Artaria Quartet of Boston, is in five movements with connecting ""solo"" interludes featuring each member of the Quartet. Each movement attempts to evoke the personality of a stock character from the Italian commedia dell'arte all'improviso. [Curtain.] The insufferable Pulcinella is musically represented by a mad polka in the first movement. According to Stravinsky, the Pulcinella he saw, which inspired his Pergolesi-kleptomania, was ""a drunken lout whose every gesture was obscene."" The teary, sad sack Pierrot is portrayed in the Largo of the second movement. Musically, it is a lament/meditation on the tension between the major and the minor triad. Harlequin is irrepressible in his hyperactive antics in the third and quasi-scherzo middle movement. He actually tries, through pantomime, to make us believe that he can fly. And he succeeds in the end only to find himself stuck up there on the ceiling!!! The ballerina Colombine dances a delirious waltz in the fourth. Dizzy from triple and quadruple pirouettes, sometimes lop-sided and almost out-of-control, she finally sits down ... In the fifth and final movement, the old goat Pantaloon shuffles across the stage in his Turkish slippers dancing to a Latin-disco beat, and drifts off into the sunset. [Curtain.] ". About Digital Print Sheet Music Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play! View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application. Learn more
$40.00

Genres: Classical Period, 20th Century, 21st Century, Baroque Period, Classical
Vespro della Beata Vergine (Marienvesper (1610)). By Claudio Monteverdi (1567-1643). Arranged by Jerome Roche. Study Score. Eulenburg Taschenpartituren (Pocket Scores). Study Score. 292 pages. Hal Leonard #ETP8024. Published by Hal Leonard (HL.49010273). ISBN 3795769620. 7.5x10.5 inches. Monteverdi's Vespers of 1610 is a work which has both fascinated and perplexed musicologists and performers for many years. It forms by far the larger part of the composer's first significant publication of sacred music, entitled: 'Of the most blessed virgin a Mass for six voices for church choirs, and Vespers for more voices with several sacred concertos suitable for princely chapels or apartments'. By the time this publication appeared, Monteverdi had been in the service of the Gonzaga court at Mantua for at least 18 years, and he was seeking a change of employment, so that the dedication of the volume to the reigning pope, Paul V, may be interpreted as a form of self-advertisement. Originally issued as an Urtext study score, the edition is based closely on the extant printed source, the set of partbooks published at Venice in 1610, and retains the original note values, key and mensuration signatures. (Deus in adiutorium) Domine ad adiuvandum • Dixit Dominus • Nigra sum • Laudate pueri • Pulchra es • Laetatus sum • Duo Seraphim • Nisi Dominus • Audi coelum • Lauda Jerusalem • Sonata sopra Sancta Maria • Ave maris stella • Magnificatfor Double Mixed Choir (SATTB/SATTB), SSAATTBB Soli and Orchestra.
$34.95

Pages: 292
Genres: Baroque Period, Renaissance, Classical
Sonatas for Violin and Basso continuo Vol.1 by George Frideric Handel (1685-1759). Edited by Davisson / Ramin. For violin and basso continuo (keyboard with ad libitum cello). Sheet Music. Published by Edition Peters (PE.P04157A). Contents: Sonata in A Major HWV 361; Sonata in g minor HWV 368; Sonata in F Major HWV 370Violin and Keyboard (Violoncello ad libitum) ; MusicPartner "play-along" CD is available (MP4157A) ; sheet music and MusicPartner CD are also available as a pack (Q4157A).
$21.00

Instruments: Piano, Organ, Violin, Cello, Piano and Keyboard, Strings
Genres: Classical, Baroque Period
Complete Trio Sonatas - Volume 1 by Johann Sebastian Bach (1685-1750). Edited by Ludwig Landshoff. Mixed Ensemble. For 2 violins, cello (viola da gamba) and cembalo (basso conitnuo). This edition: Urtext. Baroque. Difficulty: difficult. Collection and set of performance parts. Basso continuo notation, bowings and fingerings. BWV 1037, 1039,. 69 pages. Published by Edition Peters (PE.P04203A). With basso continuo notation, bowings and fingerings. Baroque. 9x12 inches. Contents: Trio Sonata in C Major BWV 1037; Trio Sonata in G Major BWV 1039Two Violins and Basso Continuo (Keyboard with Violoncello ad libitum).
$34.00

