Ottone HWV 15 (Opera in three acts). By George Frideric Handel (1685-1759). Edited by Fiona McLauchlan. For 2 soprano voice solos, mezzo-soprano voice solo, 2 alto voice solos, bass voice solo, 2 oboes, 3 violins, viola, bassi (cello, double bass, bassoon, harpsichord, archlute). This edition: Clothbound, Complete edition, Urtext edition. Hallische Handel-Ausgabe. Serie II, Band 12. Version of the first performance 1723. Score. HWV 15. 399 pages. Published by Baerenreiter Verlag (BA.BA4077). ISBN 9790006550067. 33.0 x 26.0 cm inches.

2 Violin Sonatas BWV 1021 e BWV 1023 by Johann Sebastian Bach (1685-1750). Edited by Alessandro Bares. For violin and basso continuo. I piaceri del violino. Baroque. Score and set of parts. Published by Musedita Edizioni Musicali (M8.BA-3-SO). Includes c-minor sonata, formerly attributed to Bach as BWV 1024. Recently attributed to J.G.Pisendel.paperback. Performing edition based on original manuscripts/prints. No added bow strokes, dynamics, slurs etc. No continuo realization.

Baroque Masterpieces by Various. For violin & piano / organ. Swiss import. Grade 3+. Score and parts. Published by Editions Marc Reift (MA.EMR-2335).

Baroques Masterpieces. (Adagio-Largo-Allegretto / Suite / Suite de danses / Sonata Suite de danses / Sonata / Prelude & Fugue). By Various. For contrabass. Grade 3+. Published by Editions Marc Reift (MA.EMR-2340).

Barry Lyndon (I. Saraband -- II. Piano Trio). By George Frideric Handel (1685-1759) and Franz Schubert (1797-1828). Arranged by John G. Mortimer. Brass Band. Swiss import. Grade 4. Score and parts. Published by Editions Marc Reift (MA.EMR-2699).

These sonatas are among the epoch-making works of the violin repertoire and nowadays figure in the standard repertoire of every violinist. It is all the more surprising, therefore, that until now there has been no Urtext edition of such significant works. The score is based on a first edition supervised by Corelli himself. From what we know of performance practice in Corelli’s time, however, more was expected of the violinist than just a musical reading of the printed score: it was customary to add ornamentation verging on improvisation, with embellishment and “variations as desired”. The original score is therefore presented here with the earliest documented ornamentation from a reprint published by Roger in Amsterdam in 1708. This ornamentation is not meant to be slavishly imitated, but to stimulate the player to find their own creative and stylistically confident interpretation of the score. As Roger did not specify any ornaments for the sonatas in the second volume, the “variations as desired” used by Corelli’s pupil Geminiani have been reproduced with the ninth Sonata as an example. Advice on performance is given by the Cologne baroque specialist Reinhard Goebel. This advice does not only apply to ornamentation, but also to articulation, bowings and more besides, calling for specific markings in the separate violin part. The realisation of the continuo part echoes the fashions of that time. Here too, advice on performance is meant to stimulate free interpretation by the continuo player. A figured bass part is included for the player who prefers to read the accompaniment from figures.

Baroque Masterpieces by Various. For viola & piano (organ). Swiss import. Grade 3+. Score and parts. Published by Editions Marc Reift (MA.EMR-2338).

Baroque Masterpieces by Various. For violoncello & piano (organ). Swiss import. Grade 3+. Score and parts. Published by Editions Marc Reift (MA.EMR-2339).

Occasional Oratorio HWV 62 (Oratorio in three parts). By George Frideric Handel (1685-1759). Edited by Merlin Channon. For soprano voice solo, tenor voice solo, bass voice solo, double SATB choir, 2 oboes, 2 bassoons, 2 horns, 3 trumpets, timpani, 3 violins, viola, Bassi/organ. This edition: Clothbound, Complete edition, Urtext edition. Hallische Handel-Ausgabe. Serie I, Band 23. Score. Language: English. HWV 62. 383 pages. Duration 2 hours 20 minutes. Published by Baerenreiter Verlag (BA.BA4089). ISBN 9790006550081. With Language: English. 33.0 x 26.0 cm inches.

