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Rapsodia Espanola by I. Albeniz/M. Mestre. For piano and orchestra. Published by Editorial de Musica Boileau (BO.B.3694).
$51.95

Genres: Classical
Handel in the Strand (Baritone Saxophone Pt) by Percy Aldridge Grainger (1882-1961). For Baritone Saxophone. Baritone Saxophone Part. Published by E.C. Schirmer Publishing (EC.1.2621_BARITONE_SAXOPHONE).
$2.70

Genres: 20th Century, Classical
Alleluia (Flute I Part) by Randall Thompson (1899-1984). Arranged by Buckley. For Flute I. Flute I Part. Published by E.C. Schirmer Publishing (EC.4688B_FLUTE_I).
$2.85

Genres: 20th Century, Classical
Alleluia (Horn I Part) by Randall Thompson (1899-1984). Arranged by Buckley. For Horn I. Horn I Part. Published by E.C. Schirmer Publishing (EC.4688B_HORN_I).
$2.85

Genres: 20th Century, Classical
Blokkfloyteorkester Nr. 2 by Torbjorn Dahl. For recorder orchestra. Published by Musikk-Husets Forlag (H2.MH1782). Herre Gud, du er og bliver, J.S. Bach.
$14.95

Genres: Classical
Blokkfloyteorkester Nr. 3 by Torbjorn Dahl. For recorder orchestra. Published by Musikk-Husets Forlag (H2.MH1783). Panis Angelicus, C. Franck.
$14.95

Genres: Classical
Salme Symphony No. 7. Opus 27 by Harald Saeverud (1897-1992). Pocket score. Published by Musikk-Husets Forlag (H2.MH851LP).
$23.95

Genres: Classical
Salme Symphony No. 7. Opus 27 by Harald Saeverud (1897-1992). Score. Published by Musikk-Husets Forlag (H2.MH851).
$25.95

Genres: Classical
The Great Divide for Chamber Orchestra by Steven Winteregg. Full Score. LKM Music. 60 pages. Hal Leonard #X077576. Published by Hal Leonard (HL.117722). ISBN 1480333751. 8.75x11 inches. Two-movement piece based on C.S. Lewis' The Great Divorce. Premiered by the Springfield Symphony Orchestra, Peter Stafford Wilson, Music Director. (2009) ca. 15'.
$48.95

Pages: 60
Genres: Classical
Variations - Study Score by Heard. For Orchestra. Study score. Published by Leslie Music Publications (LE.DER1782).
$9.95

Genres: Classical
Sonata For Horn & Piano by Archer. For Brass Solo. Published by Leslie Music Publications (LE.DER1810).
$14.95

Genres: Classical
Adagio para Orquesta Sinfonica y Organo by Juan Pons. For organ, orchestra. Duration 08:30. Published by Piles Editorial de Musica (PD.PIL1335).
$28.95

Genres: Classical
Cobermorum/ Full Score A-3 by Jose Vte. Egea. For orchestra. 50 pages. Duration 16:00. Published by Piles Editorial de Musica (PD.PIL1385).
$54.95

Pages: 50
Genres: Classical
A Venetian Serenade by Pierre La Plante. For string orchestra. FJH String Orchestra. Grade 3. Duration 4:30. Published by The FJH Music Company Inc (FJ.ST6269). This delightful folk-style work includes several pieces inspired by Venice. Included are the Mendelssohn Venetian Boat Song, The Neopolitan song O Sole Mio, and the popular Carnival of Venice. A light-hearted change of pace that is a welcome addition to.
$50.00

Genres: Classical
Finale from Serenade for Strings arranged by Carrie Lane Gruselle. For string orchestra. FJH Beginning Strings. Grade 1.5. Duration 2:30. Published by The FJH Music Company Inc (FJ.ST6274). This stunning arrangement truly captures the essence of Tchaikovsky's Serenade for Strings. Featuring the last movement, the work begins with a grand and legato Maestoso, which is then followed by the light and energized Allegro con spirito. Directors c.
$45.00

Genres: Classical
The Huron Carol arranged by Deborah Baker Monday. For string orchestra. FJH Beginning Strings. Grade 1.5. Duration 2:00. Published by The FJH Music Company Inc (FJ.ST6277). Add some contrast to your winter program with this haunting French folk tune, which also happens to be on e of Canada's oldest Christmas songs. Drawing inspiration from the Hurons, an American tribe of the Iroquoian family, the work includes an optional.
$40.00

