(Kantate zu einer Trauerfeier). By Johann Sebastian Bach (1685-1750). Edited by Ryuichi Higuchi. For cello/basso continuo. Version in F Major. For score see TP 1106. Single part. BWV 106. Published by Baerenreiter Verlag

Vespro della Beata Vergine SV 206 (Marienvesper). By Claudio Monteverdi (1567-1643). Edited by Jerome Roche. For mixed choir (SATTB/SATTB), Soli (SSAATTBB) and orchestra (violino da brazzo I). This edition: EOS 8024-11. Orchestra Music. Eulenburg Orchestra Series. Grade 3. Individual part. Text language: Latin. Composed 1610. 8 pages. Duration 70 minutes. Published by Schott Music (SD.49034031). ISBN 9790200222937. With Text language: Latin. Monteverdis Marienvesper von 1610 ist ein Werk, das Musikwissenschaftler und Musiker seit vielen Jahren gleichermassen fasziniert und verblufft. Es stellt den bei weitem grosseren Teil in des Komponisten ersten bedeutenden Veroffentlichung geistlicher Musik dar, die den Titel tragt: "Messe fur die heiligste Jungfrau zu sechs Stimmen fur Kirchenchore und Vesper fur vielstimmige Ausfuhrung mit einigen geistlichen Konzerten fur furstliche Kirchen und Kammern eingerichtet". Beim Erscheinen dieses Bandes hatte Monteverdi bereits mindestens 18 Jahre im Dienste am Hofe der Gonzagas in Mantua gestanden, und er trachtete nun danach, die Stellung zu wechseln, so dass die Widmung des Bandes an den regierenden Papst Paul V. wohl als eine Form der Selbst-Reklame interpretiert werden kann. Ursprunglich als Urtext-Studienpartitur herausgegeben, halt sich die Ausgabe eng an die existierende gedruckte Quelle, den 1610 in Venedig veroffentlichten Satz von Stimmbuchern, und behalt die Original-Notenwerte, Tonart- und Taktvorzeichnungen bei.

Ottone HWV 15 (Opera in three acts). By George Frideric Handel (1685-1759). Edited by Fiona McLauchlan. For 2 soprano voice solos, mezzo-soprano voice solo, 2 alto voice solos, bass voice solo, 2 oboes, 3 violins, viola, bassi (cello, double bass, bassoon, harpsichord, archlute). This edition: Clothbound, Complete edition, Urtext edition. Hallische Handel-Ausgabe. Serie II, Band 12. Version of the first performance 1723. Score. HWV 15. 399 pages. Published by Baerenreiter Verlag (BA.BA4077). ISBN 9790006550067. 33.0 x 26.0 cm inches.

The complete Op.8 Concerti. Original new Dover edition. Other included concertos are concertos 5-12.

Gottes Zeit ist die allerbeste Zeit (Kantate zu einer Trauerfeier). By Johann Sebastian Bach (1685-1750). Edited by Ryuichi Higuchi. For viola da gamba 2. Version in F Major. For score see TP 1106. Single part. BWV 106. Published by Baerenreiter Verlag (BA.BA10106-88). ISBN 9790006490851. 32.5 x 25.5 cm inches.

No description available. Contact info@musicroom.com for more information.

2 Violin Sonatas BWV 1021 e BWV 1023 by Johann Sebastian Bach (1685-1750). Edited by Alessandro Bares. For violin and basso continuo. I piaceri del violino. Baroque. Score and set of parts. Published by Musedita Edizioni Musicali (M8.BA-3-SO). Includes c-minor sonata, formerly attributed to Bach as BWV 1024. Recently attributed to J.G.Pisendel.paperback. Performing edition based on original manuscripts/prints. No added bow strokes, dynamics, slurs etc. No continuo realization.

Gottes Zeit ist die allerbeste Zeit (Kantate zu einer Trauerfeier). By Johann Sebastian Bach (1685-1750). Edited by Ryuichi Higuchi. For viola da gamba 1. Version in F Major. For score see TP 1106. Single part. BWV 106. Published by Baerenreiter Verlag (BA.BA10106-87). ISBN 9790006490844. 32.5 x 25.5 cm inches.

Three Duets, Op. 27. (For 2 Flutes). By Johann Stamitz (1717-1757). For 2 Violins or 2 Flutes. Duet or Duo; Masterworks; String - 2 Violins. Kalmus Edition. Baroque; Classical; Masterwork. Book. 16 pages. Published by Alfred Music Publishing (AP.K04619). ISBN 0769270174. Baroque; Classical; Masterwork.

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Nun lasst uns gehn und treten by Johann Cruger (1598-1692). For Soli SA or Choir, 2 Recorder, Organ, [Cello]. Sacred Concertos, Hymn Settings; Use during the church year: New Year. Score. Language: German. Composed 1649. 2 pages. Published by Carus Verlag (CA.504300). With Language: German. Sacred Concertos, Hymn Settings; Use during the church year: New Year.

Magnificat in D (Magnificat in D) (Magnificat en re majeur) by Johann Sebastian Bach (1685-1750). Arranged by Paul Horn. For Soli SSATB, SSATB Choir, 3 Trumpets, Timpani, 2 Flutes, 2 Oboes, 2 Violins, Viola, Basso continuo. BWV 243. Postcard. Language: Latin. 100 pages. Published by Carus Verlag (CA.4033130). With Language: Latin.

