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Tiger's Eye for String Orchestra and Drum Set by Thom Sharp. For string orchestra, drum set. String Orchestra. Grade 2.5. Conductor's score and parts. Published by Latham Music Enterprises (LA.SO161). Tiger's Eye' is a light 80's-style rock and roll chart. The drum part is included and required. The bass part is better played on electric, but can be doubled on acoustic bass. This is a perfect chart for an electric ensemble. Improv solo section offers changes, and suggested solos are provided for violin, viola, and cello.
$45.00

Instruments: Percussion, Drum Set, Drums
Genres: Classical
Igneous Rock for String Orchestra and Drum Set by Thom Sharp. For string orchestra, drum set. String Orchestra. Grade 3. Conductor's score and parts. Published by Latham Music Enterprises (LA.SO162). It's hard rock for string orchestra-head banging optional! The drum part is included and essential to the work. The driving bass part is better played on electric but can be doubled on acoustic bass. This piece would work well for an electric ensemble. An improv solo section offers changes, and suggested solos are provided for violin, viola, and cello.
$45.00

Instruments: Percussion, Drum Set, Drums
Genres: Classical
Obsidian for String Orchestra and Drum Kit by Thom Sharp. For string orchestra, drum set. String Orchestra. Grade 3. Conductor's score and parts. Published by Latham Music Enterprises (LA.SO166). This dark, moody rock chart is melodically based on an Arabic-sounding modal scale. Electric instruments will work well here. The bass part is better played on electric, but can be doubled on upright. An improvised solo violin part has a suggested written solo as well as changes. Includes drum part.
$45.00

Instruments: Percussion, Drum Set, Drums
Genres: Classical
Nanigo for String Orchestra and Optional Drums by Thom Sharp. For string orchestra. String Orchestra. Grade 3. Conductor's score and parts. Published by Latham Music Enterprises (LA.SO174). Based on a West African dance form, this fun piece is written in 6/8 and offers challenging interlocking rhythmic motifs. Drum part is included.
$45.00

Instruments: Percussion, Drums
Genres: Classical
Sue's Blues for String Orchestra with Piano and Drums by Thom Sharp. For string orchestra, piano, drum set. String Orchestra. Grade 3.5. Conductor's score and parts. Published by Latham Music Enterprises (LA.SO172). A 3/4 jazz-blues form with a twist, this piece is set in the Dorian mode and features unusual changes. It also includes rhythm parts and room for an improvised solo for violin, viola or cello. Suggested solos are provided as well as changes.
$50.00

Instruments: Piano Accompaniment, Percussion, Drum Set, Piano, Piano and Keyboard, Drums
Genres: Classical, Blues, Jazz & Blues
Tiger's Eye for String Orchestra and Drum Set - Score by Thom Sharp. String Orchestra. Grade 2.5. Conductor's score. Published by Latham Music Enterprises (LA.SO161SC). Tiger's Eye' is a light 80's-style rock and roll chart. The drum part is included and required. The bass part is better played on electric, but can be doubled on acoustic bass. This is a perfect chart for an electric ensemble. Improv solo section offers changes, and suggested solos are provided for violin, viola, and cello.
$6.00

Instruments: Percussion, Drum Set, Drums
Genres: Classical
Igneous Rock for String Orchestra and Drum Set - Score by Thom Sharp. String Orchestra. Grade 3. Conductor's score. Published by Latham Music Enterprises (LA.SO162SC). It's hard rock for string orchestra-head banging optional! The drum part is included and essential to the work. The driving bass part is better played on electric but can be doubled on acoustic bass. This piece would work well for an electric ensemble. An improv solo section offers changes, and suggested solos are provided for violin, viola, and cello.
$8.00

Instruments: Percussion, Drum Set, Drums
Genres: Classical
Nanigo for String Orchestra and Optional Drums - Score by Thom Sharp. String Orchestra. Grade 3. Conductor's score. Published by Latham Music Enterprises (LA.SO174SC). Based on a West African dance form, this fun piece is written in 6/8 and offers challenging interlocking rhythmic motifs. Drum part is included.
$6.00

