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Baroque Period
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Vocal Score for the opera Arianna In Creta by G.F. Handel. Libretto prepared anonymously from Teseo in Creta by Pietro Pariati.
Please note that this piano score does not contain a realisation of the figured bass. The left hand of the piano part is the figured basso continuo of the opera, with occasional octave transpositions and the incorporation of some of the viola part. The right hand is a reduction of the main orchestral material. Item numbering and bar numbering accord with the full score and parts.
£42.95
Instruments: Choir, Vocal
Genres: Baroque Period, Classical
Giovanni Battista Pergolesi: Stabat Mater For Soprano, Alto, Strings And Basso Continuo (Vocal Score
The “Stabat mater”, composed shortly before Pergolesi’s untimely death at the early age of 26, quickly attracted attention. The work’s importance was soon so great that none other than Johann Sebastian Bach performed a German version of the work based on the 51st Psalm. Numerous copies, prints and arrangements attest to the work’s vast popularity, a popularity that still exists today.
For the present edition, the autograph was for the first time compared to a very early Neapolitan score that is presumably based on the parts from the work’s premiere. The findings have influenced the musical text; the details are described in the critical commentary.
The popular work is presented in a well researched Urtext edition
Clear, idiomatic piano reduction
£8.50
Instruments: Choir, Vocal
Genres: Baroque Period, Classical
Revised Barenreiter Urtext choral score for Handel's Dixit Dominus HWV 232.
£6.00
Instruments: Choir, Vocal
Genres: Baroque Period, Classical
Handel wrote the famous “Dixit Dominus” with the text of Psalm 109 during his time in Italy in c. 1707. Although he was only 22 years old, the work already demonstrates his wide spectrum of compositional abilities which are later fully realized in his operas and oratorios. Central to this work are the six choral movements, which – with their polyphonic structure – are closely related to German choral music of the 17th century.
The first Urtext edition BA 4002 based on the “Halle Handel Edition” was published in 1960. At that time no critical commentary was published so that in cases of doubt, the basis on which editorial decisions were made was not officially recorded. A new complete edition volume (BA 10704/01), due to be published in 2013 will include a detailed foreword providing information on the genesis and the first performance of this work as well as information on the psalm on which this work is based and on performance practice. In addition several facsimiles pages will be included, giving a view into the source material. The critical commentary will provide a detailed insight into all the available sources and how they have been passed down.
This newly revised Urtext performing edition offers a thorough revision of this frequently-performed work and meets all the requisites of a scholarly-critical edition. Former readings in the old edition regarding a small number of pitches, but mostly basso continuo figures and the underlying text have now been able to be amended on the basis of the new findings. In the new edition the work appears in nine movements – no longer eight – which reflects the composer's intentions. The new performance material is not compatible with the old one.
Presented in a revised Urtext edition
Clear, straightforward piano reduction
£13.50
Instruments: Choir, Vocal
Genres: Baroque Period, Classical
“Almira”, Handel’s first opera, was well received when premiered in 1705 at the Theater am Gänsemarkt in Hamburg. The director was Reinhard Keiser, who, remarkably, had himself already set Friedrich Christian Feustking’s text to music. The role of Fernando was sung by Johann Mattheson. The translation used by Handel leaves several Italian arias in their original language, resulting in a delightful mixture of German and Italian.
The opera which, after sundry entangled romances, ends in the wedding of three couples, is characterised by exuberant scenes: the procession at Almira’s crowning ceremony, a duel, a prison scene and a masked-ball involving the three continents Europe, Africa and Asia.
The vocal score to “Almira” by George Frideric Handel brings about a small sensation: Whilst conducting a reenactment of this work in 1732, Georg Philipp Telemann removed the Aria no. 28 “Ingrato, spietato” from his conducting score. Since then this aria has been deemed lost. Due to necessity only the edited vocal text devoid of any music was presented in the 1994 volume of the “Halle Handel Edition”.
