I Will Follow Him from the motion picture Sister Act, arranged for Brass Band by Goff Richards.

Ottone HWV 15 (Opera in three acts). By George Frideric Handel (1685-1759). Edited by Fiona McLauchlan. For 2 soprano voice solos, mezzo-soprano voice solo, 2 alto voice solos, bass voice solo, 2 oboes, 3 violins, viola, bassi (cello, double bass, bassoon, harpsichord, archlute). This edition: Clothbound, Complete edition, Urtext edition. Hallische Handel-Ausgabe. Serie II, Band 12. Version of the first performance 1723. Score. HWV 15. 399 pages. Published by Baerenreiter Verlag (BA.BA4077). ISBN 9790006550067. 33.0 x 26.0 cm inches.

Et Misericordia "The Magnificat" by Johann Sebastian Bach (1685-1750). Brass Ensemble. For brass quintet. Swiss import. Grade 4+. Score and parts. Published by Editions Marc Reift (MA.EMR-515).

2 Violin Sonatas BWV 1021 e BWV 1023 by Johann Sebastian Bach (1685-1750). Edited by Alessandro Bares. For violin and basso continuo. I piaceri del violino. Baroque. Score and set of parts. Published by Musedita Edizioni Musicali (M8.BA-3-SO). Includes c-minor sonata, formerly attributed to Bach as BWV 1024. Recently attributed to J.G.Pisendel.paperback. Performing edition based on original manuscripts/prints. No added bow strokes, dynamics, slurs etc. No continuo realization.

Buxtehude's organ music fascinated J. S. Bach and generations of organists ever since. Schott's new edition in the renowned series 'Masters of the North German Organ School' is based on the original version while taking the latest findings of the Buxtehude research into account. Vol. 1 contains 18 Preludes (pedaliter), Vol. 2 three toccatas, 1 preambulum, 2 ciacones, 9 canzonas and 3 fugues. Content - Toccata (ped.) d-Moll BuxWV 155 - Toccata (ped.) F-Dur BuxWV 156 - Toccata (ped.) F-Dur BuxWV 157 - Praeambulum (ped.) a-Moll BuxWV 158 - Ciaccona (ped.) c-Moll BuxWV 159 - Ciaccona (ped.) e-Moll BuxWV 160 - Passacaglia (ped.) d-Moll BuxWV 161 - Praeludium manualiter G-Dur BuxWV 162 - Praeludium (man.) g-Moll BuxWV 163 - Toccata (man.) G-Dur BuxWV 164 - Toccata (man.) G-Dur BuxWV 165 - Canzona (man.) C-Dur BuxWV 166 - Canzonetta (man.) C-Dur BuxWV 167 - Canzona (man.) d-Moll BuxWV 168 - Canzonetta (man.) e-Moll BuxWV 169 - Canzona (man.) G-Dur BuxWV 170 - Canzonetta (man.) G-Dur BuxWV 171 - Canzonetta (man.) G-Dur BuxWV 172 - Canzona (man.) g-Moll BuxWV 173 - Fuga (man.) C-Dur BuxWV 174 - Fuga (man.) C-Dur BuxWV 175 - Fuga (man.) B-Dur BuxWV 176 - Canzonetta (man.) a-Moll BuxWV 225

Buxtehude's organ music fascinated J. S. Bach and generations of organists ever since. Schott's new edition in the renowned series 'Masters of the North German Organ School' is based on the original version while taking the latest findings of the Buxtehude research into account. Vol. 1 contains 18 Preludes (pedaliter), Vol. 2 three toccatas, 1 preambulum, 2 ciacones, 9 canzonas and 3 fugues. Content - Introduction - Praeludium (pedaliter) C-Dur (BuxWV 136) - Praeludium (pedaliter) C-Dur (BuxWV 137) - Praeludium (pedaliter) C-Dur (BuxWV 138) - Praeludium (pedaliter) D-Dur (BuxWV 139) - Praeludium (pedaliter) d-Moll (BuxWV 140) - Praeludium (pedaliter) E-Dur (BuxWV 141) - Praeludium (pedaliter) e-Moll (BuxWV 142) - Praeludium (pedaliter) e-Moll (BuxWV 143) - Praeludium (pedaliter) F-Dur (BuxWV 144) - Praeludium (pedaliter) F-Dur (BuxWV 145) - Praeludium (pedaliter) fis-Moll (BuxWV 146) - Praeludium (pedaliter) G-Dur (BuxWV 147) - Praeludium (pedaliter) g-Moll (BuxWV 148) - Praeludium (pedaliter) g-Moll (BuxWV 149) - Praeludium (pedaliter) g-Moll (BuxWV 150) - Praeludium (pedaliter) A-Dur (BuxWV 151) - Praeludium (pedaliter) quarti toni (BuxWV 152) - Praeludium (pedaliter) a-Moll (BuxWV 153) - Revisionsbericht