Spring (From the Four Seasons). By Antonio Vivaldi (1678-1741). Arranged by Carlo Martelli. For string quartet. Set of parts. Published by Broadbent & Dunn (PR.514021490).

Baroque Masterpieces by Various. For violin & piano / organ. Swiss import. Grade 3+. Score and parts. Published by Editions Marc Reift (MA.EMR-2335).

Violin Partita I in B Minor BWV 1002 by Johann Sebastian Bach (1685-1750). Arranged by Richard Sayage. Solo. For Classical Guitar. Savage Classical Guitar Virtuoso Editions. Bach's famous Violin Partita I in B Minor harmonically textured and arranged for solo classical guitar. Baroque. Intermediate. Book. Standard. 36 pages. Published by Savage Classical Guitar Transcriptions (SJ.SCGT-0112). With Standard. baroque. BWV 1002. This book for the solo classical guitarist contains the entirety of Bach's Violin Partita I in B Minor completed in 1720, while working as Kappelmeister for Prince Leopold von Anhalt-Kothen of Cothen, Germany. Fully fingered, marked and thoroughly harmonically textured, the book allows the solo guitarist to explore and express the absolute beauty of Bach and his solo violin music. This edition contains the Urtext of Bach's Violin Partita I as well, allowing the guitarist to see and compare the choices made for this edition. The Urtext is in full-size print for simple reading.

Concerto g-Moll op. 12/1 RV 317 / PV 343 by Antonio Vivaldi (1678-1741). Edited by Tivadar Nachez. For violin, string orchestra and organ (cello/double bass). This edition: ED 901-14. Orchestra Music. Individual part. 8 pages. Published by Schott Music (SD.49008275). ISBN 9790001032186.

Baroques Masterpieces. (Adagio-Largo-Allegretto / Suite / Suite de danses / Sonata Suite de danses / Sonata / Prelude & Fugue). By Various. For contrabass. Grade 3+. Published by Editions Marc Reift (MA.EMR-2340).

(Violin and Piano). By Antonio Vivaldi (1678-1741). Edited by Rok Klopcic. Violin. String Solo. 16 pages. G. Schirmer #LB1930. Published by G. Schirmer

Barry Lyndon (I. Saraband -- II. Piano Trio). By George Frideric Handel (1685-1759) and Franz Schubert (1797-1828). Arranged by John G. Mortimer. Brass Band. Swiss import. Grade 4. Score and parts. Published by Editions Marc Reift (MA.EMR-2699).

Chaconne (from Partita II in D Minor for Violin Solo). By Johann Sebastian Bach (1685-1750). Arranged by Andres Segovia. For guitar. Gitarren-Archiv (Guitar Archive). Baroque. Difficulty: medium-difficult. Guitar solo single. Standard guitar notation (no tablature). 11 pages. Schott Music #GA141. Published by Schott Music (HL.49010701). With standard guitar notation (no tablature). Baroque. 9x12 inches. transcribed for Guitar Solo.

Zwingt die Saiten. (Choral und Fuge). By Johann Sebastian Bach (1685-1750). For SATB Choir, Basso Continuo [2 Trumpet, Timpani, 2 Violin, Viola]. Score available separately - see item CA.9192400. Works for Organ and Choir. Level 2. Part: Tenor 1. Language: German. 2 pages. Duration 3 min. Published by Carus Verlag (CA.9192453). With Language: German. Works for Organ and Choir.

Concerto g-Moll op. 12/1 RV 317 / PV 343 by Antonio Vivaldi (1678-1741). Edited by Tivadar Nachez. For violin, string orchestra and organ (viola). This edition: ED 901-13. Orchestra Music. Individual part. 8 pages. Published by Schott Music (SD.49008274). ISBN 9790001032179.

These sonatas are among the epoch-making works of the violin repertoire and nowadays figure in the standard repertoire of every violinist. It is all the more surprising, therefore, that until now there has been no Urtext edition of such significant works. The score is based on a first edition supervised by Corelli himself. From what we know of performance practice in Corelli’s time, however, more was expected of the violinist than just a musical reading of the printed score: it was customary to add ornamentation verging on improvisation, with embellishment and “variations as desired”. The original score is therefore presented here with the earliest documented ornamentation from a reprint published by Roger in Amsterdam in 1708. This ornamentation is not meant to be slavishly imitated, but to stimulate the player to find their own creative and stylistically confident interpretation of the score. As Roger did not specify any ornaments for the sonatas in the second volume, the “variations as desired” used by Corelli’s pupil Geminiani have been reproduced with the ninth Sonata as an example. Advice on performance is given by the Cologne baroque specialist Reinhard Goebel. This advice does not only apply to ornamentation, but also to articulation, bowings and more besides, calling for specific markings in the separate violin part. The realisation of the continuo part echoes the fashions of that time. Here too, advice on performance is meant to stimulate free interpretation by the continuo player. A figured bass part is included for the player who prefers to read the accompaniment from figures.

Six Duets by Giovanni Giacomo Gastoldi. Duet or Duo; Masterworks; String Duo - Violin and Viola. Kalmus Edition. Baroque; Masterwork; Renaissance. Book. 16 pages. Published by Alfred Music Publishing (AP.K04655). ISBN 0769281125. Baroque; Masterwork; Renaissance.