Genres: Classical, Christmas, Miscellaneous
Elegy for Alto Saxophone & Wind Orchestra (score only) by Luigi Zaninelli. For Soloist(s) with Concert Band (One on a part: Solo Alto Saxophone Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Solo B-flat Clarinet B-flat Clarinet 1 B-flat Clarinet 2 B-flat Clarinet 3 B-flat Bass Clarinet 1 B-flat Bass Clarinet 2 E-flat Contralto Clarinet Bassoon 1 Bassoon 2 F ). Grade 4. Score only. Duration 4:00. Published by C. Alan Publications (CN.18123). Elegy for Alto Saxophone & Wind Orchestra is a warm, melodic work of compelling expression. After an opening of gentle introspection, an ostinato in the piano unfolds which will proceed to dominate the ensuing texture of the entire work. Written by the composer when he was 24 this work clearly indicates the roots of what will become the music of Luigi Zaninelli.
$20.00

Genres: Classical
Suite Concertante for Alto Saxophone & Wind Orchestra (score only) by Luigi Zaninelli. For Soloist(s) with Concert Band (One on a part: Solo Alto Saxophone Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Solo B-flat Clarinet B-flat Clarinet 1 B-flat Clarinet 2 B-flat Clarinet 3 B-flat Bass Clarinet E-flat Contralto Clarinet Bassoon 1 Bassoon 2 Tenor Saxophone Baritone Saxophone ). Grade 5. Score only. Duration 13:30. Published by C. Alan Publications (CN.18145). A bright, spirited movement resulting in charming melodic twists and turns leads into a sultry, sensuous dance followed by a mysterious,nocturnal dance which moves in an atmosphere of cool lyricism. The ending is quiet and serene.Morning - Brisk, bright filled with spirited movement resulting in charming melodic twists and turns ending with an exuberant exclamation! Noon - A sultry, sensuous dance which begins with tenuous restraint. A dream-like mood unfolds becoming ever more intense. As the energy abates the dance ends on a note of expectancy. Night - A mysterious, nocturnal dance which moves in an atmosphere of cool lyricism which at times unexpectedly erupts in spasms of unrestrained intensity. The ending is quiet and serene.
$40.00

Genres: Classical
Suite Concertante for Flute & Wind Orchestra (score only) by Luigi Zaninelli. For Soloist(s) with Concert Band (One on a part: Solo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Solo B-flat Clarinet B-flat Clarinet 1 B-flat Clarinet 2 B-flat Clarinet 3 B-flat Bass Clarinet E-flat Contralto Clarinet Bassoon 1 Bassoon 2 Tenor Saxophone Baritone Saxophone B-flat Trumpet). Grade 5. Score only. Duration 13:30. Published by C. Alan Publications (CN.18147). A bright, spirited movement resulting in charming melodic twists and turns leads into a sultry, sensuous dance followed by a mysterious,nocturnal dance which moves in an atmosphere of cool lyricism. The ending is quiet and serene.Morning - Brisk, bright filled with spirited movement resulting in charming melodic twists and turns ending with an exuberant exclamation! Noon - A sultry, sensuous dance which begins with tenuous restraint. A dream-like mood unfolds becoming ever more intense. As the energy abates the dance ends on a note of expectancy. Night - A mysterious,nocturnal dance which moves in an atmosphere of cool lyricism which at times unexpectedly erupts in spasms of unrestrained intensity. The ending is quiet and serene.
$40.00