Toccata and Fuga d-minor (BWV 565) by Johann Sebastian Bach (1685-1750). Arranged by Hans Zellner. Brass quintet. For piccolo trumpet, trumpet, french horn, trombone, tuba. Baroque. Score and set of parts. Published by Brass Works Munich (BW.HBQ-064). ISBN M-50144-081-8. Baroque.

Buxtehude's organ music already fascinated J. S. Bach – and generations of organists ever since. Schott's urtext edition of his complete organ oeuvre in the renowned series 'Masters of the North German Organ School' is based on the sources, taking the latest findings of the Buxtehude research into account. Unlike all previous Buxtehude editions, this new edition by Claudia Schumacher follows the rhythm notation of the original, i.e. the tablature, thus providing for the first time the authentic version which enables the player to interpret the works in a differentiated manner. Volumes 3 and 4 contain a total of 48 chorale arrangements in alphabetical order of the initials of the chorales: Vol. 3 contains 26 pieces (A-L), Vol. 4 22 arrangements (M-W).

Influential 18th-century oratorio deals with the triumph of the Jewish warrior-hero Judas Maccabaeus over the invading enemies of the Israelites. Beauty, drama and brilliant originality of its arias, duets and choruses have kept the work constantly in the active repertoire. Reprinted from authoritative edition of the German Handel Society. Text underlay in English and German.

Handel: Major Choral Works Vocal Scores (Version 2.0). (CD Sheet Music). By George Frideric Handel (1685-1759). Vocal Score. CD Sheet Music (Version 2.0). CD-ROM. CD Sheet Music #30400046. Published by CD Sheet Music (HL.220555). ISBN 142342834X. 9x12 inches. CD Sheet Music(TM) is the revolutionary series of masterworks on CD- or DVD-ROM that transforms a PC or MAC computer into a virtual music library. Now you can quickly locate, view and print the great works of the classical repertoire. Compared to traditional printed sheet music or music downloads, it is incredibly inexpensive. Original sources are out-of-copyright standard editions from publishers such as Breitkopf and Härtel, C.F. Peters, G. Schirmer, Carl Fischer, G. Ricordi, Durand and many others. The discs also include biographical and analytical information from Grove's Dictionary of Music and Musicians, 1911 Edition.This 2-disk set contains the vocal scores of 16 oratorios and odes (including Messiah, Israel in Egypt, Judas Maccabaeus, Ode to St. Cecelia's Day), all the Coronation and Chandos anthems, Dettingen Te Deum, Utrecht Jubilate and Te Deum. Modern clef editions only. About CD Sheet Music (Version 2.0) CD Sheet Music (Version 2.0) titles allow you to own a music library that rivals the great collections of the world! Version 2.0 improves upon the earlier edition in a number of important ways, including an invaluable searchable table of contents, biographical excerpts, and faster loading.CD Sheet Music (Version 2.0) titles work on PC and Mac systems. Each page of music is viewable and printable using Adobe Acrobat. Music is formatted for printing on 8.5" x 11" paper.

Buxtehude's organ music already fascinated J. S. Bach – and generations of organists ever since. Schott's urtext edition of his complete organ oeuvre in the renowned series 'Masters of the North German Organ School' is based on the sources, taking the latest findings of the Buxtehude research into account. Unlike all previous Buxtehude editions, this new edition by Claudia Schumacher follows the rhythm notation of the original, i.e. the tablature, thus providing for the first time the authentic version which enables the player to interpret the works in a differentiated manner. Volumes 3 and 4 contain a total of 48 chorale arrangements in alphabetical order of the initials of the chorales: Vol. 3 contains 26 pieces (A-L), Vol. 4 22 arrangements (M-W).

