Trio in E flat major, Opus 3 by Ludwig van Beethoven (1770-1827). For string trio. Published by International Music Company (IM.1184).

Sonata by Xavier Leroux. Edited by James Chambers. For horn and piano. Published by International Music Company (IM.2113).

Jesu Joy of Man's Desiring (For Interchangeable Woodwind Ensemble). By Johann Sebastian Bach (1685-1750). Arranged by David Marlatt. For Flute, Clarinet & Keyboard. Duet or Duo; Masterworks; Part(s); Score; Woodwind - Mixed Ensemble. Eighth Note Publications. Baroque; Masterwork Arrangement. 8 pages. Published by Eighth Note Publications (AP.81-WWE1183). ISBN 1554737192. Baroque; Masterwork Arrangement. This very popular piece has been arranged many times for various instruments. It has been adapted here for flute, clarinet, and keyboard. The chorale is played before the popular triple meter theme. The voices pass the weaving line between them and the chorale is stated above it.

March, Op. 99 (Critical Edition with Full Score). By Sergei Prokofiev (1891-1953). Edited by William Berz. Arranged by Paul Yoder. For Concert Band (Full Score). G. Schirmer Band/Orchestra. Grade 4. 20 pages. Published by G. Schirmer (HL.50490116). ISBN 142349363X. 10.5x14 inches. Originally composed for band by Prokofiev, this is the well-known version adapted and arranged by Paul Yoder. Although not written in the traditional “march” style, this impressive work is solidly scored and offers an impressive programming choice. This new critical edition includes important corrections as well as a complete full score. Dur: 2:15 (Grade 4).

Mass (Concert Selections for Soloists and Choruses). By Leonard Bernstein (1918-1990). Edited by Doreen Rao. For Choral, Drum Set (Percussion). BH Large Choral. 20 pages. Leonard Bernstein Music Publishing Co. #M051106578. Published by Leonard Bernstein Music Publishing Co. (HL.48020798). Doreen Rao's newly adapted and edited concert version of Bernstein's epic theatre piece brings us this monumental music in a shortened and manageable edition for chorus, soloists and chamber orchestra. In bringing the Mass of Leonard Bernstein to school, community and church choirs, Rao has maintained the integrity of the Mass form and the dramatic tension between faith and doubt through a 40-minute adaptation of a work that celebrates diversity, inclusion and Bernstein's passion for peace. Available separately: SATB/Treble, Percussion.

Preludios Epigramaticos. (Guitar). By Leo Brouwer (1939-). For Guitar. Music Sales America. 8 pages. Editions Musicales Transatlantiques #ETR001740. Published by Editions Musicales Transatlantiques (HL.14040937).

Concerto by Giuseppe Manzino. For Oboe and Strings. Score. 24 pages. Published by Ut Orpheus (UT.XXS-73A). ISBN 979-0-2153-1893-9.

6 Trios Op. 1 (G 77-82). (Volume 2: Trios Nos. 4-6). By Luigi Boccherini (1743-1805). For 2 Violins and Violoncello. Chamber Music. Set of parts. Op. 1 (G 77-82). 60 pages. Published by Ut Orpheus (UT.PEB-26B). ISBN 979-0-2153-1910-3. Chamber Music.

6 Trios Op. 1 (G 77-82). (Volume 1: Trios Nos. 1-3). By Luigi Boccherini (1743-1805). For 2 Violins and Violoncello. Chamber Music. Set of parts. Op. 1 (G 77-82). 60 pages. Published by Ut Orpheus (UT.PEB-25B). ISBN 979-0-2153-1909-7. Chamber Music.

Sonata Op. 18 No. 3 by Martin-Pierre Dalvimare. For Harp. Op. 18 No. 3. 28 pages. Published by Ut Orpheus (UT.MAG-222). ISBN 979-0-2153-1848-9.

Sonata in G Major Wq 139 by Carl Philipp Emanuel Bach (1714-1788). For Harp. 20 pages. Published by Ut Orpheus (UT.HS-179). ISBN 979-0-2153-1871-7.

Carnivale by Alexander Glazunov (1865-1936). Arranged by R. Stilwell. For concert band (Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Bassoon 1, Bassoon 2, Eb Clarinet, Solo Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet, Bb Bass Clarinet, Bb Contrabass Clarinet, Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Barit). Grade 5. Score only. Duration 4:00. Published by C. Alan Publications (CN.18201). Extracted from one of Glazunov's suites for orchestra, "Carnivale" is a rousing tarantella to be performed at a brisk tempo in 6/8 time. With its rapid tempo and dramatic dynamic changes, "Carnivale" would provide a stirring conclusion to any band concert.Carnivale, a rousing tarantella, is the last of four movements included in A Glazunov Set * which, in turn, have been extracted by the arranger from two of Glazunov's six suites for orchestra. The source for this movement is Characteristic Suite in D major, Opus 9 - an early work composed by Glazunov between 1884-1887. For this transcription the original orchestral version has been edited, with redactions kept to a minimum, for greater succinctness and flow of musical ideas In keeping with the traditional character of a tarantella, Carnivale is to be performed at a brisk tempo in 6/8 time - M.M.= 160 or above. It is in the mold of Rossini's 'La Danza' which was included by Ottorino Respighi in 'La Boutique Fantasque' - even to the extent of being in a minor key. With its rapid tempo and dramatic dynamic changes, Carnivale would provide a stirring conclusion to any band concert.