Genres: Classical
Ouverture fur Harmoniemusik (score & parts) (Op. 24). By Felix Bartholdy Mendelssohn (1809-1847). Arranged by M. Asbill & K. Geraldi. Wind Ensemble. For Wind Ensemble (One on a part: Piccolo Flute Oboe 1 Oboe 2 E-flat Clarinet 1 E-flat Clarinet 2 B-flat Clarinet 1 B-flat Clarinet 2 B-flat Clarinet 3 B-flat Clarinet 4 Bassoon 1 Bassoon 2 Contrabassoon F Horn 1 F Horn 2 F Horn 3 F Horn 4 B-flat Trumpet 1 B-flat Trumpet 2 ). Grade 5. Score & parts. Duration 9:00. Published by C. Alan Publications (CN.18880). Written at the ripe age of 15, Mendelssohn's Ouverture, op. 24 demonstrates his musical maturity from a very young age. Set in sonata form, the work begins with a slow, highly melodic introduction that leads into a quick allegro filled with counterpoint and polyphonic imitation. Asbill and Geraldi have done a masterful job of adapting the original work for the modern wind ensemble.Felix Mendelssohn was a prolific composer from a very young age, and was also one of the finest keyboardists of his time. Born into one of Germany's most cultured 19th century families, Mendelssohn's parents home schooled their children on a very strict routine. Their studies included music, history, Greek, Latin, science, literature, and drawing. Felix formed a particularly strong bond with his older sister, Fanny, who became a successful composer in her own right. The Mendelssohn home was a gathering point for conservative German intellectuals and philosophers organized by Moses Mendelssohn, Felix's grandfather,. His father, Abraham, was a wealthy banker intent on providing his family with the best possible opportunities for education and culture. Karl Friedrich Zelter was the young composer's primary music teacher. Mendelssohn's comprehensive musical education emphasized correctness, propriety, and formal clarity. His models included not only the Romantics of the early 19th century, but also 18th century figures, such as Bach and Mozart. Mendelssohn made his debut as a pianist at age nine in 1818 and in 1819 the Berlin Singakadamie presented the first public performance of one of his compositions. The Mendelssohn family enjoyed summer holidays in various locations around Europe, where Felix formed professional connections with eminent historical figures, including Goethe and Spohr. During the summer of 1824, Mendelssohn vacationed with his father at the northern German community of Bad Doberan. This resort was known for its spas, many of which employed small Harmonie ensembles to perform daily concert. While in Bad Doberan, Mendelssohn composed his Notturno for eleven instruments - pairs of oboes, clarinets, horns, and bassoons, plus additional parts for flute, trumpet, and English basshorn - and the work received its premiere on July 24, 1824. In 1838, the composer rescored the work for large German wind band and re-titled it Overture, Op. 24. At this time, Mendelssohn sought to have the work published in three versions: the original for 11 instruments, the expanded version, and a setting for piano four-hands. Simrock accepted the works, but did not publish them until 1852, five years after the composer's death. The work is in sonata form with a slow, highly melodic introduction. Its balanced phrase structures and restrained expressive sensibility are characteristic of Mendelssohn's style. The Allegro presents a succession of short motives, with the second theme serving as the only melody of any length. The development explores the young composer's sense of classical counterpoint through the use of polyphonic imitation. Originally composed when Mendelssohn was only 15 years old, the Overture, Op. 24, illustrates his maturing compositional voice. EDITORIAL COMMENTS In the years since Mendelssohn's work was composed in the 1830s, numerous scores, adaptations, and editions have been published to make the piece accessible for performance. This new edition was created in order to make the original version easily performable by a modern wind ensemble. The editors' intention was to remain as faithful as possible to Mendelssohn's original concept, while adapting the instrumentation for modern performers. In this process, discrepancies, inconsistencies, and inaccuracies between individual parts and previously existing editions were reconciled. The source material used included an 1876 reprint by Breitkopf & Hartel of the original 1852 score, the critical edition score published by Barenreiter, and the 4-hand piano score published by Simrock. To achieve these goals, the editors needed to make decisions regarding instrumentation and notation. Mendelssohn's original ensemble included a pair of F soprano clarinets and a pair of Basset horns. The editors have transposed and edited these parts for two E-flat clarinets and two additional B-flat clarinets, with little to no effect upon register or timbre. The obsolete English bass horn that Mendelssohn requires in his score has been included as a part for Euphonium. For convenience, the editors transcribed the trombone parts, originally notated in alto or tenor clef, all to bass clef. The snare drum notation was clarified and simplified to reflect the more regimental drumming technique of the period, while remaining easily readable to modern players. Lastly, details of dynamics and articulations were coordinated between parts and adjusted to match the reprinted score from 1852.
$90.00

Genres: Classical
Wayward Overture (score & parts) by Marc Allison. For String Orchestra (Violin 1 Violin 2 Viola Cello Contrabass Rehearsal Piano). Grade 3. Score & parts. Duration 4:15. Published by C. Alan Publications (CN.18840). Wayward Overture opens and closes with a lively and energetic melody that is as fun to play as it is to hear. The middle section contrasts with a slower more flowing theme filled with full lush sounds. This a great piece for ensembles to apply their scale, position and vibrato work.
$55.00