Pieces a une et a deux violes. Livre I by Marin Marais (1656-1728). Edited by Philippe Lescat, Jean Saint-Arroman. For 2 viols and continuo, Viola da gamba and continuo. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Score. 245 pages. Published by Anne Fuzeau Productions - France (FZ.5829). ISBN M230658294. 23.5 x 31.5 cm inches. This Marin Marais's original publication is in facsimile on French classical music collection. Edition : Livre de viole, Paris, 1686 Livre de b. c. , Paris, 1689Preface by:Philippe Lescat: biography of Marin MaraisJean Saint-Arroman: the evolution of Marin Marais in the course of his works for viol (forms, terminology, signs). The preface deals with the evolution of Marais' style and composition technique in his works for viol. The five books of Marin Marais are available in our facsimile collection. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from:- Municipal Library of Lyon (France)- Municipal Library of Paris (France).

Mass B minor BWV 232 by Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. For 2 soprano voice solos, alto voice solo, tenor voice solo, bass voice solo, double SATB choir, 2 flutes, 3 oboes (2 oboes d'amore), 2 english horns, 2 bassoons, horn, 3 trumpets, timpani, 2 violins, viola, basso continuo (organ). This edition: Clothbound, Edition of selected works, Urtext edition. New Bach Edition. Revised Edition, Volume 1. New revised version. Score. Language: Latin, Text Language: German/English. BWV 232. 356 pages. Duration 2 hours 15 minutes. Published by Baerenreiter Verlag (BA.BA5935-01). ISBN 9790006556304. With Language: Latin, Text Language: German/English. 33.0 x 26.0 cm inches.

Sonate C-Dur (rekonstruiert nach BWV 1027 und 1039). By Johann Sebastian Bach (1685-1750). Edited by Reinhard Gerlach. For treble recorder (flute), viola da gamba (viola) and basso continuo. This edition: ANT 11. Recorder Music. Antiqua (Chamber Music). 56 pages. Published by Schott Music (SD.49000034). ISBN 9790001001168.

Gottes Zeit ist die allerbeste Zeit (God's own time is the time appointed) (Actus tragicus. Trauermusik (Fassung in F)). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli SATB, SATB Choir, 2 Recorders f1, 2 Viola da Gamba, Organ. This edition: paperbound. BWV 106. Cantatas; Stuttgart Urtext Editions; Use / Occasion: Mourning, Death. Score. Language: German/English. Composed 1707/1708. 64 pages. Duration 23 min. Published by Carus Verlag (CA.3110600). ISBN M-007-04773-3. With Language: German/English. Cantatas; Stuttgart Urtext Editions; Use / Occasion: Mourning, Death.

Samson, an oratorio for soloists, mixed chorus and orchestra by George Frideric Handel, libretto by Newburgh Hamilton after Milton’s Samson Agonistes. Edited by Donald Burrows.This is the Violin 2 part.

J. S. Bach: Six Unaccompanied Cello Suites Arranged for Guitar by Johann Sebastian Bach (1685-1750). Arranged by Stanley Yates. For Guitar (Classical). Solos. Stanley Yates Gtr. Classic. Intermediate. Book. 192 pages. Published by Mel Bay Publications, Inc (MB.96743). ISBN 9780786629664. Classic. 8.75x11.75 inches. Although Johann Sebastian Bach did not write any music for the guitar, transcriptions of his unaccompanied string music and music for lute have long been a part of the guitar repertoire. Despite the respect that this music commands among musicians and audiences debate still exists as to what constitutes an appropriate means of transcribing, interpreting and performing this music on the guitar. It is this debate that prompted this long-awaited edition of Bach's unaccompanied cello suites by scholar and concert guitarists Stanley Yates. This definitive work includes performance scores, comparison scores an an invaluable 40-page guide entitled Arranging, Interpreting, and Performing the Music of J.S. Bach. Furthermore, the author offers comments on his arranging process and suggestions on using this edition including: ornamentation, slurs, fingerings, notation, and implementation of the comparison scores. Written in standard notation in guitar-friendly keys.