Pages: 69
Instruments: Violin, Cello, Viola, Strings
Genres: Baroque Period, Classical
Messiah (Messias) HWV 56 by George Frideric Handel (1685-1759). Edited by Donald Burrows. Documenta musicologica II/40 / Barenreiter Facsimile. Facsimile (half-cloth binding). HWV 56. 352 pages. Published by Baerenreiter Verlag (BA.BVK2109). ISBN 9783761821091. 32.5 x 27.8 cm inches.
$671.95

Pages: 352
Genres: Baroque Period, Christian, Classical, Religious
The Crazy Turkey (Euphonium or Baritone Solo) by Johann Cruger (1598-1692). Arranged by Jerome Naulais. For Euphonium & Brass Band. Swiss import. Jazz / Ragtime / Dixieland. Grade 3+. Score and parts. Published by Editions Marc Reift (MA.EMR-3448).
$141.39

Instruments: Baritone Horn, Euphonium, Brass
Genres: Baroque Period, Ragtime, Classical, Jazz & Blues
Suite From "The Fairy Queen" by Henry Purcell (1659-1695). For descant recorder, treble recorder, tenor recorder, bass recorder. Score and part(s). 30 pages. Published by Universal Edition (PR.UE036036). ISBN 9790008085093. Staeps (rightly) believes that the English Baroque is the fountainhead of recorder music, and that Purcell's music is the perfect vehicle. Here, he takes six excerpts from The Fairy Queen (introductions and dances) and fashions a Suite for recorder quartet with basso continuo (keyboard instrument with another bass instrument playing an octave lower than the bass recorder). For advanced quartets. Reprint of the 1957 UE original.
$29.95

Pages: 30
Genres: Baroque Period, Opera, Classical, Miscellaneous
By Johann Sebastian Bach (1685-1750). For Oboe. Instrumental Solo Part and CD. Published by Music Minus One
$24.98

Instruments: Oboe, Woodwinds
Genres: Classical, Baroque Period
Italian concerto, French Overture, Four Duets, Goldberg variations (Piano Solo). By Johann Sebastian Bach (1685-1750). Edited by Rudolph Steglich. For solo piano (Piano). Piano (Harpsichord), 2-hands. Henle Music Folios. Urtext edition-paper bound. Baroque. SMP Level 10 (Advanced). Collection. Introductory text, performance notes and fingerings. 124 pages. G. Henle Verlag #HN129. Published by G. Henle Verlag (HL.51480129). With introductory text, performance notes and fingerings. Baroque. 9x12 inches. About SMP Level 10 (Advanced) Very advanced level, very difficult note reading, frequent time signature changes, virtuosic level technical facility needed.
$36.95