Thanks to a recently discovered contemporary manuscript copy from the beginning of the 18th century which was found in the music library of the Mariengymnasium in Jever, this aria has now been made available to performers for the first time in this new vocal score edition. Previous to this the corresponding pages could only be seen as a facsimile in an article of the “Göttinger Händel-Beiträge”.
Now the aria can be performed again. Furthermore, with the help of this new source, missing measures in the basso continuo which had initially been completed by the editor of the “Halle Handel Edition” volume, could be reconstructed from the basso continuo part of the Bellante aria “Ich brenne zwar” (no. 71).
Urtext edition based on the “Halle Handel Edition”
Original German and Italian text with a German translation of the Italian arias
Comprehensive foreword (Ger/Eng)
Clear, straightforward piano reduction
£33.50
Instruments: Choir, Vocal
Genres: Baroque Period, Classical
The Kikapust Choral Series offers choirs an extensive choice of close-harmony a cappella arrangements. All of our arrangers / composers – Jonathan Rathbone, Ben Parry & Mark Williams – were long-standing members ofthe Swingle Singers.
£3.00
Instruments: Choir, Vocal
Genres: Baroque Period, Classical
Influential 18th-century oratorio deals with the triumph of the Jewish warrior-hero Judas Maccabaeus over the invading enemies of the Israelites. Beauty, drama and brilliant originality of its arias, duets and choruses have kept the work constantly in the active repertoire. Reprinted from authoritative edition of the German Handel Society. Text underlay in English and German.
£21.95
Instruments: Voice, Vocal
Genres: Baroque Period, Classical
'Chandos Anthem' No.2, edited by Damian Cranmer.
£8.95
Instruments: Choir, Vocal
Genres: Baroque Period, Classical
In response to a continued interest in a scholarly facsimile of the Mass in B minor, a new cloth-bound facsimile edition (BVK 2194) has now been published. This replaces the original BÄRENREITER FACSIMILE edition (BVK 1911).
Johann Sebastian Bach completed the Mass in B minor in 1748/49 shortly after the Art of Fugue and shortly before his death. This late work is as concentrated and rich in compositional technique as scarcely any other work. As early as 1818, Hans-Georg Nägeli enthusiastically described the Mass as the "greatest musical artwork of all time and all nations”. Since then it has been ranked as an icon of music history.
One of the primary functions of a facsimile is the preservation of such a cultural heritage, particularly when the manuscript (as is the case with the Mass in B minor) is endangered and damaged by iron gall ink erosion. Furthermore, it is moving for Bach admirers to see how in some passages Bach’s handwriting reflects the effort which this last work demanded of him.
The facsimile documents and records the present condition of the complete autograph score. Older reproductions have substituted a few individual folios where the content has become difficult to read in recent years.
The renowned Bach scholar Christoph Wolff describes the work’s significance in his introduction, gives an overview of the history of composition and draws attention to particular distinguishing features of the manuscript.
"This facsimile edition is a model for the presentation of musical sources, both in appearance and in documentation. […] Wolff's facsimile will serve as foundational tools"
(Notes, December 2008)
"Once, Bach came up against the boundaries of his art, on blotchy, 260-year-old paper. ‘Et expecto…’ is this point in the B minor mass, ‘And I look for the resurrection of the dead.’ Bach wrote modulations which were extraordinary. He had to strive for these. He crossed out – although this is a fair copy – hatched and scratched until the paper tore. He was already an old man, his script leans to the left. The handwriting here isn’t nearly as lively as in the ‘Cum sancto Spirito’, written earlier. Everywhere, one is moved by the closeness to the manuscript which the facsimile conveys – one of the most sumptuous ever published."
(DIE ZEIT Literatur, December 2007)
£248.50
Instruments: Voice, Vocal
Genres: Baroque Period, Classical
For SATBB chorus unaccompanied.
£1.99
Instruments: Choir, Vocal
Genres: Baroque Period, Classical
No description available. Contact info@musicroom.com for more information.