Instruments: Percussion, Drums
Genres: Classical
Sue's Blues for String Orchestra with Piano and Drums - Score by Thom Sharp. String Orchestra. Grade 3.5. Conductor's score. Published by Latham Music Enterprises (LA.SO172SC). A 3/4 jazz-blues form with a twist, this piece is set in the Dorian mode and features unusual changes. It also includes rhythm parts and room for an improvised solo for violin, viola or cello. Suggested solos are provided as well as changes.
$8.00

Instruments: Piano Accompaniment, Percussion, Drums, Piano, Piano and Keyboard
Genres: Classical, Blues, Jazz & Blues
Concertino for 4 Percussion & Orchestra by Gillingham. Arranged by Nathan Daughtrey. For Soloist(s) with Full Orchestra (Piccolo, Flute 1/2, Oboe 1/2, Clarinet 1/2 in Bb, Bassoon 1/2, Trumpet 1/2 in C, Trumpet 3 in C, Horn 1/3, Horn 2/4, Trombone 1/2, Trombone 3, Bass Trombone, Tuba, Harp, Solo Percussion 1 (timpani, bells, crash cymbal, suspended cymbal, bass drums, tam-ta). Grade 5. Score only. Duration 9:30. Published by C. Alan Publications (CN.02875). The original conception of this work, "Concertino for Four Percussion and Wind Ensemble," was commissioned by the Oklahoma State University Wind Ensemble, Joseph Missal, conductor and Wayne Bovenschen, Professor of Percussion studies.The Concertino or "small concerto" seeks to exploit keyboard, membrane, and auxiliary percussion instruments with the marimbas, xylophone, timpani, vibraphone, and bass drums as the featured instruments, assisted by crash cymbals, suspended cymbal, tam-tam, bells, chimes, triangle, and hi-hat to enhance both the ensemble and the solo instruments.Two thematic motives are used as a point of departure for this work. Both appear in the slow and mysterious introduction. The first, played by the marimbas, is dramatic and the second is haunting and played by the vibraphone and bells. The following Allegro is structured similar to a rondo with recurrences of both themes interspersed by episodic sections. The first theme, however, is transformed into a very lively arpeggiated tune played by the xylophone and marimba. The coda is marked by a relentless rhythmic competition of two sets of bass drums which accompany the primary thematic material as first heard in the slow introduction. The work draws to a resounding conclusion when the second haunting theme is stated dramatically in tour de force by the brass.Concertino for Four Percussion is also available for performance with Wind Ensemble (Item #02870) and Piano (Item #02872).
$50.00

Instruments: Flute, Clarinet, Oboe, Bassoon, Horn, Harp, B-Flat Trumpet, Bass Trombone, Percussion, Timpani, Drums, Tuba, Woodwinds, Brass, Strings, Trumpet, Trombone
Genres: Classical
Concerto for Percussion Solo by Gary Ziek. Percussion Ensemble. For Percussion (solo percussion (4.6-octave marimba, vibraphone, crotales, bells, marching snare drum, concert snare drum, 4 toms, bass drum, 2 bongos, 2 brake drums, 2 suspended cymbals), piano). Concertos. Medium difficult. Piano reduction. Duration 14:20. Published by C. Alan Publications (CN.05382). The Concerto for Percussion Solo and Wind Ensemble was composed in January of 2001 as a showcase for the talents of percussionist Scott Herring. The concerto is in three connected movements and features the soloist on a variety of instruments, including marimba, vibraphone, bells, and crotales. A large percussion battery with two snare drums, multiple toms, brake drums, and bass drum is also used. The first movement, March, utilizes a quasi five-part rondo form. The movement starts with a solo snare drum, with the ensemble providing melodic interjections. The introduction builds to the first solo marimba entrance. A left hand ostinato leads to a melodic figure which alternates between 6/8 and 4/4. A short snare drum solo sets up the middle section, in which the soloist and ensemble trade musical ideas. The multi-meter passage returns, with the soloist embellishing ensemble melodic figures. An abrupt modulation leads to the final section, which echoes the opening ideas of the movement. March ends with the soloist back on the snare drum, as it comes quietly to its conclusion. The concerto immediately segues into the second movement, Meditation, which begins with the ethereal sound of multiple sets of wind chimes. As the movement progresses, the soloist plays long, reflective lines over a simple ensemble accompaniment, on various combinations of keyboard percussion instruments. The movement builds to a moment of triumph, before returning to its initial contemplative state. Fantasia (a free flight of fancy) immediately shatters the previous mood. A loud, cacophonous ensemble accompaniment provides a charged atmosphere for the soloist to utilize the percussion battery. A short melodic section, noble in character, leads to the initial climax of the final movement. The atmosphere abruptly changes again, as the ensemble and soloist embark upon a fast, violent new section. Musical lines are furiously exchanged, leading up to a thunderous percussive display. The mood is suddenly tinged with blues and jazz influences, letting the soloist function in a manner reminiscent of a drum set player. The final section of Fantasia begins with an unaccompanied marimba solo, played at breakneck speed. The ensemble begins to gradually join the soloist, as the movement build to a final, fortissimo climax.
$32.00