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In response to a continued interest in a scholarly facsimile of the Mass in B minor, a new cloth-bound facsimile edition (BVK 2194) has now been published. This replaces the original BÄRENREITER FACSIMILE edition (BVK 1911). Johann Sebastian Bach completed the Mass in B minor in 1748/49 shortly after the Art of Fugue and shortly before his death. This late work is as concentrated and rich in compositional technique as scarcely any other work. As early as 1818, Hans-Georg Nägeli enthusiastically described the Mass as the "greatest musical artwork of all time and all nations”. Since then it has been ranked as an icon of music history. One of the primary functions of a facsimile is the preservation of such a cultural heritage, particularly when the manuscript (as is the case with the Mass in B minor) is endangered and damaged by iron gall ink erosion. Furthermore, it is moving for Bach admirers to see how in some passages Bach’s handwriting reflects the effort which this last work demanded of him. The facsimile documents and records the present condition of the complete autograph score. Older reproductions have substituted a few individual folios where the content has become difficult to read in recent years. The renowned Bach scholar Christoph Wolff describes the work’s significance in his introduction, gives an overview of the history of composition and draws attention to particular distinguishing features of the manuscript. "This facsimile edition is a model for the presentation of musical sources, both in appearance and in documentation. […] Wolff's facsimile will serve as foundational tools" (Notes, December 2008) "Once, Bach came up against the boundaries of his art, on blotchy, 260-year-old paper. ‘Et expecto…’ is this point in the B minor mass, ‘And I look for the resurrection of the dead.’ Bach wrote modulations which were extraordinary. He had to strive for these. He crossed out – although this is a fair copy – hatched and scratched until the paper tore. He was already an old man, his script leans to the left. The handwriting here isn’t nearly as lively as in the ‘Cum sancto Spirito’, written earlier. Everywhere, one is moved by the closeness to the manuscript which the facsimile conveys – one of the most sumptuous ever published." (DIE ZEIT Literatur, December 2007)

Passacaglia & Fugue, BWV 582. Large score by Johann Sebastian Bach (1685-1750). Arranged by L. Stokowski. For 4, Piccolo, alto flute, 3, English Horn, 3, Bass Clarinet, 3, Cembalo; 8441, tenor tuba; timpani; strings. Duration 13:00. Published by Broude Brothers (BB.BB90S).

Wide selection of fine pieces, many difficult to find elsewhere. Included are harpsichord toccatas, Capriccio on the Departure of His Most Beloved Brother, Aria Variata 'alla Maniera Italiana' and the 6 Little Preludes, as well as many lesser-known compositions — over 40 in all. Authoritative Breitkopf & Härtel edition. Reprint of selections from Johann Sebastian Bach's Werke, Series 3, 36, 42, 43, and 44, Breitkopf & Härtel, Leipzig, 1890, 1894, and 1897. "Toccata in F-sharp Minor, BWV 910" "Toccata in C Minor, BWV 911" "Toccata in D Major, BWV 912" "Toccata in D Minor, BWV 913" "Toccata in E Minor, BWV 914" "Toccata in G Minor, BWV 915" "Toccata in G Major, BWV 916" "Prelude and Fugue in A Minor, BWV 895" "Fugue n A Major, from Prelude and Fugue, BWV 896" "Fugue in A Minor, BWV 897 (doubtful)" "Prelude and Fughetta in D Minor, BWV 899 (doubtful)" "Prelude and Fughetta in E Minor, BWV 900" "Fantasia and Fugue in D Minor, BWV 905 (doubtful)" "Fantasia and Fughetta in B-flat Major, BWV 907 (doubtful)" "Fantasia and Fughetta in D Major, BWV 908 (doubtful)" "Concerto and Fugue in C Minor, BWV 909 (doubtful)" "Fantasia in G Minor, BWV 920 (doubtful)" "Fantasisa in C Minor, BWV Anh. 86 (incomplete)" "Prelude (Fantasia) in C Minor, BWV 921 (doubtful)" "Prelude in B Minor, BWV 923 (doubtful)" "Seven Little Preludes, BWV 924-930 (from the Clarvier-Büchlein vor Wilhelm Friedemann Bach)" "Six Little Preludes, BWV 933-938" "Five Preludes, BWV 939-943" "Fugue in A Minor, BWV 944" "Fugue in A Major, BWV 949 (doubtful)" "Fugue in B Minor on a Theme by Albinoni, BWV 951" "Fugue in C Major, BWV 952 (doubtful)" "Fugue in C Major, BWV 953 (from the Clavier-Büchelein vor Wilhelm Friedemann Bach)" "Fugue in B-flat Major, BWV 954 (arr. from J. A. Reincken's Hortus musicus)" "Fugue in B-flat Major, BWV 955 (arr.of an organ fugue by J. C. Erselius)" "Fugue in E Minor, BWV 956 (doubtful)" "Fugue in G Major, BWV 957 (doubtful)" "Fugue in A Minor, BWV 958" "Fugue in A Minor, BWV 959" "Fughetta in C Minor, BWV 961 (doubtful)" "Prelude, Fugue and Allegro in E-flat Major, BWV 998 (for lute or keyboard)" "Suite in A Minor, BWV 818" "Suite in E-flat Major, BWV 819" "Ouverture in F Major, BWV 820" "Suite in B-flat Major, BWV 821" "Suite in F Minor, BWV 823 (incomplete)" "Partie in A Major, BWV 832" "Partita in C Minor, BWV 997 (for lute or keyboard)" "Partita in E Major, BWV 1006a (for lute or keyboard; arr. Of Violin Partita No. 3, BWV 1006)" "Sonata in D Major, BWV 963" "Sonata in D Minor, BWV 964 (arr. Of Violin Sonata No. 2, BWV 1003; doubtful)" "Sonata in A Minor, BWV 965 (arr. from Reincken's Hortus musicus)" "Sonata in C Major, BWV 966 (arr. from Violin Reinchken's Hortus musicus)" "Adagio in G Major, BWV 968 (arr. from Violin Sonata No. 3, BWV 1005; doubtful)" "Three Minuets, BWV 841-843 (from the Clavier-Büchlein vor Wilhelm Friedemann Bach)" "Aria variata alla maniera italiana [Air varied in the Italian manner], BWV 989 " "Capriccio sopra la lontananza del suo fratello dilettissimo [Capriccio on the departure of his most beloved brother], BWV "Capriccio in E Major, BWV 993"