£8.50
Instruments: Choir, Vocal
Genres: Baroque Period, Classical
Johann Sebastian Bach: Choral Movements From The Christmas Oratorio Part I-IIi, Bwv 248 (Version For
No description available. Contact info@musicroom.com for more information.
£8.50
Instruments: Choir, Vocal
Genres: Baroque Period, Classical
Heinrich Schuetz: Sacred Choral Music 1648: The Five-Part Motets Nos. 1-12 (Swv 369- 380) (G) (Urtex
No description available. Contact info@musicroom.com for more information.
£11.50
Instruments: Choir, Vocal
Genres: Baroque Period, Classical
For ATB Soloists, SATB Chorus and Orchestra.
£24.95
Instruments: Choir, Vocal
Genres: Baroque Period, Classical
Choral-Vorspiel"Nun komm der Heiden by Johann Sebastian Bach (1685-1750). For tuba & piano. Swiss import. Grade 4. Score and parts. Published by Editions Marc Reift (MA.EMR-270).
$23.75
Instruments: Choir, Piano, Tuba, Vocal, Piano and Keyboard, Brass
Genres: Baroque Period, Classical
Choral / Sinfonia & Gavotte (Chorus SATB) by Johann Sebastian Bach (1685-1750) and George Frideric Handel (1685-1759). Arranged by Jean-Francois Michel. For SATB Chorus and Brass Band. Swiss import. Grade 3. Score and parts. Published by Editions Marc Reift (MA.EMR-1359C).
$85.96
Instruments: Choir, Vocal
Genres: Baroque Period, Classical
Choral / Sinfonia & Gavotte by Johann Sebastian Bach (1685-1750) and George Frideric Handel (1685-1759). Arranged by Jean-Francois Michel. Brass Band. Swiss import. Grade 3. Score and parts. Published by Editions Marc Reift (MA.EMR-1359).
$58.82
Instruments: Choir, Vocal
Genres: Baroque Period, Classical
Choral / Sinfonia & Gavotte (Male Chorus) by Johann Sebastian Bach (1685-1750) and George Frideric Handel (1685-1759). Arranged by Jean-Francois Michel. For Men's Chorus and Concert Band. Swiss import. Grade 3. Score and parts. Published by Editions Marc Reift (MA.EMR-1358M).
$84.29
Instruments: Choir, Vocal
Genres: Baroque Period, Classical
Chorale (Female Chorus) by Johann Sebastian Bach (1685-1750) and George Frideric Handel (1685-1759). Arranged by Jean-Francois Michel. For Women's Chorus and Concert Band. Swiss import. Grade 3. Score and parts. Published by Editions Marc Reift (MA.EMR-1358F).
$84.29
Instruments: Choir, Vocal
Genres: Baroque Period, Classical
Choral / Sinfonia & Gavotte (Chorus SATB) by Johann Sebastian Bach (1685-1750) and George Frideric Handel (1685-1759). Arranged by Jean-Francois Michel. For SATB Chorus and Concert Band. Swiss import. Grade 3. Score and parts. Published by Editions Marc Reift (MA.EMR-1358C).
$84.29
Instruments: Choir, Vocal
Genres: Baroque Period, Classical
Choral / Sinfonia & Gavotte by Johann Sebastian Bach (1685-1750) and George Frideric Handel (1685-1759). Arranged by Jean-Francois Michel. Concert Band. Swiss import. Grade 3. Score and parts. Published by Editions Marc Reift (MA.EMR-1358).
$62.44
Instruments: Choir, Vocal
Genres: Baroque Period, Classical
Dona Nobis Pacem (Chorus SATB) by Johann Sebastian Bach (1685-1750). Arranged by Jean-Francois Michel. For SATB Chorus and Brass Band. Swiss import. Grade 3. Score and parts. Published by Editions Marc Reift (MA.EMR-1345C).