Instruments: Piano, Percussion, Snare Drum, Marimba, Vibraphone, Piano and Keyboard, Drums
Genres: Classical
Concertino for 4 Percussion by David Gillingham. Percussion Ensemble. For Percussion (solo percussion 1 (timpani, bells, crash cymbal, suspended cymbal, bass drums, tam-tam), solo percussion 2 (marimba, xylophone, tam-tam), solo percussion 3 (marimba, hi-hat), solo percussion 4 (vibraphone, chimes, triangle, bass drums), piano). Concertos. Medium difficult. Piano reduction. Duration 9:30. Published by C. Alan Publications (CN.02872). The original conception of this work, Concertino for Four Percussion and Wind Ensemble, was commissioned by the Oklahoma State University Wind Ensemble, Joseph Missal, conductor and Wayne Bovenschen, Professor of Percussion studies.The Concertino or "small concerto" seeks to exploit keyboard, membrane, and auxiliary percussion instruments with the marimbas, xylophone, timpani, vibraphone, and bass drums as the featured instruments, assisted by crash cymbals, suspended cymbal, tam-tam, bells, chimes, triangle, and hi-hat to enhance both the ensemble and the solo instruments.Two thematic motives are used as a point of departure for this work. Both appear in the slow and mysterious introduction. The first, played by the marimbas, is dramatic and the second is haunting and played by the vibraphone and bells. The following Allegro is structured similar to a rondo with recurrences of both themes interspersed by episodic sections. The first theme, however, is transformed into a very lively arpeggiated tune played by the xylophone and marimba. The coda is marked by a relentless rhythmic competition of two sets of bass drums which accompany the primary thematic material as first heard in the slow introduction. The work draws to a resounding conclusion when the second haunting theme is stated dramatically in tour de force by the brass.Concertino for Four Percussion is also available for performance with Wind Ensemble (CAP 02870) and Piano (CAP 02872).
$36.00

Instruments: Piano, Percussion, Timpani, Drums, Marimba, Vibraphone, Xylophone, Piano and Keyboard
Genres: Classical
Concerto for Piano and Percussion Orchestra. (Piano Feature). By David Gillingham. For Solo with Percussion Ensemble (Solo Piano, Timpani (5 drums), Percussion 1 (crotales, bells, xylophone), Percussion 2 (3-octave vibraphone), Percussion 3 (4-octave marimba), Percussion 4 (4-octave marimba), Percussion 5 (4-octave marimba), Percussion 6 (5-octave marimba), Percussion 7 ). Medium difficult. Score only. Duration 17:00. Published by C. Alan Publications (CN.06531). Commissioned by: Central Michigan University: Andrew Spencer; Kutztown University: Frank Kumor, Will Rapp; Lancaster High School Percussion Ensemble: Bruce Gerken, Lancaster, OH; University of North Carolina at Greensboro, Cort McClaren Written with the virtuoso in mind, this piano concerto is perfect for the modern ensemble. The first movement exudes an urgency scored in the rhythms and harmonies throughout, while the second movement, Elegy, reflects on the memory of a friend. The final movement barrels along with spirit and drive, utilizing mixed meter and a full compliment of percussion to bring you to the breathtaking conclusion.
$20.00