Israel in Egypt - Part I-III by George Frideric Handel (1685-1759). Edited by Clifford Bartlett. For SCAB soli, SATB/SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 basso continuo. Stuttgart Urtext editions. Score available separately - see item CA.5505450. Oratorios. Set of instrumental parts (except strings). Language: English/German. Composed 1739. HWV 54. 216 pages. Duration 130 min. Published by Carus Verlag (CA.5505459). With Language: English/German. Oratorios.

Samson, an oratorio for soloists, mixed chorus and orchestra by George Frideric Handel, libretto by Newburgh Hamilton after Milton’s Samson Agonistes. Edited by Donald Burrows.This is the Cello / Double Bass (Continuo) part.

Samson, an oratorio for soloists, mixed chorus and orchestra by George Frideric Handel, libretto by Newburgh Hamilton after Milton’s Samson Agonistes. Edited by Donald Burrows.This is the Violin 1 part.

Six Suites BWV 1007-1012 by Johann Sebastian Bach (1685-1750). Edited by Rubardt. For Cello. This edition: Urtext. Sheet Music. Published by Edition Peters (PE.P09054). Sechs Suiten (Solo Violoncello).

Belwin Beginning String Orchestra Kit #2 (A Complete Concert Including: Max and Moritz, In Church, Minuet, Fughetta, and March). By Vladimir Rebikov (1866-1920), Peter Ilyich Tchaikovsky (1840-1893), Jean-francois Dandrieu (1682-1738), Johann Pachelbel (1653-1706), and Anna Magdalena Bach. Arranged by Bob Cerulli. Orchestra. For string orchestra (8 - 1st violin, 8 - 2nd violin, 5 - 3rd violin/viola (treble clef), 5 - viola, 5 - cello, 5 - string bass, 1 - piano accompaniment). Masterworks; String Orchestra. Belwin String Orchestra Beginning Level. Classical Period, Russian, Baroque and Classical. Grade 2. Conductor's score and set of performance parts. 144 pages. Published by Belwin Publishing (AP.24989). Fantastic! Bob Cerulli has programmed and arranged these five lovely selections specifically to show off the young string orchestra. Play them all for a ready-to-go concert, or choose one or two. All are short, attainable and will sound great!

Missa Salvatoris by Pavel Joseph Vejvanovsky. Edited by Wolfgang Furlinger. For SATB Soli, SATB Choir, 2 Violin, Viola, Cello, 2 Trumpet, [2 Trombone], Basso Continuo. Coppenrath series. Score available separately - see item CA.9103800. Masses, Latin. Set of instrumental parts (except strings). Language: Latin. Published by Carus Verlag (CA.9103809). With Language: Latin. Masses, Latin.

By Claudio Monteverdi (1567-1643). Arranged by Indy, Vincent D' (1851-1931), Editor. For 2 oboe - harp, organ, strings (2.2.1.1.1), harpsichord, mixed choir. Full score. Composed 1642. Published by Edwin F. Kalmus

Acis und Galatea by George Frideric Handel (1685-1759). Arranged by Felix Bartholdy Mendelssohn. For Soli: Sopran (Galatea), 2 Tenore (Acis, Damon), Bass (Polyphemus), SATTB Choir, 2 Flutes, 2 Oboes, 2 Clarinet, 2 Bassoon, 2 Horns, English Horn, 2 Trumpets, Timpani, 2 Violins, Viola, Cello, Basso Continuo. This edition: paperbound. Oratorios. Score. Language: German. Composed 1828/29. 216 pages. Published by Carus Verlag (CA.5504900). ISBN M-007-03856-4. With Language: German. Oratorios.

Three Choruses from Messiah by George Frideric Handel (1685-1759). Edited by Graham Bastable. For 2 violins, viola and cello. Baroque. Full score and set of performance parts. 30 pages. Published by International Music Company (IM.3583).