Io Tacero (I Will Keep Quiet). By Don Carlo Gesualdo (1566-1613). Arranged by R. Ambrose. For Concert Band (Flute 1, Flute 2, Oboe, Bassoon 1, Bassoon 2, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet in Bb, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Horn in F, Trombone 1, Trom). Chorales. Chorale. Grade 3. Score only. Duration 4:00. Published by C. Alan Publications (CN.18151). Extracted from Renaissance composer Gesualdo's Fourth Book of Madrigals, "Io TaceroI!" was originally scored for five voices. Ambrose has done a masterful job of adapting the surprisingly chromatic choral work for the modern wind ensemble, showcasing the brass instruments with solo passages in the middle of this heart-wrenching composition.Carlo Gesualdo (1566 - 1613) is best known as a prolific composer of madrigals. Much of his music is characterized by wild, often jarring chromaticism, the likes of which was not seen again until the nineteenth century, some 300 years later. Gesualdo's highly original music is often overshadowed by the brutal murders of his wife and her lover that he committed in 1590. By most accounts, these actions haunted him for the remainder of his life and certainly contributed to the depression and eventual self-isolation that characterized his final years. Io taceroI!, ma nel silenzio mio first appeared in Volume IV of Gesualdo's madrigals for five voices, published in Ferrara in 1596. While the source of the text is unknown, its representation of emotional extremes is characteristic of those chosen by the then-tormented composer. English translation by Matthew Smyth: Io taceroI!, ma nel silenzio mio, La lagrime i sospiri, Diranno i miei martiri. Ma s-avverraI! ch-io mora, GrideraI! poi per me la morte ancora. (I will keep quiet, yet in my silence, My tears and sighs, Shall tell of my pain. And if I should die, Death shall cry out for me once again.) In van dunque, o crudele, Vuoi che-l mio duol e-l tuo rigor si cele. Poi che mia cruda sorte Da la voce al silenzio ed a la morate. (Thus in vain, oh cruel one, Yearn you for my pain and your harshness to be hidden. Since my cruel fate Gives voice to silence and to death.).

Tango Moderno by Jules Pegram. For String Orchestra with Piano (Violin I, Violin II, Viola, Cello, Contrabass, Piano). Grade 4. Score only. Duration 3:00. Published by C. Alan Publications (CN.17891). This zesty work for strings and piano depicts a fast-paced tango between two passionate dancers. Sultry melodic lines and driving, syncopated rhythms combine for what will surely be a spicy addition to any program. !Que caliente!This zesty work for strings and piano depicts a fast-paced tango between two passionate dancers. Sultry melodic lines and driving, syncopated rhythms combine for what will surely be a spicy addition to any program. !Que caliente!

God Rest Ye Merry, Gentlemen (score only). (Holiday). By Nathan Daughtrey. For String Orchestra (violin I, violin II, viola, cello, contrabass). Grade 4. Score only. Duration 4:50. Published by C. Alan Publications (CN.17871). This fantasia on the traditional English Christmas carol 'God Rest Ye Merry, Gentlemen' takes listeners on a journey through a wide range of styles and moods, giving ample opportunity for each section of the string orchestra to show off.

Soundscape for Organ & Percussion Ensemble by Robert W. Rumbelow. Solo with Percussion Ensemble. For Solo with Percussion Ensemble (Concert Organ, Percussion 1 (taiko drum, orchestra bells, 2 medium tams, 3 low Noa bells [or temple bowls], bowed crotales), Percussion 2 (taiko drum, vibraphone, 3 high tams, nipple gong, small temple chimes, bow), Percussion 3 (taiko drum, 4.3-octave Ma). Medium. Score only. Duration 9:30. Published by C. Alan Publications (CN.17651). Scored for organ and percussion quartet, "Soundscapes" explores many of the sonic possibilities of the pipe organ and accentuates these with a wide array of battery percussion, gongs & other metallic instruments, and keyboard percussion.

Sonata Souvenir by Jan van den Langenberg. For guitar. Solo. Published by Van Teeseling (VT.VT-361).

6 Gnossienes (gitaarduo) by Erik Satie (1866-1925). Arranged by Groninger. For 2 guitars. Published by Van Teeseling (VT.VT-326).

Romances sans paroles by Gabriel Faure (1845-1924). Arranged by Enno Voorhorst. For guitar. Solo. Published by Van Teeseling (VT.VT-325).

Sonata K.V. 331 by Wolfgang Amadeus Mozart (1756-1791). Arranged by Jan van den Langenberg. For flute and guitar. Published by Van Teeseling (VT.VT-309).

Eine kleine Nachtmusik by Wolfgang Amadeus Mozart (1756-1791). Arranged by C. Teune. For 3 guitars. Published by Van Teeseling (VT.VT-293).

Concerto for Euphonium by David R. Gillingham. For Soloist(s) with Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1/2, Bassoon 1/2, Eb Soprano Clarinet, Clarinet in Bb 1, Clarinet in Bb 2/3, Bass Clarinet, Contrabassoon, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Solo Euphonium, Trumpet in Bb 1/2, Trumpet in Bb 3, Horn in). Difficult. Solo part only. Duration 19:10. Published by C. Alan Publications (CN.15483). Scored in three movements, this concerto is a must for the serious euphonium player. The free flowing first movement pairs rubato style solo playing with strict rhythms in the ensemble while the sonorous second movement glistens with flowing melodies and Gillingham's signature mallet percussion and piano parts. The final Festival movement revisits many of the earlier themes with the flair of a festival performance.

6 Variations Op. 118 by Mauro Giuliani (1781-1829). For guitar. Op. 118. 16 pages. Published by Ut Orpheus (UT.CH-130). ISBN 979-0-2153-1890-8.

6 Lieder Op. 89 by Mauro Giuliani (1781-1829). For Voice and Guitar (Piano). Score and parts. Op. 89. 40 pages. Published by Ut Orpheus (UT.CH-129). ISBN 979-0-2153-1889-2.