Instruments: Percussion, Timpani, Drums, Marimba, Vibraphone, Xylophone
Genres: Classical
Five Songs from the Summit by Daniel McCarthy. For Full Orchestra with CD (Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Clarinet in Bb 1, Clarinet in Bb 2, Bass Clarinet, Bassoon 1, Bassoon 2, Horn in F 1-2, Horn in F 3-4, Trumpet in Bb 1, Trumpet in Bb 2-3, Tuba, Timpani, Percussion 1 (drum set, bongos, claves), Percussion 2 (sha). Grade 5. Score only. Duration 10:00. Published by C. Alan Publications (CN.06621). Commissioned by the Akron Symphony Orchestra for the 75th anniversary celebration. The piece is for youth orchestra with an accompanying cd of songs written by middle school children from Akron middle schools.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Bassoon, Horn, B-Flat Trumpet, Percussion, Timpani, Drum Set, Tuba, Woodwinds, Clarinet, Brass, Trumpet, Drums
Genres: Classical
From This Time Forth by David Gillingham. For Full Orchestra with SATB Choir (Flute/Piccolo 1/2, Oboe 1/2, Bb Clarinet 1/2, Bassoon 1/2, F Horn 1/2, F Horn 3/4, C Trumpet 1, C Trumpet 2/3, Trombone 1/2, Bass Trombone, Tuba, Timpani, Percussion 1 (crotales, 3 brake drums, 4 toms, bass drum, hi hat), Percussion 2 (bells, chimes, temp). Score only. Duration 12:30. Published by C. Alan Publications (CN.06541). Psalm 121I lift up my eyes to the hillsfrom whence does my help come?My help comes from the Lord,who made heaven and earth.He will not let your foot be moved,he who keeps you will not slumber.Behold, he who keeps Israelwill neither slumber nor sleepThe Lord is your keeper;the Lord is your shadeon your right hand.The sun shall not smite you by day,nor the moon by night.The Lord will keep you from all evil;He will keep your life.The Lord will keepyour going out and your coming infrom this time forth and for evermore.
$75.00

Instruments: Choir, Flute, B-Flat Clarinet, Oboe, Bassoon, Horn, Bass Trombone, Percussion, Timpani, Drums, Tuba, C Trumpet, Vocal, Woodwinds, Clarinet, Brass, Trombone, Trumpet
Genres: Classical
Five Songs from the Summit by Daniel McCarthy. For Full Orchestra with CD (Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Clarinet in Bb 1, Clarinet in Bb 2, Bass Clarinet, Bassoon 1, Bassoon 2, Horn in F 1-2, Horn in F 3-4, Trumpet in Bb 1, Trumpet in Bb 2-3, Tuba, Timpani, Percussion 1 (drum set, bongos, claves), Percussion 2 (sha). Grade 5. Score and parts. Duration 10:00. Published by C. Alan Publications (CN.06620). Commissioned by the Akron Symphony Orchestra for the 75th anniversary celebration. The piece is for youth orchestra with an accompanying cd of songs written by middle school children from Akron middle schools.
$89.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Bassoon, Horn, B-Flat Trumpet, Percussion, Timpani, Drum Set, Tuba, Woodwinds, Clarinet, Brass, Trumpet, Drums
Genres: Classical
Concerto for Piano and Percussion Orchestra. (Piano Feature). By David Gillingham. For Solo with Percussion Ensemble (Solo Piano, Timpani (5 drums), Percussion 1 (crotales, bells, xylophone), Percussion 2 (3-octave vibraphone), Percussion 3 (4-octave marimba), Percussion 4 (4-octave marimba), Percussion 5 (4-octave marimba), Percussion 6 (5-octave marimba), Percussion 7 ). Medium difficult. Score and parts. Duration 17:00. Published by C. Alan Publications (CN.06530). Take advantage of this over-stock pricing while supplies last. Commissioned by: Central Michigan University: Andrew Spencer; Kutztown University: Frank Kumor, Will Rapp; Lancaster High School Percussion Ensemble: Bruce Gerken, Lancaster, OH; University of North Carolina at Greensboro, Cort McClaren Written with the virtuoso in mind, this piano concerto is perfect for the modern ensemble. The first movement exudes an urgency scored in the rhythms and harmonies throughout, while the second movement, Elegy, reflects on the memory of a friend. The final movement barrels along with spirit and drive, utilizing mixed meter and a full compliment of percussion to bring you to the breathtaking conclusion.
$45.00