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Oboe Concerto in d minor BWV1059 by Johann Sebastian Bach (1685-1750). Edited by Mehl / Winklhofer. For Oboe and piano. Solo part with piano reduction. Published by Edition Kunzelmann (PE.GM0922).

Sinfonia in D Major by Johann Sebastian Bach (1685-1750). Arranged by Wolfram Gehring. For Organ Solo. Sheet Music. Published by Forberg Edition (PE.F25003). from Cantata 29.

These sonatas are among the epoch-making works of the violin repertoire and nowadays figure in the standard repertoire of every violinist. It is all the more surprising, therefore, that until now there has been no Urtext edition of such significant works. The score is based on a first edition supervised by Corelli himself. From what we know of performance practice in Corelli’s time, however, more was expected of the violinist than just a musical reading of the printed score: it was customary to add ornamentation verging on improvisation, with embellishment and “variations as desired”. The original score is therefore presented here with the earliest documented ornamentation from a reprint published by Roger in Amsterdam in 1708. This ornamentation is not meant to be slavishly imitated, but to stimulate the player to find their own creative and stylistically confident interpretation of the score. As Roger did not specify any ornaments for the sonatas in the second volume, the “variations as desired” used by Corelli’s pupil Geminiani have been reproduced with the ninth Sonata as an example. Advice on performance is given by the Cologne baroque specialist Reinhard Goebel. This advice does not only apply to ornamentation, but also to articulation, bowings and more besides, calling for specific markings in the separate violin part. The realisation of the continuo part echoes the fashions of that time. Here too, advice on performance is meant to stimulate free interpretation by the continuo player. A figured bass part is included for the player who prefers to read the accompaniment from figures.

Jephtha HWV 70 (Oratorio in Three Acts). By George Frideric Handel (1685-1759). Edited by Kenneth Nott. For 2 soprano voice solos, mezzo-soprano voice solo, tenor voice solo, alto voice solo, bass voice solo, SSATB choir, flute, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, strings. This edition: Clothbound, Complete edition, Urtext edition. Halle Handel Edition. Serie I, Volume 30. Score. Language: English, Text Language: German/English. HWV 70. 343 pages. Published by Baerenreiter Verlag (BA.BA4014). ISBN 9790006442935. With Language: English, Text Language: German/English. 33.0 x 26.0 cm inches.