Pages: 124
Instruments: Piano, Harpsichord, Piano and Keyboard
Genres: Baroque Period, Classical
Organ Works Vol.6 by Johann Sebastian Bach (1685-1750). Edited by Griepenkerl / Roitzsch (revised by Hermann Keller). For Organ. Sheet Music. Published by Edition Peters (PE.P00245A). Contents: Ach Gott und Herr BWV 693; Ach bleib bei uns, Herr Jesu Christ BWV 649; Allein Gott in der Hoeh sei Ehr BWV 711; Allein Gott in der Hoeh sei Ehr BWV 717; Allein Gott in der Hoeh sei Ehr BWV 675; Allein Gott in der Hoeh sei Ehr BWV 676; Allein Gott in der Hoeh sei Ehr (Trio) BWV 664; Allein Gott in der Hoeh sei Ehr BWV 663; Allein Gott in der Hoeh sei Ehr BWV 662; Allein Gott in der Hoeh sei Ehr (Fughetta) BWV 677; Allein Gott in der Hoeh sie Ehr (Fuga) BWV 716; An Wasserflussen Babylon BWV 653b & 653; Aus tiefer Not schrei ich zu dir BWV 686; Aus tiefer Not schrei ich zu dir BWV 687; Christ lag in Todesbanden BWV 718; Christ lag in Todesbanden BWV 695; Christ, unser Herr, zum Jordan kam BWV 684; Christ, unser Herr, zum Jordan kam BWV 685; Dies sind die heilgen zehn Gebot BWV 678; Dies sind die heilgen zehn Gebot BWV 649; Durch Adams Fall ist ganz verderbt BWV 705; Ein feste Burg is unser Gott BWV 720; Gelobet seist du, Herr Jesu Christ BWV 723; Gott der Vater wohn uns bei BWV 748; Gottes Sohn ist kommen BWV 724; Herr Gott, dich loben wir BWV 725; Herr Jesu Christ, dich zu uns wend BWV 655; Ich hab mein Sach Gott hereingestellt BWV 707; Jesu, meine Freude (Fantasy) BWV 713; Jesus Christus, unser Heiland BWV 688; Jesus Christus, unser Heiland BWV 665; Jesus Christus, unser Heiland BWV 666; Jesus Christus, unser Heiland BWV 689; In dich hab ich gehoffet, Herr (Fughetta) BWV 712; Allein Gott in der Hoeh sei Ehr BWV 676a; Allein Gott in der Hoeh sei Ehr BWV 664a; Allein Gott in der Hoeh sei Ehr BWV 663a; An Wasserflussen Babylon BWV 653a; An Wasserflussen Babylon BWV 695a; Gott der Vater wohn uns bei BWV 748a; Herr Jesu Christ, dich zu uns wend BWV 655b & 655a; Jesu, meine Freude (Fantasy) BWV 713a; Jesus Christus, unser Heiland BWV 655a (variant of BWV 665) Larger Chorale Compositions (preface in German only).
$35.00

Instruments: Organ, Piano and Keyboard
Genres: Baroque Period, Classical
The Four Seasons - II. Summer (The Four Seasons - II. L'Ete = The Four Seasons - II. Sommer). By Antonio Vivaldi (1678-1741). Arranged by John G. Mortimer. Concert Band. Swiss import. Grade 4+. Score and parts. Published by Editions Marc Reift (MA.EMR-10231).
$312.18

Genres: Baroque Period, Classical
The Four Seasons - III. Autumn (The Four Seasons - III. L'Automne = The Four Seasons - III. Herbst). By Antonio Vivaldi (1678-1741). Arranged by John G. Mortimer. Concert Band. Swiss import. Grade 4+. Score and parts. Published by Editions Marc Reift (MA.EMR-10232).
$260.16

Genres: Baroque Period, Classical
Sonata in g-minor by Arcangelo Corelli (1653-1713). For flute, trombone & piano (organ). Swiss import. Grade 3+. Score and parts. Published by Editions Marc Reift (MA.EMR-2070Q).
$27.15

Instruments: Piano, Organ, Flute, Trombone, Piano and Keyboard, Woodwinds, Brass
Genres: Classical, Baroque Period, Italian, World
Concerto in A Minor by Johann Sebastian Bach (1685-1750). Arranged by Brian Slawson. Mallet Sextet. For glockenspiel, xylophone, vibraphone, 2 small marimbas (4 octaves), 4.3 octave (low A) marimba. NOTE: Two marimba players can also share a 4.3 octave (low A) marimba if instruments are limited (6 players). "Allegro" from Concerto for 4 Harpsichords & Strings (BWV 1065) mallet sextet from "Bach on Wood". Medium-Advanced. Score and parts on CD-ROM. 10 pages. Duration 2'30". Published by Tapspace Publications (TA.TSPCE-31). Harpsichord concertos were written throughout the Baroque era, particularly by J.S. Bach. This "Allegro" from Bach's Concerto for 4 Harpsichords & Strings (BWV 1065), however, is based on Vivaldi's, Concerto for 4 Violins in B minor, RV 580. For one composer to "borrow" material from another during Bach's time was considered a flattering gesture. Mallet instruments have much in common with the attack and decay properties of harpsichords, making arrangements such as this a natural choice. Slawson's orchestrations bring this piece further to life and it will make an excellent addition to the repertoire of any percussion ensemble wishing to highlight a Baroque selection for only mallet instruments. This arrangement for Concerto in A Minor has been heard worldwide on the popular CD, Bach on Wood which helped garner Brian Slawson a Grammy nomination of "Best New Classical Artist." This piece comes with a full, bound score and includes a CD-Rom containing an audio recording and all individual parts available for printing.
$35.00