Genres: Classical
Here Be Dragons (orchestra score & parts). (Terra Incognita). By Gary Gackstatter. For Full Orchestra (Piccolo Flute 1 Flute 2 Oboe Bassoon Bb Clarinet 1 Bb Clarinet 2 Bb Clarinet 3 Bb Bass Clarinet Bb Trumpet 1 Bb Trumpet 2 Bb Trumpet 3 F Horn 1 F Horn 2 Trombone 1 Trombone 2 Bass Trombone Tuba Timpani (4) Percussion 1 (Bells) Percussion 2 (Xylophone) Per). Grade 4. Orchestra score & parts. Duration 3:55. Published by C. Alan Publications (CN.19730). As the title implies, you are about to enter a realm of mystery and excitement! Ancient cartographers labeled unexplored regions on their maps as "terra incognita" and in one instance wrote "Here Be Dragons," signifying the peril that lay ahead. Experience the adventure of such a place through music and unusual sounds with this creative and imaginative work.Ancient cartographers often labeled unexplored areas on their maps as "terra incognita" or drew pictures of sea monsters, assuming that beyond their present knowledge lay great peril. On one map from the medieval era, the cartographer wrote "Here Be Dragons", which inspired this piece. "Here Be Dragons" is the third part of a medieval trilogy for orchestra which also includes "Alchemy: Spirit Into Sound" and "Illuminations: the Visions of Hildegarde Von Bingen". As such, I encourage both conductor and player to go into some of their own unexplored areas of making music and take some chances to see what's out there. You do so at your own risk, of course, but I wish all a safe return.
$90.00

Genres: Classical
Here Be Dragons (orchestra score only). (Terra Incognita). By Gary Gackstatter. For Full Orchestra (Piccolo Flute 1 Flute 2 Oboe Bassoon Bb Clarinet 1 Bb Clarinet 2 Bb Clarinet 3 Bb Bass Clarinet Bb Trumpet 1 Bb Trumpet 2 Bb Trumpet 3 F Horn 1 F Horn 2 Trombone 1 Trombone 2 Bass Trombone Tuba Timpani (4) Percussion 1 (Bells) Percussion 2 (Xylophone) Per). Grade 4. Orchestra score only. Duration 3:55. Published by C. Alan Publications (CN.19731). As the title implies, you are about to enter a realm of mystery and excitement! Ancient cartographers labeled unexplored regions on their maps as "terra incognita" and in one instance wrote "Here Be Dragons," signifying the peril that lay ahead. Experience the adventure of such a place through music and unusual sounds with this creative and imaginative work.Ancient cartographers often labeled unexplored areas on their maps as "terra incognita" or drew pictures of sea monsters, assuming that beyond their present knowledge lay great peril. On one map from the medieval era, the cartographer wrote "Here Be Dragons", which inspired this piece. "Here Be Dragons" is the third part of a medieval trilogy for orchestra which also includes "Alchemy: Spirit Into Sound" and "Illuminations: the Visions of Hildegarde Von Bingen". As such, I encourage both conductor and player to go into some of their own unexplored areas of making music and take some chances to see what's out there. You do so at your own risk, of course, but I wish all a safe return.
$15.00

Genres: Classical
Cartoon (orchestra score & parts) by Paul Hart. For Full Orchestra (Piccolo Flute 1/2 Oboe 1/2 Bb Clarinet 1/2 Bb Bass Clarinet Alto Saxophone Bassoon 1/2 Horn 1/2/3/4 Bb Trumpet 1/2/3 Trombone 1/2 Bass Trombone Tuba Harp Timpani Percussion 1/2/3/4 Violin 1/2 Viola Cello Double Bass). Grade 5. Orchestra score & parts. Duration 9:30. Published by C. Alan Publications (CN.R40005). It's all here! The big opening credits, the cat and the mouse tease and chase, the strutting swagger, and of course the BIG FINALE! Best of all, it can all happen in the imagination of the audience, not on the film screen.It's all here! The big opening credits, the cat and the mouse tease and chase, the strutting swagger, and of course the BIG FINALE! Best of all, it can all happen in the imagination of the audience, not on the film screen. Paul Hart has written and scored the work with brilliant assurance and this makes "Cartoon" an ideal addition to the Royal Tournament Series - entertaining, original, creative, and playable.
$160.00

Genres: Classical