Organ Works Vol.7 by Johann Sebastian Bach (1685-1750). Edited by Griepenkerl / Roitzsch. For Organ. This edition: Urtext. Sheet Music. Published by Edition Peters (PE.P00246). ISBN M-3007-0098-4. Contents: Komm, Gott, Schoepfer, Heiliger Geist BWV 667; Komm, Heiliger Geist, Herre Gott (Fantasia) BWV 651; Komm, Heiliger Geist, Herre Gott BWV 652; Kommst du nun, Jesu, vom Himmel herunter BWV 650; Kyrie, Gott Vater in Ewigkeit BWV 669; Christe, aller Welt Trost BWV 670; Kyrie, Gott Heiliger Geist BWV 671; Kyrie, Gott Vater in Ewigkeit BWV 672; Christe, aller Welt Trost BWV 673; Kyrie, Gott Heiliger Geist BWV 674; Meine Seele erhebet den Herren (Fuga sopra il Magnificat) BWV 733; Meine Seele erhebet den Herren BWV 648; Nun danket alle Gott BWV 657; Nun freut euch, lieben Christen g'mein (Es ist gewisslich an der Zeit) BWV 734; Nun komm, der Heiend Heiland BWV 659; Nun komm, der Heiden Heiland BWV 660; Nun komm, der Heiden Heiland BWV 661; O Lamm Gottes, unschuldig BWV 656; Schmuecke dich, o liebe Seele BWV 654; Valet will ich dir geben (Fantasia) BWV 735; Valet will ich dir geben BWV 736; Vater unser im Himmelreich BWV 682; Vater unser im Himmelreich BWV 737; Vom Himme; hoch da komm ich her (Fughetta) BWV 701; Vom Himmel hoch da komm ich her (Fuga) BWV 700; Von Gott will ich nicht lassen BWV 658; Wachet auf, ruft uns die Stimme BWV 645; Wenn wir in hoechsten Noeten sein (Vor deinen Thron tret ich hiermit) BWV 668; Wer nur den lieben Gott laesst walten BWV 647; Wir glauben all an einen Gott BWV 680; Wir glauben all an einen Gott BWV 681; Wir glauben all an einen Gott BWV 740; Wo soll ich fliehen hin (Auf meinen lieben Gott) BWV 646; Komm, Gott, Schoepfer, Heiliger Geist BWV 667a/b; Komm, Heiliger Geist, Herre Gott (Fantasia) BWV 651a; Komm, Heiliger Geist, Herre Gott BWV 652a; Nun freut euch, lieben Christen g'mein (Es ist gewisslich an der Zeit) BWV 734a; Nun komm, der Heiden Heiland (Fantasia) BWV 659a; Nun komm, der Heiden Heiland BWV 660a; Nun komm, der Heiden Heiland BWV 660b; Nun komm, der Heiden Heiland BWV 661a; O Lamm Gottes, unschuldig BWV 656a; Valet will ich dir geben BWV 735a; Von Gott will ich nicht lassen BWV 658aChorale Preludes (with English translation of the preface).