Instruments: Percussion, Timpani, Drums, Marimba, Vibraphone, Xylophone
Genres: Classical
Forward Motion by David Gillingham. For Full Orchestra (Piccolo/Flute 1/2, Oboe 1/2, A Clarinet 1/2, Bass Clarinet, Bassoon 1/2, F Horn 1/2, F Horn 3/4, C Trumpet 1-3, Trombone 1-2, Bass Trombone, Tuba, Timpani, Percussion 1 (bells, large bass drum), Percussion 2 (crotales, chimes, brake drums, crash cymbal), ). Score only. Published by C. Alan Publications (CN.06181). Time possesses continual forward motion. As human beings, we have the unique ability to experience the present, reflect on the past, and contemplate the future. One can liken the experience of time to the jogger who can look over his/her shoulder to see behind, look to the side to see what is passing him/her at the moment, and look ahead to things not quite visible on the horizon. It is from this particular perspective of time that I have derived my inspiration for this orchestra overture. Since music is a "time art," the spirt of the work seems more apropos. Forward Motion is quite blatantly a work about the motion of time, tremendously rhythmic and constantly moving forward. It celebrates the coming of the millenium and has moments of reflection, attention to the present and speculation about the future. Based on a motivic cell of five notes on three pitches, the work opens with mysterious anticipation of the future. This segues into a rousing brass fanfare, signifying a positive outlook for the new millenium. The ensuing rigorous and ferocious rhythmic section is very much reflective of the turmoil of the past twentieth century and the "busy-ness" and technological saturation of the present. The middle section with a lyrical cello line accompanied by harp and keyboard percussion is much calmer and a reassuring reminder that nothing is to be feared in the new millenium, that we are doing well, and that we have accomplished much in the past. Following this are some of the beginning ideas of reflection and future perspective, the mood changing from turmoil to mysteriousness. All of this reaches a boiling point and breaks into a final and glorious rendition of the cello theme from the middle section, this time stated by the brass. A driving and rhythmic coda brings the work to a rousing close.--DRG.
$40.00

Instruments: Flute, Bass Clarinet, Oboe, Bassoon, Horn, Bass Trombone, Percussion, Timpani, Drums, Tuba, A Clarinet, C Trumpet, Woodwinds, Clarinet, Brass, Trombone, Trumpet
Genres: Classical
Towers by Daniel McCarthy. For Full Orchestra (Piccolo, Flute 1/2, Oboe 1/2, English Horn, Bb Clarinet 1/2, Bass Clarinet, Bassoon 1/2, F Horn 1-4, Bb Trumpet 1, Bb Trumpet 2/3, Trombone 1/2, Bass Trombone, Tuba, Timpani (5 drums), Percussion 1 (xylophone, snare drum, temple blocks, triangle, chimes, ). Grade 5. Score only. Duration 8:50. Published by C. Alan Publications (CN.06121). Towers, based upon a theme from the first movement of McCarthy's Chamber Symphony for Marimba and Winds, was inspired by J.R.R. Tolkien's The Two Towers from the epic tome The Lord of the Rings. Driving rhythms, dense harmonic sonorities, and melodic Romanticism in this piece reflect the excitement, drama, and sheer power of the Tolkien Trilogy. This music is also about the seemingly insurmountable power of darkness and evil on earth. But it is also about the power of the human spirit, the power of light and hope that can emerge, unexpected, during our bleakest hours.
$50.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Bassoon, English Horn, B-Flat Trumpet, Bass Trombone, Percussion, Timpani, Snare Drum, Xylophone, Tuba, Woodwinds, Clarinet, Trumpet, Brass, Trombone, Drums
Genres: Classical
SoundMass by Daniel McCarthy. Chamber Ensemble. For Jazz Orchestra (1 Soprano Saxophone, 1 Alto Saxophone, 2 Tenor Saxophone, 1 Baritone Saxophone, 2 Horn in F, 5 Trumpet, 5 Trombone, 1 Bass Trombone, 1 Drum Set, 1 Piano, 1 Electric Bass, 1 Electric Guitar). Medium difficult. Score and parts. Duration 10:00. Published by C. Alan Publications (CN.05850). A concert-style piece for jazz orchestra exploring traditional and non-traditional harmonies for jazz orchestra.
$50.00