Pages: 10
Instruments: Percussion, Marimba, Vibraphone, Xylophone, Glockenspiel
Genres: Classical, Baroque Period
Lord God, thy praise we sing (Cantata for the New Year's Day). By Johann Sebastian Bach (1685-1750). Edited by Michael Marker. For ATB vocal soli, SATB choir, oboe I/oboe d'caccia (viola), oboe II, corno d'caccia, 2 violins, viola, basso continuo. Stuttgart Urtext Edition. German title: Herr Gott, dich loben wir. Cantatas; New year. Complete orchestral parts. Language: German/English. Composed 1725. Duration 18 minutes. Published by Carus Verlag (CA.3101619). With Language: German/English. Cantatas; New year. This cantata was first performed in Leipzig on New Year's Day 1726. It belongs to a small group of compositions which were composed between Advent 1725 and mid-January 1726 and whose text were written by the same author. There is no reference to the New Year in connection with the circumcision and naming of Jesus in this "afternoon worship service." Rather the thoughts in this work are concerned with the praise of God and thanks for his good deeds.
$86.95

Genres: Baroque Period, New Year, Classical, Celebrations
Edited by Amy Appleby. For solo piano. Music Sales America. Baroque, Classical Period and Americana. Difficulty: easy-medium. Collection (spiral bound). Fingerings (does not include words to the songs). 240 pages. Music Sales #AM940270. Published by Music Sales
$24.95

Pages: 240
Instruments: Piano, Piano and Keyboard
Genres: Classical Period, Americana, Baroque Period, Classical, Folk
O Mensch, bewein' dein Sunde gross by Johann Sebastian Bach (1685-1750). For tuba & piano (organ). Swiss import. Grade 4+. Score and parts. Published by Editions Marc Reift (MA.EMR-232).
$21.49

Instruments: Piano, Organ, Tuba, Piano and Keyboard, Brass
Genres: Baroque Period, Classical
Choral-Vorspiel"Nun komm der Heiden by Johann Sebastian Bach (1685-1750). For tuba & piano. Swiss import. Grade 4. Score and parts. Published by Editions Marc Reift (MA.EMR-270).
$23.75

Instruments: Choir, Piano, Tuba, Vocal, Piano and Keyboard, Brass
Genres: Baroque Period, Classical
Canon by Johann Pachelbel (1653-1706). Arranged by David Marlatt. Concert Band. Brass Band. Eighth Note Publications. Baroque. Conductor Score & Parts. Duration 00:05:30. Published by Eighth Note Publications (AP.81-BB205). ISBN 1554721229. Baroque. Canon by Johann Pachelbel is one of the most famous and recognizable pieces of classical music. The treatment of the melody in this arrangement follows a popular Baroque tradition, the concerto grosso. This technique utilizes a small group of soloists that were supported by the remainder of the ensemble. In this arrangement, the solo instruments are 2 solo cornets and 2 euphoniums which have the majority of the technically scalar passages as well as the lyrical melody line. The “chamber sound” created by this arrangement is a welcome variation from the tutti sound that is commonly found in brass band writing.
$32.20

Genres: Baroque Period, Classical