Organ Works Vol.5 by Johann Sebastian Bach (1685-1750). Edited by Griepenkerl / Roitzsch (revised by Hermann Keller). For Organ. This edition: Urtext. Christmas. Sheet Music. Published by Edition Peters (PE.P00244). Contents: Ach, wie fluegtig, ach wie nichtig BWV 644; Alle Menschen muessen sterben BWV 643; Christe, du Lamm Gottes BWV 619; Christ ist erstanden BWV 627; Christ lag in Todesbanden BWV 625; Christum wir sollen loben schon BWV 611; Christum wir sollen lobe schon (fughetta) BWV 696; Christus, der uns selig macht BWV 620; Da Jesus an dem Kreuze stund BWV 621; Das alte Jahr vergangen ist BWV 614; Der Tag, der is so freudenreich BWV 605; Dies sind die heilgen zehn Gebot BWV 635; Durch Adams Fall ist ganz verderbt BWV 637; Erstanden ist der heilge Christ BWV 628; Erschienen ist der herrliche Tag BWV 629; Es ist das Heil uns kommen her BWV 638; Gelobet seist du, Jesu Christ BWV 604; Gelobet seist du, Jesu Christ (fughetta) BWV 697; Gott, durch deine Gute (Gottes Sohn ist kommen) BWV 600; Gottes Sohn ist kommen (fughetta) BWV 703; Helf mir Gottes Gute preisen BWV 613; Herr Christ, der einge Gottes-Sohn BWV 601; Herr Christ, der einge Gottes-Sohn (fughetta) BWV 698; Herr Gott, nun schleuss den Himmel auf BWV 617; Herr Jesu Christ, dich zu uns wend BWV 632; Herr Jesu Christ, dich zu uns wend BWV 709; Herzlich tut mir verlangen BWV 727; Heut triumphieret Gottes Sohn BWV 630; Hilf Gott, dass mir's gelinge BWV 624; Ich ruf zu dir, Herr Jesu Christ BWV 639; Jesu meine Freude BWV 610; Jesus Christus, unser Heiland BWV 626; In dich hab ich gehoffet, Herr BWV 640; In dir ist Freude BWV 615; In dulci jubilo BWV 608; Liebster Jesu, wir sind hier BWV 706; Liebster Jesu, wir sind hier BWV 633; Lob sei dem allmaechtigen Gott BWV 602; Lob sei dem allmaechtigen Gott BWV 704; Lobt Gott, ihr Christen allzugleich BWV 609; Mit Fried und Freud ich fahr dahin BWV 616; Nun komm, du Heiden Heiland BWV 599; Nun komm, du Heiden Heiland (fughetta) BWV 699; O Lamm Gottes, unschuldig BWV 618; O Mensch, bewein dein Suende gross BWV 622; Puer natus in Bethlehem BWV 603; Vater unser im Himmelreich BWV 683; Vater unser im Himmelreich BWV 636; Vom Himmel hoch da komm ich her BWV 606; Vom Himmel hoch kam der Engel Schar BWV 607; Wenn wir in Hoecshten Noeten sind BWV 641; Wer nur den lieben Gott laesst walten BWV 691; Wer nur den lieben Gott laesst walten BWV 690; Wer nur den lieben Gott laesst walten BWV 642; Wir Christenleut BWV 612; Wir danken dir, Herr Jesu Christ BWV 623; Christ, der du bist der helle Tag BWV 766; O Gott, du frommer Gott BWV 767; Sei gegruesset, Jesu guetig BWV 768; Canon Variations on Vom Himmel hoch, da komm ich her BWV 769; Gelobet seist du, Jesu Christ BWV 722; Jesus, meine Zuversicht BWV 728; In dulci jubilo BWV 729; Liebster Jesu, wir sind hier BWV 730; Liebster Jesu, wir sind hier BWV 731; Lobt Gott, ihr Christen allzugleich BWV 732; Vom Himmel hoch, da komm ich her BWV 738; Herr Christ, der einge Gottes Sohn BWV Anh. II 75; Christus, der uns selig macht BWV 620a; Liebster Jesu, wir send hier BWV 634; Vater user im Himmelreich BWV 683a; Wer nur den lieben Gott laesst walten BWV 691a; Jesu meine Freude BWV 753 (fragment) ; 6 Short Chorale Preludes; 5 Canonic Variations on Vom Himmel hoch; 7 Chorale Preludes; Chorale Variations on: Christ, der du bist der helle Tag (7 Partitas) , O Gott, du frommer Gott (9 Partitas) , Sei gegruesset Jesu guetig (11 Variations) || Includes 19 chorale preludes suitable for Christmas. Preface in German only.Shorter Chorale Compositions (including 19 suitable for the Christmas Season) ; preface in German only.

Occasional Oratorio HWV 62 (Oratorio in three parts). By George Frideric Handel (1685-1759). Edited by Merlin Channon. For soprano voice solo, tenor voice solo, bass voice solo, double SATB choir, 2 oboes, 2 bassoons, 2 horns, 3 trumpets, timpani, 3 violins, viola, Bassi/organ. This edition: Clothbound, Complete edition, Urtext edition. Hallische Handel-Ausgabe. Serie I, Band 23. Score. Language: English. HWV 62. 383 pages. Duration 2 hours 20 minutes. Published by Baerenreiter Verlag (BA.BA4089). ISBN 9790006550081. With Language: English. 33.0 x 26.0 cm inches.

Wachet Auf, ruft uns die Stimme. (Cantata BWV 140). By Johann Sebastian Bach (1685-1750). For voice, flute and guitar. Score and parts. Published by Trillenium Music Company (TR.602). A fine transcription of great music, suitable for younger players.