Instruments: Piano, Alto Saxophone, Baritone Saxophone, Soprano Saxophone, Tenor Saxophone, Horn, B-Flat Trumpet, Bass Trombone, Bass Guitar, Electric Guitar, Percussion, Drum Set, Piano and Keyboard, Saxophone, Woodwinds, Brass, Trumpet, Trombone, Guitar, Drums
Genres: Classical
For Elise by Ludwig van Beethoven (1770-1827). Arranged by D. Long. For Percussion Ensemble (bells (optional), vibraphone, marimba 1 (4-octave), marimba 2 (4-octave), bass marimba (5-octave or electric bass), optional percussion (bongos or congas), drum set). Medium. Score and parts. Duration 2:45. Published by C. Alan Publications (CN.01520). David Long has set this masterpiece to a boogie-woogie bass line and has included chord changes for open solos in the middle of the piece. The vibraphone plays the melody through most of the piece while the marimba plays the bridge.
$38.00

Instruments: Percussion, Drum Set, Marimba, Vibraphone, Drums
Genres: Classical Period, Classical
Concerto for Marimba, Percussion & Synthesizers. (Marimba Feature). By Daniel McCarthy. For Solo with Percussion Ensemble (Solo Marimba (5 octaves), Mallet 1 (5-oct marimba), Mallet 2 (5-oct marimba, vibraphone), Timpani (5 drums), Percussion 1 (6 roto-toms, temple blocks, log drum [6 pitches], suspended cymbal, snare drum, timbales), Percussion 2 (agogo bell, bamboo wind chi). Medium difficult. Score and parts. Duration 12:30. Published by C. Alan Publications (CN.01650). Written for marimbist Michael Burritt, this virtuosic three-movement work is a first-rate piece of music. The solo marimba part is extremely virtuosic and challenging. The electronics weave in and out of the solo and ensemble texture, sometimes providing a nice sustained, choral backdrop, sometimes providing an in-your-face back beat (as in Rokit!). You can hear a recording of "Concerto" on Daniel McCarthy's CD "Song of Middle Earth" (also available from C. Alan).
$68.00

Instruments: Percussion, Timpani, Snare Drum, Marimba, Vibraphone, Drums
Genres: Classical
The Worried Drummer ("Der Pauker Im Aengsten") by Adolph Schreiner/Eric Osterling. For Multiple Percussion Solo: Snare drum, bass drum, cymbal, timpani, bells, tambourine, triangle, castanets and sleigh bells; with Full Orchestra Accompaniment. Full Orchestra. Grade 4. Set of Parts. Published by Ludwig Music Publishing Co. (LG.10260084). Multiple Percussion Solo: Snare drum, bass drum, cymbal, timpani, bells, tambourine, triangle, castanets and sleigh bells. Audiences will delight in watching the soloist rush from instrument to instrument in order to keep up with the music! See 10620184 for solo with piano accompaniment, and 10160394 for solo with band.
$55.00

Instruments: Percussion, Timpani, Snare Drum, Drums
Genres: Classical
Ouverture zu einer Komodie by Victor Urbancic. Overture. For orchestra ([2(Piccolo).2.2.2-3.3.0.1], Drums, Percussion, Strings). Study score. Published by Doblinger Music Publishers (DB.STP-00264).
$19.95

Instruments: Percussion, Drums
Genres: Classical