$85.96
Instruments: Choir, Vocal
Genres: Baroque Period, Classical
Dona Nobis Pacem (Chorus SATB) by Johann Sebastian Bach (1685-1750). Arranged by Jean-Francois Michel. For SATB Chorus and Concert Band. Swiss import. Grade 3. Score and parts. Published by Editions Marc Reift (MA.EMR-1344C).
$84.29
Instruments: Choir, Vocal
Genres: Baroque Period, Classical
Amen From "The Messiah" (Chorus SATB) by George Frideric Handel (1685-1759). Arranged by Jean-Francois Michel. For SATB Chorus and Brass Band. Swiss import. Grade 3. Score and parts. Published by Editions Marc Reift (MA.EMR-1343C).
$85.96
Instruments: Choir, Vocal
Genres: Baroque Period, Christian, Classical, Religious
Amen From "The Messiah" (Chorus SATB) by George Frideric Handel (1685-1759). Arranged by Jean-Francois Michel. For SATB Chorus and Concert Band. Swiss import. Grade 3. Score and parts. Published by Editions Marc Reift (MA.EMR-1342C).
$84.29
Instruments: Choir, Vocal
Genres: Baroque Period, Christian, Classical, Religious
Sechs Liebesbriefe. (aus dem 16. und 18. Jahrhundert). By Heinrich Sutermeister (1910-). For soprano and orchestra. This edition: ED 6913. Vocal Music. Piano reduction. Composed 1979. 44 pages. Duration 20 minutes. Published by Schott Music (SD.49006793).
ISBN 9790001073059.
$41.95
Pages: 44
Instruments: Piano, Voice, Piano and Keyboard, Vocal
Genres: Classical Period, 20th Century, Baroque Period, Classical
Bach-Contrapuncti (Contrapunctus XI aus "Die Kunst der Fuge"). By Johann Sebastian Bach (1685-1750). Arranged by Dieter Schnebel. For 20 vocalists (5S/5A/5T/5B). This edition: ED 6681. Choral Music. Grade 6. Choral score. Composed 1972-76. 28 pages. Duration 12 minutes. Published by Schott Music (SD.49006542).
ISBN 9790001070942.
$27.95
Pages: 28
Instruments: Choir, Voice, Vocal
Genres: Baroque Period, Classical
Bach-Contrapuncti (Contrapunctus VI aus "Die Kunst der Fuge"). By Johann Sebastian Bach (1685-1750). Arranged by Dieter Schnebel. For 20 vocalists (5S/5A/5T/5B). This edition: ED 6680. Choral Music. Grade 6. Choral score. Composed 1972-76. 36 pages. Duration 5 minutes. Published by Schott Music (SD.49006541).
ISBN 9790001070935.
$31.95
Pages: 36
Instruments: Choir, Voice, Vocal
Genres: Baroque Period, Classical
Bach-Contrapuncti (Contrapunctus I aus "Die Kunst der Fuge"). By Johann Sebastian Bach (1685-1750). Arranged by Dieter Schnebel. For 20 vocalists (5S/5A/5T/5B). This edition: ED 6420. Contemporary Music. Choral score. Composed 1972-76. 28 pages. Duration 6 minutes. Published by Schott Music (SD.49006304).
ISBN 9790001068383.
$23.95
Pages: 28
Instruments: Choir, Voice, Vocal
Genres: Baroque Period, Classical
Bist du bei mir by Gottfried Heinrich Stolzel and Johann Sebastian Bach (1685-1750). Arranged by Jon Washburn. SAATB. Walton Choral. 16 pages. Walton Music #WW1378. Published by Walton Music (HL.8501636).
This beautiful, unique arrangement of the famous air collected by J.S. Bach features an inspiring text which translates as “If you are with me” and works well in both secular concert and sacred contexts, including memorial services. Washburn's versatile setting can be performed with the organ and harp accompaniment provided or a cappella, and can feature a soprano or treble soloist. In German. Duration: approx. 4:00.
