Camille Saint-Saëns composed his two Romances for Horn for two of the most respected French horn players of the time: Opus 67 in E major from 1866 is dedicated to Henri Chaussier; Opus 36 in F major from 1874 was written for Henri Garigue. Despite the illustrious recipients, they are not virtuosic showpieces but – as the term Romance suggests – short “Songs without words”. Alongside the orchestral version, Saint-Saëns also prepared a piano accompaniment for chamber music performances. The first editions even also had an alternative part for Violoncello, on which this edition is based.

Camille Saint-Saëns composed his two Romances for Horn for two of the most respected French horn players of the time: Opus 67 in E major from 1866 is dedicated to Henri Chaussier; Opus 36 in F major from 1874 was written for Henri Garigue. Despite the illustrious recipients, they are not virtuosic showpieces but – as the term Romance suggests – short “Songs without words” that fully savour the typical romantic sound of the horn. Alongside the orchestral version, Saint-Saëns also prepared a piano accompaniment for chamber music performances. Due to the fact that they are not overly technically demanding the Romances are also suitable for advanced students.

Camille Saint-Saëns was always trying to expand the rather sparse repertoire for chamber music for wind instruments, something that is not least also shown by his three late wind sonatas for oboe, clarinet and bassoon respectively (HN 964, 965, 966). The Trombone also came into its own as a solo instrument with the Cavatine, composed in 1915. It displays here its lyrical, romantic side. To date the Cavatine, an effective recital piece, is a milestone in the solo literature for advanced Trombone players. This Henle Urtext edition is the first to take into account also the autograph in Paris.

This is an exclusive arrangements for trumpet & piano of EASY skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: oh hanukkah, o hanukkah, oh chanukah, o chanukah, maoz tsur, ma oz tsur, rock of ages, okh bin a kleyner dreydl, i have a little dreidel, little dreidel, sevinon, sov, ner li, i have a candle, manurah, candle, mi yimalel, who can retell, al hanisim, thank you for the miracles, birchat, chanukah blessings, hanukkah blessings, banu choshech legaresh, we come to chase the dark away, etc.

This is an exclusive arrangements for trombone & piano of MEDIUM/HIGH skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: halloween night, the witches and the pupmkins, the goblins, the ghosts, the end of the night, toccata and fugue, funeral march, in the hall of the mountain king, danse macabre, hungarian dance, totentanz, nordraak's funeral march, a night on bald mountain, lullaby of the spirits

This book – the third volume of duets based on solo repertoire – strives to authentically represent the character of some of the great baroque trumpet solos, presenting them for study or performance by two trumpets alone. The top voice, by and large, is the original trumpet part while the bottom voice stands in for strings, basso continuo, and in some cases, the voice. Thirteen Favorite Baroque Trumpet Works includes Handel’s Let the Bright Seraphim, Telemann’s Concerto, and Corelli’s Sonata. For intermediate players.

This collection of solos composed by François Dauverné is unique in that they are among the very first solos ever written for the valved trumpet, culled from Collection de VI Solos pour la Trompette Chromatique. The collection comes with a CD that contains piano accompaniments as MP3 files and as printable PDFs, as well as printable PDFs of Trumpet in C parts. Dauverné was the first trumpet teacher at the famed Paris Conservatory and maintained that post for thirty-five years. He was also the teacher of such notable students as Jean-Baptiste Arban and Louis Saint-Jacome. As a performer, Dauverné was first trumpet in the Paris Opera Orchestra for over thirty years. Dauverné is credited for being one of the first individuals to play on the valved trumpet in a public performance, and convinced such composers as Berlioz, Rossini, and Meyerbeer to write for the instrument. This collection of six solos was originally composed for solo trumpet and chamber orchestra. Associate Professor of Trumpet at the University of North Dakota, Ronnie Ingle has meticulously transcribed and edited these groundbreaking works for solo trumpet, and has made available here for the first time a modern edition for solo trumpet and piano. This is a collection that all trumpeters should have in their library.

When Beethoven visited the director of music at the cathedral in Linz, Franz Xaver Glöggl, in autumn 1812, the latter asked his guest to "compose socalled Equali for 4 trombones for All Souls’ Day [2 November]”. Beethoven readily complied – and it was to be his own funeral music. For in 1827 the Equali were sung in an arrangement for male choir as a “dirge for Beethoven’s funeral procession”. The original instrumental version is today a core work in the trombonist’s repertoire. Henle's Urtext edition is based on the musical text in the Beethoven Complete Edition and contains a score and single parts (both in the original C and in modern bass clef).

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