$2.07
Pages: 16
Instruments: Choir, Vocal
Genres: Baroque Period, Classical
Jesus, Sun of Life, My Splendor by George Frideric Handel (1685-1759). For TTBB choir, organ and optional strings. General; Holy Communion; Festival. Easy-Moderately Easy. Published by Concordia Publishing House (CR.98-3838U1).
$1.53
Instruments: Choir, Organ, Vocal, Piano and Keyboard
Genres: Baroque Period, Christian, Classical, Religious
Know That the Lord Is God by George Frideric Handel (1685-1759). For 2-part mixed choir, 2 treble instruments and conductor. General. Easy-Moderately Easy. Published by Concordia Publishing House (CR.98-3817U1).
$1.49
Instruments: Choir, Vocal
Genres: Baroque Period, Christian, Classical, Religious
Our Father, Who in Heaven Reigns by Dietrich Buxtehude (1637-1707). For SB/TB choir, organ. General; Wedding. Moderately Easy. Published by Concordia Publishing House (CR.98-3814U1).
$1.40
Instruments: Choir, Organ, Vocal, Piano and Keyboard
Genres: Baroque Period, Christian, Wedding, Classical, Religious, Celebrations
Sing, Be Joyful by Henry Purcell (1659-1695). Arranged by Hal H. Hopson. For SAB choir and keyboard. General; Praise. Easy-Moderately Easy. Published by Concordia Publishing House (CR.98-3774U1).
$1.28
Instruments: Choir, Piano, Organ, Vocal, Piano and Keyboard
Genres: Baroque Period, Christian, Classical, Religious
Now Thank We All Our God by Johann Sebastian Bach (1685-1750). Arranged by Johns. For SAB choir and keyboard. Thanksgiving; General. Easy. Published by Concordia Publishing House (CR.98-3719U1).
$1.28
Instruments: Choir, Piano, Organ, Vocal, Piano and Keyboard
Genres: Baroque Period, Christian, Thanksgiving, Classical, Religious, Celebrations
Alleluia! For Christ The Lord Is Risen by Johann Sebastian Bach (1685-1750). Arranged by John Leavitt. For unison choir, 2-part and keyboard. Easter; Praise; General. Easy. Published by Concordia Publishing House (CR.98-3710U1).
$1.28
Instruments: Choir, Piano, Organ, Vocal, Piano and Keyboard
Genres: Baroque Period, Christian, Easter, Classical, Religious, Celebrations
Lobet den Herren (Praise God in Heaven) (Praise God in Heaven). By Heinrich Schutz (1585-1672). Arranged by Music. For 2-part choir and keyboard. General. Easy-Moderately Easy. Published by Concordia Publishing House (CR.98-3587U1).
$1.28
Instruments: Choir, Piano, Organ, Vocal, Piano and Keyboard
Genres: Baroque Period, Christian, Classical, Religious
Erhore mich (Lord, Hear My Prayer) (Lord Hear My Prayer). By Heinrich Schutz (1585-1672). Arranged by Music. For 2-part choir and keyboard. Lent; Pentecost; General. Easy-Moderately Easy. Published by Concordia Publishing House (CR.98-3563U1).
$1.28
Instruments: Choir, Piano, Organ, Vocal, Piano and Keyboard
Genres: Baroque Period, Christian, Classical, Religious
Eins bitte ich vom Herren (I Ask One Thing of the Lord) by Heinrich Schutz (1585-1672). Arranged by Music. For 2-part choir and keyboard. Lent. Moderately Easy. Published by Concordia Publishing House (CR.98-3540U1).
$1.06
Instruments: Choir, Piano, Organ, Vocal, Piano and Keyboard
Genres: Baroque Period, Christian, Classical, Religious
Guadete omnes (Rejoice, Ye People) (Rejoice Ye People). By Jan Pieterszoon Sweelinck (1562-1621). Arranged by Leonard Van Camp. For SSATB choir, optional keyboard. Easter; Confirmation; Wedding; Festival. Difficult. Published by Concordia Publishing House (CR.98-3212U1).
$2.13
Instruments: Choir, Piano, Organ, Vocal, Piano and Keyboard
Genres: Baroque Period, Christian, Easter, Renaissance, Classical, Religious, Celebrations
O Mighty, Faithful God by Johann Sebastian Bach (1685-1750). Arranged by Music. For SATB choir and 2 treble instruments. General; Lent; Trust, Unity, Healing & Peace. Easy-Moderately Easy. Published by Concordia Publishing House (CR.98-2899U1).
$0.85
Instruments: Choir, Vocal
Genres: Baroque Period, Christian, Classical, Religious
Let The Whole Earth Stand In Awe by George Frideric Handel (1685-1759). For SAB choir. General. Moderately Easy. Published by Concordia Publishing House (CR.98-2473U1).
$1.28
Instruments: Choir, Vocal
Genres: Baroque Period, Christian, Classical, Religious
Alleluia! O Praise / Alleluia! For Christ. (Auf schmetternde Tone BWV 207a). By Johann Sebastian Bach (1685-1750). For SATB choir and organ. General. Easy-Moderately Easy. Published by Concordia Publishing House (CR.98-2101U1).
$1.38
Instruments: Choir, Organ, Vocal, Piano and Keyboard
Genres: Baroque Period, Christian, Classical, Religious
Cantate Domino (O Sing to God the Lord). (O Sing Ye to the Lord). By Heinrich Schutz (1585-1672). For SATB choir. General; Easter; Doxological; Festival. Moderately Easy. Published by Concordia Publishing House (CR.98-1974U1).
$1.84
Instruments: Choir, Vocal
Genres: Baroque Period, Christian, Easter, Classical, Religious, Celebrations
Now Thank We All Our God by Johann Pachelbel (1653-1706). For SATB choir. General; Thanksgiving; Trinity; Doxological. Easy-Moderately Easy. Published by Concordia Publishing House (CR.98-1944U1).
$1.28
Instruments: Choir, Vocal
Genres: Baroque Period, Christian, Thanksgiving, Classical, Religious, Celebrations
Cantate Domino (O Sing to God the Lord). (O Sing Ye to the Lord). By Jan Pieterszoon Sweelinck (1562-1621). For SSATB choir and organ. General; Easter; Ascension; Festival. Moderately Easy. Published by Concordia Publishing House (CR.98-1937U1).
$2.07
Instruments: Choir, Organ, Vocal, Piano and Keyboard
Genres: Baroque Period, Christian, Easter, Renaissance, Classical, Religious, Celebrations
Ich Jauchze, Ich Lache (With Loudest Rejoicing). (Ich jauchze, ich lache). By Johann Sebastian Bach (1685-1750). For SA choir. General; Easter; Festival. Easy-Moderately Easy. Published by Concordia Publishing House (CR.98-1846U1).
$1.15
Instruments: Choir, Vocal
Genres: Baroque Period, Christian, Easter, Classical, Religious, Celebrations
Erschallet, ihr Lieder (Sing Praises, Ye Faithful) by Johann Sebastian Bach (1685-1750). For SATB choir and organ. General; Pentecost; Doxological; Festival. Moderately Easy. Published by Concordia Publishing House (CR.98-1823U1).
$1.49
Instruments: Choir, Organ, Vocal, Piano and Keyboard
Genres: Baroque Period, Christian, Classical, Religious
The Road to Calvary by Johann Sebastian Bach (1685-1750). Arranged by Cozens. For SATB choir. Lent; Holy Week; Good Friday. Published by Concordia Publishing House (CR.98-1629U1).
Readings from Scripture and chorales.
$3.40
Instruments: Choir, Vocal
Genres: Baroque Period, Christian, Classical, Religious
In Dulci Jubilo. (Now Sing We, Now Rejoice). By Dietrich Buxtehude (1637-1707). For SAB choir. Christmas. Published by Concordia Publishing House (CR.98-1501U1).
$1.38
Instruments: Choir, Vocal
Genres: Baroque Period, Christian, Christmas, Classical, Religious, Miscellaneous
